The Private Presses
The Private Presses

Author: Colin Franklin

Publisher:

Published: 1991

Total Pages: 408

ISBN-13:

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The renaissance of printing is generally accepted as starting in 1891, the date of the first publication from William Morris's Kelmscott Press. In that year, Morris printed his own Story of the Glittering Plain, so beginning a movement that was to continue until 1939. The author begins his survey with the Daniel Press, started by the Provost of Worcester College, Oxford, and traces the development of the private movement in printing which flourished between 1891 and 1914: these presses include Kelmscott, Ashendene, Essex House, Vale and Doves. Between the wars in Britain three presses stand out: the Gregynog Press, Shakespeare Head, and Golden Cockerel. This book is the only one of its kind to trace the history and development of these presses, publishers of some of the finest examples of printing of English books that has ever been known.

Color in American Fine and Private Press Books, 1890-2015
Color in American Fine and Private Press Books, 1890-2015

Author: Jean-Franc̜ois Vilain

Publisher:

Published: 2016

Total Pages: 132

ISBN-13: 9780990448785

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A catalogue issued in conjunction with "Across the Spectrum: Color in American Fine & Private Press Books 1890-2015," at the University of Pennsylvania Library. Table of contents, acknowledgments, essays by the authors and by Russell Maret, listing of fine and private presses in the Vilain-Wieck Collection at the Penn Library. Color illustrations throughout.

The Kelmscott Chaucer
The Kelmscott Chaucer

Author: Geoffrey Chaucer

Publisher: Collector's Library

Published: 2011-09

Total Pages: 576

ISBN-13: 9781907360510

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The Kelmscott Chaucer is the most memorable and beautiful edition of the complete works of the first great English poet. Next to The Gutenberg Bible, it is considered the outstanding typographic achievement of all time. There are 87 full-page illustrations by Sir Edward Burne-Jones, and the borders, decorations and initials are drawn byWilliam Morris himself. Only 425 copies of this magnificent work were produced in 1896, and this beautiful monochrome facsimile, slightly smaller than the original, makes this glorious book available to all. A fascinating Introduction by Nicholas Barker places the book and its importance in context. The main text is followed by a black and white facsimile of ANoteby William Morris on his Aims in Founding the Kelmscott Press, together with a Short History of the Press by S C Cockerell.

Fine Printing and Private Presses
Fine Printing and Private Presses

Author: Roderick Cave

Publisher:

Published: 2001

Total Pages: 290

ISBN-13:

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Writing to the Monotype Recorder in 1933, Eric Gill stated that a private press prints solely what it chooses to print, whereas a public press prints what its customers demand of it. Although the most famous private presses came out of the arts and crafts movement, in the 100 years since the formation of Morris's Kelmscott Press, fine printing has emerged as a distinct subject. In this series of essays, Roderick Cave draws on over 40 years experience of study, to examine the history and output of some of the famous presses such as the Doves Press and the Golden Cockerel Press, as well as some of the lesser known names such as the Pear Tree Press and the Pontine Press. The geographical range of fine printing extends around the world from the UK and US to Italy, Austria and Jamaica.

Beauty and the Book
Beauty and the Book

Author: Megan Benton

Publisher: Yale University Press

Published: 2000-01-01

Total Pages: 350

ISBN-13: 9780300082135

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After World War I, the US was flooded with newspapers, magazines, radio stations and movies. Many feared serious books would disappear altogether. The concern caused a boom in fine editions, valued for beauty, craftsmanship or rarity, rather than content, and this is their story.