FilmCraft: Cinematography
FilmCraft: Cinematography

Author: Mike Goodridge

Publisher: Ilex Press

Published: 2012-01-16

Total Pages: 432

ISBN-13: 1908150696

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As chief collaborators with the directors on a film, cinematographers are artistic masters in their own right. In Cinematography sixteen of the world's greatest "painters of light" share their insights, anecdotes, and technical achievements through a series of exclusive interviews. Fascinating for both film fans and practitioners, this book is the perfect companion for anyone who wants to stand on the other side of the camera, with some of the greatest film artists of our time.

FilmCraft: Editing
FilmCraft: Editing

Author: Justin Chang

Publisher: Ilex Press

Published: 2012-01-16

Total Pages: 386

ISBN-13: 1908150688

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The value of the editor's craft to a finished film cannot be underestimated, and it's no surprise that directors rely heavily on the same editor over and over again. Seventeen exclusive interviews with some of the world's top film editors, including Walter Murch, Virginia Katz, Joel Cox, Tim Squyres and Richard Marks, explore the art of film editing; its complex processes, the relationship with other film practitioners, and the impact of modern editing techniques. The Filmcraft series is a ground-breaking study of the art of filmmaking-the most collaborative and multidisciplinary of all the arts. Each volume covers a different aspect of moviemaking, offering in-depth interviews with a host of the most distinguished practitioners in the field. Forthcoming titles include Cinematography, Directing, Costume Design, Production Design, Producing, Screenwriting, and Acting.

Authorship and Aesthetics in the Cinematography of Gregg Toland
Authorship and Aesthetics in the Cinematography of Gregg Toland

Author: Philip Cowan

Publisher: Rowman & Littlefield

Published: 2022-10-03

Total Pages: 353

ISBN-13: 1793638969

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In this three-part book-length study of the work of Gregg Toland, Philip Cowan explores approaches to co-authorship in collaborative filmmaking to propose new ways of identifying, attributing, and evaluating the creative work of cinematographers. In the first part of the study, Cowan challenges the dominant, director-centered auteur approach to film studies, critiquing the historical development of authorship theory and providing a contemporary analysis of the cinematographer’s authorial role in creating images that communicate meaning through content and construction. By synthesizing and updating the work of previous film theorists to define the complexities of composition, movement, and lighting in the second part of the study, Cowan develops a new, comprehensive taxonomy of functional and aesthetic elements of the moving image. Finally, by using the co-author approach and the analytical tools developed in part two of the book, Cowan provides an in-depth re-examination of Toland’s work, highlighting the historical neglect of the cinematographer’s artistic contribution to filmmaking and developing a fresh approach to the analysis of contemporary cinematography in film.

Motion Picture Photography
Motion Picture Photography

Author: H. Mario Raimondo-Souto

Publisher: McFarland

Published: 2014-11-18

Total Pages: 381

ISBN-13: 0786484071

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In 1891, William Dickson, a researcher at Thomas Edison's firm, developed the Kinetograph, a motion picture camera that used Eastman Kodak's new celluloid film. Almost immediately, an industry was born. The new artistic and technical discipline of motion picture photography matured as the film industry grew. From the beginnings of the movie camera, developments in film production and exhibition have been inextricably linked to the evolution of motion picture photography. This work traces the history of motion picture photography from the late 19th century through the year 1960, when color photography became the accepted standard. Generously illustrated, it covers each decade's cameras, lenses, cameramen, film processing methods, formats, studios, lighting techniques and major cinematographic developments. Each chapter concludes with examples of the decade's outstanding cinematography. Instructors considering this book for use in a course may request an examination copy here.

Filmcraft: Production Design
Filmcraft: Production Design

Author: Fionnuala Hannigan

Publisher: Taylor & Francis

Published: 2013-07-04

Total Pages: 193

ISBN-13: 1136071105

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Production Design, the fifth title in the FilmCraft series, addresses one of the most important roles in cinema. Production designers do nothing short of creating whole new worlds, turning the bare bones of the script into a physical 3D environment that can be filmed. This book introduces that art in the words of the people best-equip to explain it, as well as looking at the legacies of the great innovators of the past. This volume also looks at the work of key influential figures, like Sir Ken Adam (winner of two Academy Awards and two BAFTAs) and Oscar winner Rick Carter (Jurassic Park, Avatar). These in-depth interviews with some of today's most distinguished practitioners, examine the training, personal qualities, pitfalls, technical expertise, management, luck and qualities which this demanding job requires.

FilmCraft: Directing
FilmCraft: Directing

Author: Mike Goodridge

Publisher: Ilex Press

Published: 2012-06-25

Total Pages: 529

ISBN-13: 1781570175

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Ultimately responsible for the creative content on screen, directors are the captains of the ship on every film. All actors and heads of department report to them. Some directors are also writers, employing unique styles of dialogue and characterizations. Others, like Pedro Almodóvar, create inimitable visual and tonal styles that set their films apart from the crowd. Unlike the other volumes in the FilmCraft series, Directing covers all the disciplines of film art that pass through the director's hands, from development and writing, to working with actors, designers and cinematographers, to post-production and distribution.

FilmCraft: Producing
FilmCraft: Producing

Author: Geoffrey Macnab

Publisher: Taylor & Francis

Published: 2013-07-04

Total Pages: 664

ISBN-13: 1136071172

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Responsible for hiring all members of cast and crew from the director onwards, the producer’s role is central to the making of any film and responsibilities can include everything from script development to securing financing to masterminding a film’s marketing campaign. While few film producers are household names, they wield a degree of control that only the biggest name directors can aspire to. As with all of the FilmCraft titles, this book is based on new indepth interviews and features such greats as Tim Bevan, Marin Karmitz, Jeremy Thomas, Jon Kilik, Lauren Shuler Donner, Jan Chapman, and Peter Aalbæk Jensen.

FilmCraft: Screenwriting
FilmCraft: Screenwriting

Author: Tim Grierson

Publisher: CRC Press

Published: 2013-12-17

Total Pages: 628

ISBN-13: 1136070613

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Screenwriting looks at the foundation on which every great film is built—the script. Whether an original concept or an adaptation, the screenplay is the key to the success of a movie—good dialogue, story pacing, and character development are the framework everything else hangs on. Featuring in-depth interviews with modern masters of film including Stephen Gaghan, Guillermo Arriaga, Caroline Thompson, Hossein Amini, and Jean-Claude Carrière, this book reveals the mysteries behind how the best scripts are written and reach the screen.

Film Technique and Film Acting
Film Technique and Film Acting

Author: Vsevolod Illarionovich Pudovkin

Publisher: Read Books Ltd

Published: 2013-04-16

Total Pages: 346

ISBN-13: 1446547353

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This vintage book contains two pioneering volumes on the subject of film making by V.I. Pudovkin. Considered two of the most valuable manuals of the practice and theory of film making ever written, these texts will prove invaluable for the student or film enthusiast, and are not to be missed by discerning collectors of such literature. The chapters of this volume include: 'The Film Scenario and Its Theory', 'Film Director and Film Material', 'Types Instead of Actors', 'Close-Ups in Time', 'Asynchronism as a Principle of Sound Film', 'Rhythmic Problems in my First Sound Film', 'Notes and Appendices', 'Film Acting', et cetera. Vsevolod Illarionovich Pudovkin (1893 – 1953) was a Russian film director, screenwriter, and actor, famous for developing influential theories of montage. This volume is being republished now complete with a new prefatory biography of the author.

New Cinematographers
New Cinematographers

Author: Alex Ballinger

Publisher: Laurence King Publishing

Published: 2004-10-12

Total Pages: 200

ISBN-13: 9781856693349

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Based on extensive reviews and research, this book looks at the work of six of the most important cinematographers of recent years from around the world. For each there is a detailed discussion of their most significant films, ranging in style from lavish Hollywood blockbusters to innovative independents.