IT'S ONLY A MOVIE is as close to an autobiography by Alfred Hitchcock that you could ever have. Drawn from years of interviews with her subject, his friends and the actors who worked with him on such classics as THE BIRDS, PSYCHO and REAR VIEW WINDOW, Charlotte Chandler has created a rich, complex, affectionate and honest picture of the man and his milieu. This is Hitchcock in his own voice and through the eyes of those who knew him better than anyone could.
Best known for his television series "Perry Mason" and "Ironside," Burr had a career spanning over fifty years. His life is meticulously documented here, including movie roles in such Hollywood productions as Rear Window and Key to the City, and other work in television. Also discussed are his family, Fiji Island home, work in Canadian films, and trips to Korea and Vietnam to entertain American troops. The appendices include a complete episode guide to the "Perry Mason" series.
Silent Lives contains 100 biographical sketches of the great--and near great--of the silent film era. Each vividly written profile is illustrated by exquisite photographs, many of which have not been seen in decades. Kevin Brownlow (who provides the foreword) says: "If you ever wondered who created the movies, this fascinating book will provide the answer." "A truly delightful, interesting and informative volume - with a nice (and very mixed) choice of subjects." - Anthony Slide(G. M. Anderson, Roscoe Arbuckle, Theda Bara, Lionel Barrymore, Ethel Barrymore, John Barrymore, Richard Barthelmess, Beverly Bayne, Billy Bevan, G.W. Bitzer, Clara Bow, Betty Bronson, Louise Brooks, Tod Browning, Clyde Bruckman, John Bunny, Francis X. Bushman, Eric Campbell, Lon Chaney, Sydney Chaplin, Charlie Chaplin, Charley Chase, Andy Clyde, Chester Conklin, Jackie Coogan, Joan Crawford, Donald Crisp, Karl Dane, Marion Davies, Cecil B. DeMille, Carol Dempster, Marie Dressler, Thomas Edison, Douglas Fairbanks, Geraldine Farrar, Felix the Cat, W.C. Fields, Greta Garbo, John Gilbert, Dorothy Gish, Lillian Gish, D.W. Griffith, William Haines, Neil Hamilton, Oliver Hardy, William S. Hart, Jean Hersholt, Alfred Hitchcock, Harry Houdini, Thomas Ince, Al Jolson, Buster Keaton, Harry Langdon, Stan Laurel, Florence Lawrence, Paul Leni, Harold Lloyd, Babe London, Del Lord, Marion Mack, Mary MacLaren, Georges Méliès, Model T Ford, Antonio Moreno, F.W. Murnau, Fred Niblo, Mabel Normand, Ramon Novarro, Willis O'Brien, Our Gang, Olga Petrova, Mary Pickford, Edwin S. Porter, Edna Purviance, Jobyna Ralston, Wallace Reid, Rin-Tin-Tin, Hal Roach, Will Rogers, Malcolm St. Clair, Larry Semon, Mack Sennett, Norma Shearer, Ford Sterling, Erich von Stroheim, Gloria Swanson, Norma Talmadge, Constance Talmadge, Natalie Talmadge, Wm. Desmond Taylor, Irving Thalberg, Ben Turpin, Rudolph Valentino, King Vidor, H. M. Walker, Henry B. Walthall, Lois Weber, Billy West, Pearl White, Adolph Zukor, silent movies dvd, silent movies blu ray, hollywood romance, hollywood Babylon, hollywood scandals, hollywood stories, hollywood hearts, hollywood wives, hollywood biographies, hollywood hearts series, hollywood sinners, hollywood heat, hollywood and mine, hollywood at war, hollywood actor romance, Hollywood autobiographies, hollywood actors, movies for kindle fire, movies for kindle fire download, movies for kindle for free, movies to download, movies for kindle fire hd, movies on demand, movies free, movies and tv, movies and videos, movies and tv shows for kindle fire, movies amazon prime, movies based on books, movies books, movies dvd, movies download, movies epic, movies for ipad, movies for kindle fire hdx, movies on amazon prime, movies on ipad, movies online, movies on prime, movies on amazon, movies on line, movies streaming, movies to download, movies to download on kindle fire)
Hollywood movies are famous for promoting negative stereotypes of all kinds, especially against minorities, women, Southerners, and Christians. To what extent are biographical films selected for production according to certain biases, conscious or unconscious, among the Hollywood elite? An expert on the U.S. film industry gives readers brief synopses of Hollywood biopics produced and/ or released from 1912 through 1994. This survey provides the basis for discussion and analysis. Tracking these one-sided depictions over a longer period of time, the patterns of bias - and the source of the problem - become more clear. The problem appears to be that most of the people who have green-light authority in the U.S. film industry - for either the production and/or distribution of a motion picture - share a common ethnic/religious/cultural background. Thus, the stories of their own cohort and those of all other ethnic, religious and/or cultural groups (whose members seldom achieve positions of power in Hollywood) are being filtered through the cultural sensibilities of a single group. John Cones suggests that the solution could lie in increasing diversity at the highest levels in the U.S. film industry.
Eighty good-sized biographies of significant silent-era players hard to find in other reference works, and almost nowhere at this length. The villains and sidekicks of two-reelers (Jim Corey, Nelson McDowell), cowboy action stars (Jack Hoxie, Art Acord, Hoot Gibson, et al.), comedians, character actors, matinee idols and other talented and reliable performers.A comprehensive filmography (compiled for this book by Richard E. Braff and listing year, studio, director, screenplay, story or author, length and cast) accompanies each entry. The biographies are revised and edited versions of a series that ran in the film periodical Classic Images.
The life and career of Sidney Poitier are analyzed in this biography of the actor, highlighting his work as the only black leading man during the civil rights era and the honors he has received for his work for racial equality in Hollywood.
Don Siegel was one of Hollywood's most controversial directors. Invasion of the Body Snatchers is one of the very few acknowledged science-fiction classics, and Magnum Force - with its catch-phrase 'Make my day' - has become part of our modern consciousness. Siegel's five-film collaboration with Clint Eastwood created a body of films that are as distinctive as they are different, and enriched the reputation of both of them. This autobiography has all the fun and energy one would expect from Don Siegel. From his first days as an assistant editor in the Warner Brothers cutting rooms, Siegel charts his rich and varied career. This is a wonderful book of reminiscences, told in a lively and vivid style, whose cast of characters includes John Wayne, Lee Marvin, Steve McQueen, Bogart and Bacall, studio head Jack Warner and other luminaries of the golden age of the Hollywood studios (including a fading film star called Ronald Reagan, whose last film, The Killers, was directed by Siegel). At the centre of the book is Siegel's relationship with Clint Eastwood, whose directing career was encouraged by Siegel, and who supplies an amusing and appreciative foreword to the book.
The instant New York Times bestseller and companion book to the PBS series. “Absolutely brilliant . . . A necessary and moving work.” —Eddie S. Glaude, Jr., author of Begin Again “Engaging. . . . In Gates’s telling, the Black church shines bright even as the nation itself moves uncertainly through the gloaming, seeking justice on earth—as it is in heaven.” —Jon Meacham, New York Times Book Review From the New York Times bestselling author of Stony the Road and The Black Box, and one of our most important voices on the African American experience, comes a powerful new history of the Black church as a foundation of Black life and a driving force in the larger freedom struggle in America. For the young Henry Louis Gates, Jr., growing up in a small, residentially segregated West Virginia town, the church was a center of gravity—an intimate place where voices rose up in song and neighbors gathered to celebrate life's blessings and offer comfort amid its trials and tribulations. In this tender and expansive reckoning with the meaning of the Black Church in America, Gates takes us on a journey spanning more than five centuries, from the intersection of Christianity and the transatlantic slave trade to today’s political landscape. At road’s end, and after Gates’s distinctive meditation on the churches of his childhood, we emerge with a new understanding of the importance of African American religion to the larger national narrative—as a center of resistance to slavery and white supremacy, as a magnet for political mobilization, as an incubator of musical and oratorical talent that would transform the culture, and as a crucible for working through the Black community’s most critical personal and social issues. In a country that has historically afforded its citizens from the African diaspora tragically few safe spaces, the Black Church has always been more than a sanctuary. This fact was never lost on white supremacists: from the earliest days of slavery, when enslaved people were allowed to worship at all, their meetinghouses were subject to surveillance and destruction. Long after slavery’s formal eradication, church burnings and bombings by anti-Black racists continued, a hallmark of the violent effort to suppress the African American struggle for equality. The past often isn’t even past—Dylann Roof committed his slaughter in the Mother Emanuel AME Church 193 years after it was first burned down by white citizens of Charleston, South Carolina, following a thwarted slave rebellion. But as Gates brilliantly shows, the Black church has never been only one thing. Its story lies at the heart of the Black political struggle, and it has produced many of the Black community’s most notable leaders. At the same time, some churches and denominations have eschewed political engagement and exemplified practices of exclusion and intolerance that have caused polarization and pain. Those tensions remain today, as a rising generation demands freedom and dignity for all within and beyond their communities, regardless of race, sex, or gender. Still, as a source of faith and refuge, spiritual sustenance and struggle against society’s darkest forces, the Black Church has been central, as this enthralling history makes vividly clear.
This is the first full-length biography of the visionary Hollywood filmmaker Tim Burton, director of Batman, Batman Returns, Beetlejuice, Edward Scissorhands, Peewee's Big Adventure, Tim Burton's The Nightmare before Christmas, Ed Wood, Mars Attacks!, and Sleepy Hollow. More than an examination of his body of work, this book takes an in-depth look at Tim Burton's personal life, which until now the reclusive director has managed to keep under wraps. Author Ken Hanke examines the frail, wild-haired fellow whose unique, introverted feature films are passionately admired by many and dismissed by others. How does he command the respect of so many big names in a creative industry not much known for good judgment? How has he managed to carve out an impossibly personal and quirky body of work within the confines of the most mainstream venues of establishment Hollywood? You'll learn about: * Tim Burton's unhappy childhood; to this day he has no relationship with his family * the real reason why Tim Burton left Disney after Ed Wood * his collaborations with talent such as Johnny Depp, Winona Ryder, Vincent Price (his idol), and Danny Elfman * the autobiographical elements in Edward Scissorhands * Tim Burton's often disastrous involvement with other people's projects * the ramifications of excessive power-- the Batman Returns debacle * the collapse of the Superman Reborn project
“The definitive work on the gifted, haunted actor” (Los Angeles Times) and “the best film star biography in years” (Newsweek). From the moment he leapt to stardom with the films Red River and A Place in the Sun, Montgomery Clift was acclaimed by critics and loved by fans. Elegant, moody, and strikingly handsome, he became one of the most definitive actors of the 1950s, the first of Hollywood’s “loner heroes,” a group that includes Marlon Brando and James Dean. In this affecting biography, Patricia Bosworth explores the complex inner life and desires of the renowned actor. She traces a poignant trajectory: Clift’s childhood was dominated by a controlling, class-obsessed mother who never left him alone. He developed passionate friendships with Marilyn Monroe and Elizabeth Taylor in spite of his closeted homosexuality. Then his face was destroyed after a traumatic car crash outside Taylor’s house. He continued to make films, but the loss of his beauty and subsequent addictions finally brought the curtain down on his career. Stunning and heartrending, Montgomery Clift is a remarkable tribute to one of Hollywood’s most gifted—and tormented—actors.
