Filming Margins

Filming Margins

Author: Ching Yau

Publisher: Hong Kong University Press

Published: 2004-09-01

Total Pages: 316

ISBN-13: 9789622096899

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This book studies the work of filmmaker Tang Shu Shuen in Hong Kong in the 1960s and 1970s. It raises issues regarding the applicability of paradigms of Western auteurism and feminist authorship in studying Tang's work and also examines the reasons why Tang Shu Shuen's work has been so underrecognised and underdiscussed historically. Through examining the production and reception structures of Tang Shu Shuen's work, this publication attempts to shed light on the development of Hong Kong's film industry and the evolution and problems of Hong Kong's cultural identity in the 1960s and 1970s. Yau Ching is currently Assistant Professor at the School of Design of the Hong Kong Polytechnic University. She teaches courses in areas including media production, cinema studies and cultural studies. She is also a filmmaker, media artist and writer. Her publications include Building a New Stove, Stripping Pants and Skirts, The Impossible Home, and Ho Yuk. Her films and videos include Flow, The Ideal/Na(rra)tion, Video Letters 1–3, Diasporama: Dead Air, Finding Oneself, and Ho Yuk (Let's Love Hong Kong).


Editing and Montage in International Film and Video

Editing and Montage in International Film and Video

Author: Luís Fernando Morales Morante

Publisher: Taylor & Francis

Published: 2017-07-06

Total Pages: 257

ISBN-13: 1351998471

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Editing and Montage in International Film and Video presents a theoretical and practical approach to the art of editing. In this book, Luís Fernando Morales Morante explores the international history, technology, theory, practical techniques, psychology, and cognitive effects of editing across a range of media from around the world, featuring case studies from film, dramatic television, news media, music videos, commercials, and mobile-delivered formats, from the films of Sergei Eisenstein to Michael Jackson’s "Thriller" to coverage of the 2012 U.S. presidential elections. The book includes self-study exercises throughout to help readers put theory into practice.


Chinese Women’s Cinema

Chinese Women’s Cinema

Author: Lingzhen Wang

Publisher: Columbia University Press

Published: 2011-08-30

Total Pages: 449

ISBN-13: 0231527446

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The first of its kind in English, this collection explores twenty one well established and lesser known female filmmakers from mainland China, Hong Kong, Taiwan, and the Chinese diaspora. Sixteen scholars illuminate these filmmakers' negotiations of local and global politics, cinematic representation, and issues of gender and sexuality, covering works from the 1920s to the present. Writing from the disciplines of Asian, women's, film, and auteur studies, contributors reclaim the work of Esther Eng, Tang Shu Shuen, Dong Kena, and Sylvia Chang, among others, who have transformed Chinese cinematic modernity. Chinese Women's Cinema is a unique, transcultural, interdisciplinary conversation on authorship, feminist cinema, transnational gender, and cinematic agency and representation. Lingzhen Wang's comprehensive introduction recounts the history and limitations of established feminist film theory, particularly its relationship with female cinematic authorship and agency. She also reviews critiques of classical feminist film theory, along with recent developments in feminist practice, altogether remapping feminist film discourse within transnational and interdisciplinary contexts. Wang's subsequent redefinition of women's cinema, and brief history of women's cinematic practices in modern China, encourage the reader to reposition gender and cinema within a transnational feminist configuration, such that power and knowledge are reexamined among and across cultures and nation-states.


The Palgrave Handbook of Children's Film and Television

The Palgrave Handbook of Children's Film and Television

Author: Casie Hermansson

Publisher: Springer

Published: 2019-05-28

Total Pages: 600

ISBN-13: 3030176207

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This volume explores film and television for children and youth. While children’s film and television vary in form and content from country to country, their youth audience, ranging from infants to “screenagers”, is the defining feature of the genre and is written into the DNA of the medium itself. This collection offers a contemporary analysis of film and television designed for this important audience, with particular attention to new directions evident in the late twentieth and early twenty-first centuries. With examples drawn from Iran, China, Korea, India, Israel, Eastern Europe, the Philippines, and France, as well as from the United States and the United Kingdom, contributors address a variety of issues ranging from content to production, distribution, marketing, and the use of film, both as object and medium, in education. Through a diverse consideration of media for young infants up to young adults, this volume reveals the newest trends in children’s film and television and its role as both a source of entertainment and pedagogy.


Filming the Nation

Filming the Nation

Author: Donatella Spinelli Coleman

Publisher: Routledge

Published: 2012-12-06

Total Pages: 242

ISBN-13: 1135718113

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Italian neo-realism has inspired film audiences and fascinated critics and film scholars for decades. This book offers an original analysis of the movement and its defining films from the perspective of the cultural unconscious. Combining a Jungian reading with traditional theorizations of film and national identity, Filming the Nation reinterprets familiar images of well-known masterpieces by Roberto Rossellini, Vittorio de Sica and Luchino Visconti and introduces some of their less renowned yet equally significant films. Providing an illuminating analysis of film images across a particularly traumatic and complex historical period, Filming the Nation revisits the concept of national identity and its ‘construction’ from a perspective that combines cultural, psychoanalytic and post-Jungian theories. As such this book will be essential reading for all students and scholars of film and psychoanalysis.


Other Side of Glamour

Other Side of Glamour

Author: Lee Vivian P.Y. Lee

Publisher: Edinburgh University Press

Published: 2020-05-01

Total Pages: 208

ISBN-13: 1474424643

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Since its inception more than a century ago, Hong Kong cinema has been a pre-eminent form of local entertainment and a site of ideological contentions propelled by colonial, national and international politics at different historical junctures. The Other Side of Glamour is a study of the historical development of the left-wing film establishment in Hong Kong. The interplay between the macro-politics of the Cold War and the micro-politics of a regionalised/localised ideological warfare lends itself to a critical mapping of the general contours of the 'cultural Cold War' between the KMT and the CCP as it materialised in the so-called 'left-right divide' in the filmmaking world. Using the major studios as the main axis of analysis, this study traces the footprints of the other collaborating cultural agents which made up the left-wing film network in Hong Kong. It argues that the left-wing's institutional character and corporate strategies in the making of a 'popular left-wing cinema' are indispensable to an understanding of their nuanced legacy in Hong Kong cinema today.


Women Screenwriters

Women Screenwriters

Author: Jill Nelmes

Publisher: Springer

Published: 2015-09-29

Total Pages: 931

ISBN-13: 1137312378

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Women Screenwriters is a study of more than 300 female writers from 60 nations, from the first film scenarios produced in 1986 to the present day. Divided into six sections by continent, the entries give an overview of the history of women screenwriters in each country, as well as individual biographies of its most influential.


The 70's Biweekly

The 70's Biweekly

Author: Lu Pan

Publisher: Hong Kong University Press

Published: 2023-06-21

Total Pages: 295

ISBN-13: 9888805495

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Taking The 70’s Biweekly—an independent youth publication in the 1970s’ Hong Kong—as the main thread, this edited volume investigates an unexplored trajectory of Hong Kong’s cultural and art production in the 1970s that represents the making of a dissent space by independent press and activist groups in the city. The 70’s Biweekly stands out from many other independent magazines with its unique blending of radical political theories, social activism, avant-garde art, and local art and literature creations. By taking the magazine as a nodal point of social and cultural activism from and around which actions, debates, community, and artistic practices are formed and generated, this book fills gaps in studies on how young Hong Kong cultural producers carved out an alternative creative and political space to speak against established authorities. Split into three parts, this book provides readers with a panoramic view of the political and cultural activisms in Hong Kong during the 1970s, writings on art and film, and crucially, interviews with former founders and contributors that reflect on how their participation led them to engage ideologically with their activism and community that extended far beyond the temporal and physical bounds of the magazine. “This unique collection represents a very valuable addition to the cultural history of the 1970s in Hong Kong and globally. While the journal 70’s Biweekly serves as a connecting thread, the volume in fact has broad ramifications, documenting the political, intellectual, and cultural struggles of the anticolonial and incipient democracy movement in Hong Kong.” —Sebastian Veg, École des hautes études en sciences sociales “The 70’s Biweekly was significant and impactful in Hong Kong in the early 1970s. It was an influential cultural and political platform during the early stage of the development of social movements in the colony. An attempt to examine the publication and its wider impacts will further enrich the body of literature on Hong Kong society and culture.” —Lui Tai-lok, The Education University of Hong Kong


A Companion to Chinese Cinema

A Companion to Chinese Cinema

Author: Yingjin Zhang

Publisher: John Wiley & Sons

Published: 2012-04-23

Total Pages: 708

ISBN-13: 1444330292

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A Companion to Chinese Cinema is a collection of original essays written by experts in a range of disciplines that provide a comprehensive overview of the evolution and current state of Chinese cinema. Represents the most comprehensive coverage of Chinese cinema to date Applies a multidisciplinary approach that maps the expanding field of Chinese cinema in bold and definitive ways Draws attention to previously neglected areas such as diasporic filmmaking, independent documentary, film styles and techniques, queer aesthetics, star studies, film and other arts or media Features several chapters that explore China’s new market economy, government policy, and industry practice, placing the intricate relationship between film and politics in a historical and international context Includes overviews of Chinese film studies in Chinese and English publications