A soccer-loving brother and sister, along with the Aboriginal exchange student that lives with their family, travel to Australia to find out if it is Utopia, and learn a lot along the way.
Finding Utopia is a one act play that revolves around the life of a young girl Jiya who is on the verge of graduating from college. It explores her inner life as she struggles with demons and wrestles with her fears, confusions and insecurities. The play follows her from her graduation party where she meets a young boy, a stranger, Arjun. What happens after that night is a heartwarming tale of how Jiya finds herself and discovers beliefs that make her feel on top of the world. Along the way she falls in love but does everything work out like she wants it to? Has she truly found utopia?Enjoy a deep and profound conversation as together Jiya and Arjun delve into the mysteries of life, the world and the universe. Discover for yourself answers that might just make you feel on top of the world too.
"Jill Dolan is the theatre's most astute critic, and this new book is perhaps her most important. Utopia in Performance argues with eloquence and insight how theatre makes a difference, and in the process demonstrates that scholarship matters, too. It is a book that readers will cherish and hold close as a personal favorite, and that scholars will cite for years to come." ---David Román, University of Southern California What is it about performance that draws people to sit and listen attentively in a theater, hoping to be moved and provoked, challenged and comforted? In Utopia in Performance, Jill Dolan traces the sense of visceral, emotional, and social connection that we experience at such times, connections that allow us to feel for a moment not what a better world might look like, but what it might feel like, and how that hopeful utopic sentiment might become motivation for social change. She traces these "utopian performatives" in a range of performances, including the solo performances of feminist artists Holly Hughes, Deb Margolin, and Peggy Shaw; multicharacter solo performances by Lily Tomlin, Danny Hoch, and Anna Deavere Smith; the slam poetry event Def Poetry Jam; The Laramie Project; Blanket, a performance by postmodern choreographer Ann Carlson; Metamorphoses by Mary Zimmerman; and Deborah Warner's production of Medea starring Fiona Shaw. While the book richly captures moments of "feeling utopia" found within specific performances, it also celebrates the broad potential that performance has to provide a forum for being human together; for feeling love, hope, and commonality in particular and historical (rather than universal and transcendent) ways.
In Searching for Utopia, Hanna Holborn Gray reflects on the nature of the university from the perspective of today’s research institutions. In particular, she examines the ideas of former University of California president Clark Kerr as expressed in The Uses of the University, written during the tumultuous 1960s. She contrasts Kerr’s vision of the research-driven “multiveristy” with the traditional liberal educational philosophy espoused by Kerr’s contemporary, former University of Chicago president Robert Maynard Hutchins. Gray’s insightful analysis shows that both Kerr, widely considered a realist, and Hutchins, seen as an oppositional idealist, were utopians. She then surveys the liberal arts tradition and the current state of liberal learning in the undergraduate curriculum within research universities. As Gray reflects on major trends and debates since the 1960s, she illuminates the continuum of utopian thinking about higher education over time, revealing how it applies even in today’s climate of challenge.
Is it possible to find Utopia; that imaginary place of perfect peace and understanding? Every once in a while, amidst the turmoil of life, a glimpse of this perfection will come, perhaps in seeing a sunrise or a sunset, or hearing a babbling brook, or looking into the wonder filled eyes of a child. Always, it can be found, when sought. As a child, I felt that I was different from others, as if everyone else had a secret that I was not in on. I began to be a seeker at a very young age. I married my high school sweetheart, and recall the blessing being bestowed upon us during our wedding, “that we may find the peace that passes all understanding.” At that same time, in the background, the song “Oh Perfect Love” was being sung. I admit to being somewhat idealistic, but oh, how I yearned for just a glance at that kind of peace and love. In no way did it come in the way that I ever would have imagined. Just 14 years, and four children after the marriage, my husband died suddenly of a heart attack, leaving me devastated with feelings of total inadequacy to run a family business left in my keeping, and raise four young children. Along with all the responsibility that came with these roles, I came to the realization that often times I would need to create a reality with the tools that I was able to gather along the way, constantly finding them in need of repair or replenishing. It was during this time that I began to see writing as one of those tools and sought peace through poems I would write. Whenever I would reach a milestone in life, or be richly inspired by a happening, or experience the death of a loved one, I would write a poem and find a resolve as a way of ending the poem; always seeking a positive place to leave my feelings. “Reaching Utopia” is a poetry book about some of the joys and sorrows I have known along the way. Because I have always been a seeker of that perfect peace, I am happy for the joys of the journey, and grateful for the sorrows. And as I have become a believer, I hope, you may also come to believe that Utopia, although an ideal created from imagination, can be a place within your reach.
At first glance, contemporary popular culture, filled with bleak images of the future, seems to have given up on the possibility of positive collective change. Below the surface, however, alternative culture is rife with artist-led projects, activist movements, and subcultural communities of interest that seek to spark the collective imagination and to encourage hunger for alternatives. More playfully self-conscious than past utopian movements, today’s are often whimsical or ironic, but are still entirely earnest. Artists invite us to re-author city maps, or archive individual ideas for the future, while maker collectives urge us to rethink our relationship to consumer goods. All seem to have grown out of a similar do-it-yourself ethos and alternative culture. One of the central conflicts informing these case studies is that while it remains immensely difficult to envision anything outside of the current system of consumer capitalism, there is nevertheless a powerful desire to take it apart in piecemeal ways. We see the longing for new social and political narratives, new forms of communion and sociability, and new imaginings of the possible, longings that are currently unmet by mainstream culture, but that are taking expression in myriad ways at the local level. Taken as a whole, this collection examines what our grand ideals and playful daydreams tell us about ourselves.
This collection addresses the ways in which the contributors approach their study of the objects and practices of utopianism (understood as social anticipations and visions produced through texts and social experiments) and of how, in turn, those objects and practices have shaped their intellectual work and research perspectives.
Utopia Antiqua is a fresh look at narratives of the Golden Age and decline in ancient Roman literature of the late Republic and imperial period. Through the lens of utopian theory, Rhiannon Evans looks at the ways that Roman authors, such as Virgil, Ovid and Tacitus, use and reinvent Greek myths of the ages, considering them in their historical and artistic context. This book explores the meanings of the ‘Iron Age’ and dystopia for Roman authors, as well as the reasons they give for this decline, and the possibilities for a renewed Age of Gold. Using case studies, it considers the cultural effects of importing luxury goods and the way that it gives rise to a rhetoric of Roman decline. It also looks at the idealisation of farmers, soldiers and even primitive barbarians as parallels to the Golden Race and role models for now-extravagant Romans.