Film Restoration

Film Restoration

Author: L. Enticknap

Publisher: Springer

Published: 2013-11-13

Total Pages: 253

ISBN-13: 113732872X

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This is the first monograph-length work intended to enable readers with a humanities background and the general public to understand what the processes and techniques of film restoration do and do not involve, attempting to integrate systematically a discussion about related technological and cultural issues.


Restoration of Motion Picture Film

Restoration of Motion Picture Film

Author: Paul Read

Publisher: Elsevier

Published: 2000-08-14

Total Pages: 369

ISBN-13: 008051619X

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This is the first book to bring together the work of a modern motion picture film laboratory together with the specialist techniques for preservation and restoration of archival film.The books data has its origins in a training programme called FILM which was written by members of the Gamma Group with funding from the EU fund Force. The committee comprised senior film archivists and technicians in charge of film conservation departments or working film laboratories within national film archives, together with technicians from commercial laboratories which specialise in archival film conservation and who do not work for national and local archives. The final group consisted of many of the most experienced individuals in their fields.Restoration of Motion Picture Film is an extremely informative, well-researched book which is an unmissable addition to the bookshelves of conservators, archivists and curators worldwide. Film history and film conservation students will also find it of great interest and use.* Only book in English on this subject* Prepared by leading specialists in their field* Includes coverage of digital technology


Film Restoration

Film Restoration

Author: L. Enticknap

Publisher: Springer

Published: 2013-11-13

Total Pages: 361

ISBN-13: 113732872X

DOWNLOAD EBOOK

This is the first monograph-length work intended to enable readers with a humanities background and the general public to understand what the processes and techniques of film restoration do and do not involve, attempting to integrate systematically a discussion about related technological and cultural issues.


Motion Picture Restoration

Motion Picture Restoration

Author: Anil C. Kokaram

Publisher: Springer Science & Business Media

Published: 2013-12-18

Total Pages: 342

ISBN-13: 1447134850

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The manipulation of pictures and video in digital form has been an established research activity for more than twenty years. It is only recently, however, that digital image and video processing equipment has been accessible to the gen eral public. This is due in part to the rapidly growing economy. of the home computer. A major contributing factor has been the marked rise in the pres ence of the non-academic user on the internet, particularly the World Wide Web (WWW). Manipulating digital imagery has become synonymous with the WWW. It is the drive to present audio and visual media to the home user in an interactive form and to increase the available range of choices, which has encouraged agreements to begin digital video television broadcasting before the turn of the century. With the increased demand for video material, there is a perceived increase in demand for material from archive sources and this has fuelled commercial interest in automatic digital restoration processes. Further more there is a continuing effort to design techniques for correcting errors in received compressed video bit streams for the purposes of live communications links over noisy channels e. g. mobile telephones and the internet. This book introduces the reader to a range of digital restoration activities beyond the well traversed areas of noise reduction and deblurring. It describes a number of problems associated with archived film and video.


Merivel: A Man of His Time

Merivel: A Man of His Time

Author: Rose Tremain

Publisher: W. W. Norton & Company

Published: 2013-04-15

Total Pages: 385

ISBN-13: 0393079570

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Court physician Robert Merivel has a middle age crisis and sets off for Versailles where he meets Madame de Flamanville, a Swiss botanist, and rescues a captive bear to take back to Bidnold Manor.


Film, Nihilism and the Restoration of Belief

Film, Nihilism and the Restoration of Belief

Author: Darren Ambrose

Publisher: John Hunt Publishing

Published: 2013-10-25

Total Pages: 180

ISBN-13: 1782794042

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Despite the clichés which govern much of its current forms, the cinema continues to have a vital political and aesthetic significance. Our commitment to, and our sincerity towards, our ways of being in the world have become catastrophically eroded. Nihilism and despair have taken hold. We must find a way to renew our faith in our capacity to transform the world, a faith that will give us back the reality of a world eroded by the restrictive capitalist ontology of modernity. How can we restore belief in the reality of a world when scepticism and universal pessimism have taken hold? Is it possible to find alternative ways of living, being and thinking? This book will discuss the means by which some filmmakers have grasped the vocation of resisting and transforming the present, of cultivating new forms of belief in the world when total alienation seems inevitable. ,


Cineaste on Film Criticism, Programming, and Preservation in the New Millennium

Cineaste on Film Criticism, Programming, and Preservation in the New Millennium

Author: Cynthia Lucia

Publisher: University of Texas Press

Published: 2017-11-01

Total Pages: 393

ISBN-13: 1477313419

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Digital technology and the Internet have revolutionized film criticism, programming, and preservation in deeply paradoxical ways. The Internet allows almost everyone to participate in critical discourse, but many print publications and salaried positions for professional film critics have been eliminated. Digital technologies have broadened access to filmmaking capabilities, as well as making thousands of older films available on DVD and electronically. At the same time, however, fewer older films can be viewed in their original celluloid format, and newer, digitally produced films that have no "material" prototype are threatened by ever-changing servers that render them obsolete and inaccessible. Cineaste, one of the oldest and most influential publications focusing on film, has investigated these trends through a series of symposia with the top film critics, programmers, and preservationists in the United States and beyond. This volume compiles several of these symposia: "Film Criticism in America Today" (2000), "International Film Criticism Today" (2005), "Film Criticism in the Age of the Internet" (2008), "Film Criticism: The Next Generation" (2013), "The Art of Repertory Film Exhibition and Digital Age Challenges" (2010), and "Film Preservation in the Digital Age" (2011). It also includes interviews with the late, celebrated New Yorker film critic Pauline Kael and the critic John Bloom ("Joe Bob Briggs"), as well as interviews with the programmers/curators Peter von Bagh and Mark Cousins and with the film preservationist George Feltenstein. This authoritative collection of primary-source documents will be essential reading for scholars, students, and film enthusiasts.


Nitrate Won't Wait

Nitrate Won't Wait

Author: Anthony Slide

Publisher: McFarland

Published: 2000-08-21

Total Pages: 246

ISBN-13: 9780786408368

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This study looks at the preservation process: newsreel, television, and color preservation; the often controversial issue of colorization; and commercial film archives. It provides detailed histories of the major players in the preservation battle including the International Museum of Photography at George Eastman House, the American Film Institute, the Museum of Modern Art, the UCLA Film and Television Archive, and the Library of Congress. This first historical overview of film preservation in the United States is also highly controversial in its exposure and criticism of the politicization of film preservation in recent years, and the rising bureaucracy which has often lost sight of preservation and restoration as the ultimate purpose of film archives.