By bringing together in one place specific objects, materials, and features indicating ritual, religious, or magical belief used by people around the world and through time, this tool will assist archaeologists in identifying evidence of belief-related behaviors and broadening their understanding of how those behaviors may also be seen through less obvious evidential lines. Instruction and templates for recording, typologizing, classifying, and analyzing ritual or magico-religious material culture are also provided to guide researchers in the survey, collection, and cataloging processes. The bulleted formatting and topical range make this a highly accessible work, while providing an incredible wealth of information in a single volume.
By bringing together in one place specific objects, materials, and features indicating ritual, religious, or magical belief used by people around the world and through time, this tool will assist archaeologists in identifying evidence of belief-related behaviors and broadening their understanding of how those behaviors may also be seen through less obvious evidential lines. Instruction and templates for recording, typologizing, classifying, and analyzing ritual or magico-religious material culture are also provided to guide researchers in the survey, collection, and cataloging processes. The bulleted formatting and topical range make this a highly accessible work, while providing an incredible wealth of information in a single volume.
Belief in magic and particularly the power of witchcraft was once a deep and enduring presence in popular culture. “Diving into Brian Hoggard’s Magical House Protection is a remarkable experience... [It] provides an immersive and fascinating read.”—Fortean Times People created and concealed many objects to protect themselves from harmful magic. Detailed are the principal forms of magical house protection in Britain and beyond from the fourteenth century to the present day. Witch-bottles, dried cats, horse skulls, written charms, protection marks and concealed shoes were all used widely as methods of repelling, diverting or trapping negative energies. Many of these practices and symbols can be found around the globe, demonstrating the universal nature of efforts by people to protect themselves from witchcraft. From the introduction: The most popular locations to conceal objects within buildings are usually at portals such as the hearth, the threshold and also voids or dead spaces. This suggests that people believed it was possible for dark forces to travel through the landscape and attack them in their homes. Whether these forces were emanations from a witch in the form of a spell, a witch’s familiar pestering their property, an actual witch flying in spirit or a combination of all of those is difficult to tell. Additional sources of danger could be ghosts, fairies and demons. People went to great lengths to ensure their homes and property were protected, highlighting the fact that these beliefs and fears were visceral and, as far as they were concerned, literally terrifying.
In recent years, archaeologists have begun to consider the potential for left and right positioning of elements in the material record to reveal cultural ideas about gender, identity, authority, worldviews, and belief systems. This research demonstrates the ubiquitous, but often overlooked, occurrence of material culture meaningfully arranged according to deeply entrenched left and right concepts and is the first to bring together and expand upon these cultural ideologies. Archaeological examples provide archaeologists with insight and guidance for recording, analyzing, and interpreting any left and right elements or associations present in the imagery, features, artifacts, and landscapes of their study sites.
The use of protective symbols, also known as apotropaic marks, are often part of folk magic traditions, appearing in homes, churches, on personal items, and even graves, across Europe, Australia, and North America. The most common and well-known of these marks is the hexfoil, otherwise known as the daisy wheel, witch hex, or rosette. Hexfoils have a history of use for personal protection and were carved both intentionally or graffitied into church pews and walls, bed frames, doors, and gravestones. This research sheds light on the use of this historic symbol to protect the bodies and souls of the deceased, across several thousand years and multiple countries.
In line with the resurgence of interest in the history of archaeology manifested over the past decade, this volume aims to highlight state-of-the art research across several topics and areas, and to stimulate new approaches and studies in the field. With their shared historiographical commitment, the authors, leading scholars and emerging researchers, draw from a wide range of case studies to address major themes such as historical sources and methods; questions of archaeological practices and the practical aspects of knowledge production; ‘visualizing archaeology’ and the multiple roles of iconography and imagery; and ‘questions of identity’ at local, national and international levels.
The role of historical archaeology in the study of African diaspora history and culture Exploring the archaeological study of enslavement and emancipation in the United States, this book discusses significant findings, the attitudes and approaches of past researchers, and the development of the field. Living Ceramics, Storied Ground highlights the ways historical archaeology can contribute to the study of African diaspora history and culture, as much of the daily life of enslaved people was not captured through written records but is evidenced in the materials and objects left behind. Including debates about cultural survivals in the 1920s, efforts to find “Africanisms” at Kingsley plantation in the 1960s, and the realization—as late as the 1970s—that colonoware pottery was created by enslaved people, Charles Orser looks at the influential and often mistaken ideas of prominent anthropologists, archaeologists, and historians. Extending to the present, Orser describes how archaeology better recognizes and appreciates the variety and richness of African American culture during slavery, due in large part to the Black archaeologists, past and present, who have worked to counter racism in the field. While acknowledging the colonial legacy of archaeology, Charles Orser outlines the ways the discipline has benefitted by adopting antiracist principles and partnerships with descendant communities. This book points to the contributions of excavators and researchers whose roles have been overlooked and anticipates exciting future work in African American archaeology. Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
Short stories about the deep past and those who lived through millennia of exploration, hardship, and uncertainty during the evolution of farming. Winner of the 2019 Nautilus Book Award, Multicultural and Indigenous “Swigart is to be congratulated for giving us a series of connected short stories that are both entertaining and educational. The book is accurately grounded in archaeological facts, and its individual stories are thoroughly believable. Its particular format should be emulated by all those wishing to blend fact and fiction, not just as entertainment but as education, too.”—Journal of Eastern Mediterranean Archaeology and Heritage Studies In unforgettable stories of the human journey, a combination of compelling storytelling and well-researched archaeology underscore an excavation into the deep past of human development and its consequences. Through a first encounter between a Neanderthal woman and the Modern Human to the emergence and destruction of the world’s first cities, Mixed Harvest tells the tale of the Neolithic Revolution, also called the (First) Agricultural Revolution, the most significant event since modern humans emerged. Rob Swigart’s latest work humanizes the rapid transition to agriculture and pastoralism with a grounding in the archaeological record. From the introduction: In the space of a few thousand years agriculture dominated the earth. We live with it all around us. History began, cities soared, the landscape was crisscrossed with roads.... Each story is prefaced by a short introduction and followed by some context in order to stitch the narrative together. Some stories are linked, but most are independent. The stories are gathered into three chapters: “Shelter,” “House,” and “Home.” These represent a progression in where we lived, a series of transformations in technology and consciousness.
This handbook offers both students and teachers of ancient Greek religion a comprehensive overview of the current state of scholarship in the subject, from the Archaic to the Hellenistic periods. It not only presents key information, but also explores the ways in which such information is gathered and the different approaches that have shaped the area. In doing so, the volume provides a crucial research and orientation tool for students of the ancient world, and also makes a vital contribution to the key debates surrounding the conceptualization of ancient Greek religion. The handbook's initial chapters lay out the key dimensions of ancient Greek religion, approaches to evidence, and the representations of myths. The following chapters discuss the continuities and differences between religious practices in different cultures, including Egypt, the Near East, the Black Sea, and Bactria and India. The range of contributions emphasizes the diversity of relationships between mortals and the supernatural - in all their manifestations, across, between, and beyond ancient Greek cultures - and draws attention to religious activities as dynamic, highlighting how they changed over time, place, and context.
The cuneiform script, the writing system of ancient Mesopotamia, was witness to one of the world's oldest literate cultures. For over three millennia, it was the vehicle of communication from (at its greatest extent) Iran to the Mediterranean, Anatolia to Egypt. The Oxford Handbook of Cuneiform Culture examines the Ancient Middle East through the lens of cuneiform writing. The contributors, a mix of scholars from across the disciplines, explore, define, and to some extent look beyond the boundaries of the written word, using Mesopotamia's clay tablets and stone inscriptions not just as 'texts' but also as material artefacts that offer much additional information about their creators, readers, users and owners.
