Not even three hours after the events unfolded on Mushroom Mountain, Matt and his friends decide to go and relax at a small diner. While his two allies celebrate all Matt can do is think about how his life has been forever changed, and that the person that he once was is gone and his life is never going to be the same ever again. Although everything is quiet a part of Matt can sense that there is more heading their way, but little does Matt know that there are other events about to unfold that will alter his future and the fate of the entire Universe more than he shall ever know.
#1 NEW YORK TIMES BESTSELLER • A modern, sophisticated suspense novel from National Book Award finalist, and Printz Award honoree E. Lockhart. Don't miss the #1 New York Times bestselling prequel, Family of Liars. A beautiful and distinguished family. A private island. A brilliant, damaged girl; a passionate, political boy. A group of four friends—the Liars—whose friendship turns destructive. A revolution. An accident. A secret. Lies upon lies. True love. The truth. Read it. And if anyone asks you how it ends, just LIE. "Thrilling, beautiful, and blisteringly smart, We Were Liars is utterly unforgettable." —John Green, #1 New York Times bestselling author of The Fault in Our Stars
This text presents keywords and critical terms that deepen analysis and interpretation of the musical. Taking into account issues of composition, performance, and reception, the book's contributors bring a range of practical and theoretical perspectives to bear on their considerations of American musicals.
The 30-volume set, comprising the LNCS books 12346 until 12375, constitutes the refereed proceedings of the 16th European Conference on Computer Vision, ECCV 2020, which was planned to be held in Glasgow, UK, during August 23-28, 2020. The conference was held virtually due to the COVID-19 pandemic. The 1360 revised papers presented in these proceedings were carefully reviewed and selected from a total of 5025 submissions. The papers deal with topics such as computer vision; machine learning; deep neural networks; reinforcement learning; object recognition; image classification; image processing; object detection; semantic segmentation; human pose estimation; 3d reconstruction; stereo vision; computational photography; neural networks; image coding; image reconstruction; object recognition; motion estimation.
The Oxford Handbook of Christology brings together 40 authoritative essays considering the theological study of the nature and role of Jesus Christ. This collection offers dynamic perspectives within the study of Christology and provides rigorous discussion of inter-confessional theology, which would not have been possible even 60 years ago. The first of the seven parts considers Jesus Christ in the Bible. Rather than focusing solely on the New Testament, this section begins with discussion of the modes of God's self-communication to us and suggests that Christ's most original incarnation is in the language of the Hebrew Bible. The second section considers Patristics Christology. These essays explore the formation of the doctrines of the person of Christ and the atonement between the First Council of Nicaea in 325 and the eve of the Second Council of Nicaea. The next section looks at Mediaeval theology and tackles the development of the understanding of who Christ was and of his atoning work. The section on 'Reformation and Christology' traces the path of the Reformation from Luther to Bultmann. The fifth section tackles the new developments in thinking about Christ which have emerged in the modern and the postmodern eras, and the sixth section explains how beliefs about Jesus have affected music, poetry, and the arts. The final part concludes by locating Christology within systematic theology, asking how it relates to Christian belief as a whole. This comprehensive volume provides an invaluable resource and reference for scholars, students, and general readers interested in the study of Christology.
Colletta uses psychoanalytic theories of joke-work and gallows humour to argue that dark humour is an important, defining characteristic of Modernism. She brings together the usual suspects alongside more often overlooked writers from the period, and asks probing questions about the relationship between a dark humour that 'revels in the non-rational, the unstable, and the fragmented, and resists easy definition and political usefulness' and the historical and social circumstances of the period. Colletta makes a compelling argument that probing deeply into the nature of humour or satire that define these 'social comedies' brings to light a more complex, and more accurate, understanding of the social changes and historical circumstances that define the modern era.
This is a book about the exhilaration and the catastrophe of embodiment. Analyzing different instances of injured bodies, Peggy Phelan considers what sustained attention to the affective force of trauma might yield for critical theory. Advocating what she calls "performative writing", she creates an extraordinary fusion of critical and creative thinking which erodes the distinction between art and theory, fact and fiction. The bodies she examines here include Christ's, as represented in Caravaggio's painting The Incredulity of St Thomas, Anita Hill's and Clarence Thomas's bodies as they were performed during the Senate hearings, the disinterred body of the Rose Theatre, exemplary bodies reconstructed through psychoanalytic talking cures, and the filmic bodies created by Tom Joslin, Mark Massi, and Peter Friedman in Silverlake Life: The View From Here. This new work by the highly-acclaimed author of Unmarked makes a stunning advance in performance theory in dialogue with psychoanalysis, queer theory, and cultural studies.
Divided into five parts, A Sense of Presence explores the central thesis that the resurrection of Jesus could be explained as a psychological event involving one hallucination, possibly occurring to Peter, and a hysterical reaction by colleagues, which convinced them that Jesus had appeared to them too. This approach is justified by showing that claims made by often impressionable people to have witnessed supernatural events in more recent times, such as visions of the Virgin Mary or weeping statues, have usually attracted a similar hysterical reaction involving large numbers. Some of these reactions take hold sufficiently strongly to facilitate the development of new sects or movements, which persist even when their credibility is challenged. The remaining four parts set this thesis in context. Part 1 shows that resurrection was already a widely-accepted concept in the socio-cultural world in which Jesus was born. Part 2 deals with the New Testament accounts of the resurrection, showing that they are often contradictory. Part 4 presents and discusses the philosophical problems involved in a psycho-physical person rising from the dead, while Part 5 looks at the historical and theological issues associated with such an event. The argument presented is not intended to be dogmatic, but simply seeks to show that naturalistic alternative explanations to the one generally accepted by believers should be given far more attention than they usually receive. A Sense of Presence invites readers to challenge the status quo and will appeal to those wishing to challenge generally-accepted Christian views.
Richard Dyer's classic study of movie stars and stardom has been updated, with a new introduction by the author discussing the rise of celebrity culture and developments in the study of stars since publication of the first edition in 1986. Dyer's illuminating study is based around case studies of three major stars: Marilyn Monroe, Paul Robeson and Judy Garland. He draws on a wide range of sources, including the films in which each star appeared, to illustrate how each star's persona was constructed, and goes on to examine each within the context of particular issues in fan culture and stardom. Students of film and cultural studies will find this an invaluable part of there course reading.
