The American classic—as you’ve never experienced it before. This multimedia edition, edited by William Davies King, offers an interactive guide to O’Neill’s masterpiece. -- Hear rare archival recordings of Eugene O’Neill reading key scenes. -- Discover O’Neill’s creative process through the tiny pencil notes in his original manuscripts and outlines. -- Watch actors wrestle with the play in exclusive rehearsal footage. -- Experience clips from a full production of the play. -- Tour Monte Cristo Cottage, the site of the events in Long Day’s Journey Into Night, and Tao House, where the play was written. -- Delve into O’Neill’s world through photographs, letters, and diary entries. And much, much more in this multimedia eBook.
Eugene O’Neill wrote his most enduring and important plays after he won international acclaim as the first and only American playwright to receive the Nobel Prize in Literature in 1936. In the midst of the Great Depression, with his health failing and spirits sunk, he and his third wife, former actress Carlotta Monterey, moved to California to escape the materialism and commercialism of a declining “West,” and they built a new home called Tao House. A reasonably good translation of tao is “the way,” and in this house, which was largely the creation of Carlotta, he found the way to his most famous play, Long Day’s Journey Into Night. As an unusually explicit autobiographical drama, this play returns to 1912, the outset of O’Neill’s writing career, when he confronted tragedy in his family story and found a way to dramatize his mother, father, brother, and himself in a way that has resonated with audiences since its publication and production in 1956. But this book argues that the play originates as much in the moment of its creation, 1939–1941—in the family relationships, the historical circumstances, and the fact that this work would represent a moment of closure of his great career. Key to this heroic story of creation is the intervention of his wife, Carlotta, whose diaries enable a day-to-day observation of how the play was written. She was the driving force behind the design of Tao House, and she managed the rhythms and patterns of life within its architecture. It was her masterpiece, just as Long Day’s Journey was his. This book develops a close reading of their house and marriage and also uses many of O’Neill’s previous plays to illuminate the breakthrough of Long Day’s Journey. This book is the most granular and at the same time the most far-reaching inquiry into how this quintessential play was written (and almost not written) and how it came into the world.
When it was published in 1932, this revolutionary first fiction redefined the art of the novel with its black humor, its nihilism, and its irreverent, explosive writing style, and made Louis-Ferdinand Celine one of France's--and literature's--most important 20th-century writers. The picaresque adventures of Bardamu, the sarcastic and brilliant antihero of Journey to the End of the Night move from the battlefields of World War I (complete with buffoonish officers and cowardly soldiers), to French West Africa, the United States, and back to France in a style of prose that's lyrical, hallucinatory, and hilariously scathing toward nearly everybody and everything. Yet, beneath it all one can detect a gentle core of idealism.
Seminar paper from the year 2007 in the subject American Studies - Literature, grade: 2,3, RWTH Aachen University (Institut f r Anglistik), course: Modern American Drama, 9 entries in the bibliography, language: English, abstract: The two plays Long Day's Journey into Night by Eugene O'Neill and A Streetcar Named Desire by Tennessee Williams can be seen as two of the most successful and respected plays of American Modernism. Besides other similarities, both plays deal, more or less obviously with the consumption of alcohol and - in case of Mary Tyrone in Long Day's Journey into Night - drugs. This paper's matter is to find out what function drinking or the consumption of other drugs have for the characters of the two plays. This question could also be interesting looking at the authors: O'Neill's play has very many parallels to his own life and also Williams admitted that he is to be found in the character of Blanche DuBois to a certain extend.
Charles Baxter inaugurates The Art of, a new series on the craft of writing, with the wit and intelligence he brought to his celebrated book Burning Down the House: Essays on Fiction. Fiction writer and essayist Charles Baxter's The Art of Subtext: Beyond Plot discusses and illustrates the hidden subtextual overtones and undertones in fictional works haunted by the unspoken, the suppressed, and the secreted. Using an array of examples from Melville and Dostoyevsky to contemporary writers Paula Fox, Edward P. Jones, and Lorrie Moore, Baxter explains how fiction writers create those visible and invisible details, how what is displayed evokes what is not displayed. The Art of Subtext is part of The Art of series, a new line of books by important authors on the craft of writing, edited by Charles Baxter. Each book examines a singular, but often assumed or neglected, issue facing the contemporary writer of fiction, nonfiction, or poetry. The Art of series means to restore the art of criticism while illuminating the art of writing.
Seminar paper from the year 2010 in the subject English Language and Literature Studies - Literature, grade: 1,3, Ruhr-University of Bochum (Englisches Seminar), course: Eugene O'Neill, language: English, abstract: The Iceman Cometh (published in 1940) and Long Day's Journey into Night (published in 1956 after O'Neill's death) are widely recognized to be two of Eugene O'Neill's best plays. Both belong to his late plays and apart from that bear a lot of similarities. The focus of this paper will be to analyze The Iceman Cometh and Long Day's Journey into Night with special regard to the importance of illusion and reality for both the characters and the progress of the play. Furthermore a comparison will be made between Hickey in The Iceman Cometh and Mary Cavan Tyrone in Long Day's Journey into Night in order to show that they have similar functions in their respective plays. Finally a conclusion will be given which will sum up the argumentation.
After World War II, Anne De Vries, the most popular novelist in the Netherlands, was commissioned to capture in literary form the spirit and agony of those five harrowing years of Nazi occupation. The result was Journey Through the Night, a bestselling four-volume series that has gone through more than 30 printings in the Netherlands. This series, which appeals to both young people and adults, is now available in English translation: Volume 1: Into the Darkness Volume 2: The Darkness Deepens Volume 3: Dawn's Early Light Volume 4: A New Day
