The seventh volume of this Companion series is devoted to the writings ascribed to Paul but widely thought not to be genuiinely from the Apostle. These are of particular importance in showing how Paul's authority was exploited in the Early Church, and the topics addressed often deal with Christian discipline and hierarchy. Hence there is a particularly strong feminist agenda to be explored here.The Pastoral Epistles, Ephesians and Colossians are prominent among the writings addressed in this sparkling collection, and the authors include David Scholer, Luise Schottroff, Bonnie Thurston, Lilian Portefaix, Sara Winter and Ingrid Rosa Kitzberger.
Sandra Hack Polaski introduces readers to the letters and world of Paul, encouraging a critical appreciation of Paul and his writings that does not require a choice between commitment to the scriptures and integrity as a modern feminist. In conversation with the leading interpreters of Paul and considering possible responses to Paul-conformist, resistant, rejectionist, and transformational-Polaski forges her own theory of how to interpret Paul. She reads, emphasizes, and reinterprets overlooked, neglected, misintegrated, or differently interpreted Pauline texts, making visible the invisible and challenging the accepted readings. Polaski uncovers both the ideologies behind the text and the ideologies the text seeks to suppress. She traces the trajectories toward which the texts point even if Paul did not fully follow the trajectories to their logical end. Such a program leads Polaski to find God's New Creation as the operative center of Pauline thought.
The sixth volume in this series deals with the letters that are generally attributed to the apostle Paul. In this formidable collection, contributors including Richard Hays, Daniel Boyarin, Kathleen Corley, Beverly Gaventa, Margaret MacDonald and Luise Schottroff explore such topics as gender, sexuality, marriage, the physical body, leadership, economic justice, Jewish-Christian relations, metaphors of birth and motherhood, adoption, and slavery.
The seventh volume of this Companion series is devoted to the writings ascribed to Paul but widely thought not to be genuiinely from the Apostle. These are of particular importance in showing how Paul's authority was exploited in the Early Church, and the topics addressed often deal with Christian discipline and hierarchy. Hence there is a particularly strong feminist agenda to be explored here.The Pastoral Epistles, Ephesians and Colossians are prominent among the writings addressed in this sparkling collection, and the authors include David Scholer, Luise Schottroff, Bonnie Thurston, Lilian Portefaix, Sara Winter and Ingrid Rosa Kitzberger.
The apostle Paul has been justifiably described as the first and greatest Christian theologian. His letters were among the earliest documents to be included in the New Testament and, as such, they shaped Christian thinking from the beginning. As a missionary, theologian and pastor Paul's own wrestling with theological and ethical questions of his day is paradigmatic for Christian theology, not least for Christianity's own identity and continuing relationship with Judaism. The Cambridge Companion to St Paul provides an important assessment of this apostle and a fresh appreciation of his continuing significance today. With eighteen chapters written by a team of leading international specialists on Paul, the Companion provides a sympathetic and critical overview of the apostle, covering his life and work, his letters and his theology. The volume will provide an invaluable starting point and helpful cross check for subsequent studies.
In this diverse collection of writings on the Acts of the Apostles, the contributors use a variety of approaches to address issues including ethnicity and class, economic and social status, construction of masculinity, and literary influences both behindand in front of the text.
This companion is a cutting-edge primer to critical forms of the posthumanities and the feminist posthumanities, aimed at students and researchers who want to catch up with the recent theoretical developments in various fields in the humanities, such as new media studies, gender studies, cultural studies, science and technology studies, human animal studies, postcolonial critique, philosophy and environmental humanities. It contains a collection of nineteen new and original short chapters introducing influential concepts, ideas and approaches that have shaped and developed new materialism, inhuman theory, critical posthumanism, feminist materialism, and posthuman philosophy. A resource for students and teachers, this comprehensive volume brings together established international scholars and emerging theorists, for timely and astute definitions of a moving target – posthuman humanities and feminist posthumanities.
Original essays offering fresh ideas and global perspectives on contemporary feminist art The term ‘feminist art’ is often misused when viewed as a codification within the discipline of Art History—a codification that includes restrictive definitions of geography, chronology, style, materials, influence, and other definitions inherent to Art Historical and museological classifications. Employing a different approach, A Companion to Feminist Art defines ‘art’ as a dynamic set of material and theoretical practices in the realm of culture, and ‘feminism’ as an equally dynamic set of activist and theoretical practices in the realm of politics. Feminist art, therefore, is not a simple classification of a type of art, but rather the space where feminist politics and the domain of art-making intersect. The Companion provides readers with an overview of the developments, concepts, trends, influences, and activities within the space of contemporary feminist art—in different locations, ways of making, and ways of thinking. Newly-commissioned essays focus on the recent history of and current discussions within feminist art. Diverse in scope and style, these contributions range from essays on the questions and challenges of large sectors of artists, such as configurations of feminism and gender in post-Cold War Europe, to more focused conversations with women artists on Afropean decoloniality. Ranging from discussions of essentialism and feminist aesthetics to examinations of political activism and curatorial practice, the Companion informs and questions readers, introduces new concepts and fresh perspectives, and illustrates just how much more there is to discover within the realm of feminist art. Addresses the intersection between feminist thinking and major theories that have influenced art theory Incorporates diverse voices from around the world to offer viewpoints on global feminisms from scholars who live and work in the regions about which they write Examines how feminist art intersects with considerations of collectivity, war, maternal relationships, desire, men, and relational aesthetics Explores the myriad ways in which the experience of inhabiting and perceiving aged, raced, and gendered bodies relates to feminist politics in the art world Discusses a range practices in feminism such as activism, language, education, and different ways of making art The intersection of feminist art-making and feminist politics are not merely components of a unified whole, they sometimes diverge and divide. A Companion to Feminist Art is an indispensable resource for artists, critics, scholars, curators, and anyone seeking greater strength on the subject through informed critique and debate.
The second feminist volume volume on Johannine literature includes an Introduction by Amy-Jill Levine; Adele Reinhartz on Women in the Johannine Community: An Exercise in Historical Imagination; Satako Yamaguchi, 'I Am (I Do)' Sayings and Women in Context and Dorothy Lee, Abiding in the Fourth Gospel.Colleen Conway writes on Gender Matters in John; Adeline Fehribach on The Crucifixion in the Fourth Gospel: A Birthing Moment; Deborah Sawyer on Water and Blood: Birthing Images in John's Gospel; Harold Attridge on Don't Be Touching Me: Recent Feminist Scholarship on Mary Magdalene; and Jane Schaberg, Thinking Back through the Magdalene.
