Vincent van Gogh committed suicide in 1890, and his brother, Theo, died soon thereafter. His widow, Johanna, was left with many paintings and the desire for Vincent's recognition. In this historical novel, Johanna hires Armand Roulin, painted by Vincent in Arles, to research the artists and villages of France where Vincent lived. Along the way he becomes attracted to a young woman in Auvers, also painted by Vincent. Join Armand as he travels in the steps of Vincent and meets Dr. Gachet, Paul Gauguin, Camille Pissaro, and other renown artists who worked with Vincent.
Printz Honor Book • YALSA Nonfiction Award Winner • Boston Globe-Horn Book Award Winner • SCBWI Golden Kite Winner • Cybils Senior High Nonfiction Award Winner From the author of National Book Award finalist Charles and Emma comes an incredible story of brotherly love. The deep and enduring friendship between Vincent and Theo Van Gogh shaped both brothers' lives. Confidant, champion, sympathizer, friend—Theo supported Vincent as he struggled to find his path in life. They shared everything, swapping stories of lovers and friends, successes and disappointments, dreams and ambitions. Meticulously researched, drawing on the 658 letters Vincent wrote to Theo during his lifetime, Deborah Heiligman weaves a tale of two lives intertwined and the extraordinary love of the Van Gogh brothers.
It's been some time since Vincent has had a good day. Sitting on the bus, he still doesn't know that his life is about to change. Forever. At that moment, outside the bus, Lady lets a little smile escape when recalling an anecdote about tomatoes. Vincent sees the smile and his world turns upside down. Now, armed with his nerdy RPG friends(not counting Bu, who is like a sister to Vincent and full of solid wisdom), an impressive magic act, and a insatiable love of roast beef sandwiches (no pickles, Vincent hates pickles), he must learn how to navigate his first non-platonic love and what may happen if things don't go as planned (as they often do in the life of Vincent).
The concept of luck has played an important role in debates concerning free will and moral responsibility, yet participants in these debates have relied upon an intuitive notion of what luck is. Neil Levy develops an account of luck, which is then applied to the free will debate. He argues that the standard luck objection succeeds against common accounts of libertarian free will, but that it is possible to amend libertarian accounts so that they are no more vulnerable to luck than is compatibilism. But compatibilist accounts of luck are themselves vulnerable to a powerful luck objection: historical compatibilisms cannot satisfactorily explain how agents can take responsibility for their constitutive luck; non-historical compatibilisms run into insurmountable difficulties with the epistemic condition on control over action. Levy argues that because epistemic conditions on control are so demanding that they are rarely satisfied, agents are not blameworthy for performing actions that they take to be best in a given situation. It follows that if there are any actions for which agents are responsible, they are akratic actions; but even these are unacceptably subject to luck. Levy goes on to discuss recent non-historical compatibilisms, and argues that they do not offer a viable alternative to control-based compatibilisms. He suggests that luck undermines our freedom and moral responsibility no matter whether determinism is true or not.
Reveling in the consumerist decadence of AMC's infamous advertising house Sterling Cooper, this complementary volume to the groundbreaking series Mad men provides behind-the-scenes revelations, episode guides, cast biographies, and rich sidebar content, including "How to party like the mad men." Delving beneath the glitz and glamour to highlight the workings of a sophisticated modern classic, this definitive fan guide also offers fascinating sociological context and cultural analysis
'I have a more or less irresistible passion for books' Vincent van GoghVincent van Gogh (1853-1890) was famously driven by his passion for God, for art - and for books. Vincent's life with books is examined here chapter by chapter, from his early adulthood, when he considered becoming a pastor, to his decision to be a painter, to the end of his life. He moved from Holland to Paris to Provence; at each moment, ideas he encountered in books defined and guided his thoughts and his life. Vincent's letters to his brother refer to at least 200 authors. Books and readers - whether dreaming or deeply absorbed - are frequent subjects of his paintings.Vincent not only read fiction, he also knew many works of art from detailed descriptions and illustrations in monographs, biographies and museum guides. Always keeping up to date, he never missed the latest literary and artistic magazines. This thought-provoking and original study takes the reader on an artistic-literary journey through Vincent's discoveries, his favourite authors and best-loved books, revealing a continuous dialogue between his own work, the artists and the authors who inspired him, and giving life to his comment: 'Books and reality and art are the same kind of thing for me.'
Young J.V. Sullivan, the son of an American Army officer and a Russian pianist, has grown up on Army posts around the world. His prosperous Aunt Nora has welcomed him to her home on Cape Cod each summer, allowing him to contrast the American way of life with his overseas experiences. Despite a gift for languages, Sullivan is unsure of his future. He persists in studying marketing. He completes an MBA program at NYU during his father's second tour of duty in Manhattan and wonders about his future. Aunt Nora discovers young Sullivan may also be a gifted artist. She challenges him to complete a dozen portraits for her. If he accepts the challenge she agrees to pay him $1,000,000. "Why?" he asks. "Paint the portraits and you'll know if an art career is for you. If so, I salute you. If not, I'll have a dozen fine paintings and you'll have a million dollars." He accepts the challenge.
Donna Russo's 'Vincent's Women' is the untold story of Vincent's loves: how they shaped his life, his art, and his death. It writes against the ‘myths,’ exploring the possibility that none of them are true. It is the only novel to bring into question his sexuality, how he lost his ear, who he lost it for, and how he might have died, all through the eyes of a woman. We learn of Her; we learn all of it through Her. The story is guided by Johanna van Gogh Bonger, Vincent's sister-in-law, as she decides to reveal the truth about Vincent to her son. We are then taken on a journey through Vincent's life, each section bringing a pivotal moment of Vincent's life alive while showing us the part she played in bringing it about. Between each woman, our guide, Johanna, gives us the transitional periods, right up to his death, which is now in question. Hundreds of the nearly thousand letters between Vincent van Gogh and his brother Theo, now considered one of the greatest documents of the human experience, were used to help construct this novel, its narrative, and dialogue, especially the dialogue of Vincent himself. Vincent van Gogh is one of the most well-known artists of all time. The world knows of his madness, traumas, and suicide. But what if all that we know isn’t true? What if this knowledge is based on rumors and nothing more? What if his true story is vastly different when based on factual material and forensic information? What if the truth of Vincent’s life—his madness and his genius—is defined by his never-ending search for love?
“Do not grieve at my grave for I am not there.” Cohen Kingsley, the former Alpha of the Southern Werewolves Pack, returns to his pack in an effort to find the body of his mate, Mira, who died nine months ago. Accompanied by his pack, family, and friends, Cohen sets out to find the missing body of his mate. Soon, he realizes all those things he learned about his mate, he's barely scratching the surface. Mira's life was more than just being tortured and experimented by her step brother, Damien. Without knowing the consequences of involving himself and everyone into her past life, Cohen put everyone at risk. Their investigation about Mira's missing body soon comes fruitful and at the same time, trouble follows. He realizes that there is still another big threat lingering around. A bigger threat than the battle against Damien Kincaid. But, it's already too late to back out as they're all already involved deeply into the mess. With the help of his allies, old and new, they unearth the oldest secret of all. The existence of the world's oldest species that nobody knows has ever existed.
