Feminisms in Leisure Studies acknowledges and advances the contribution of feminist theories to leisure knowledge and research. Building upon the strong history of feminist leisure scholarship, the book reviews key feminist theories and offers an overview of a fourth wave of feminism and its relevance to leisure. Written by a team of leading international feminist scholars, each chapter addresses a particular theoretical perspective, using examples from each author’s research to unpack methodological and substantive issues essential to leisure studies. Critically, this book moves beyond women, the emphasis of much gender scholarship to date, to focus on issues of feminism as connected to leisure scholarship more broadly. This book is an important and engaging read for students and scholars of diversity, women’s studies, multiculturalism, social justice, gender studies, leisure studies, LGBTQQ studies, and feminist research.
Moving beyond women, the emphasis of much gender scholarship to date, this book focuses on issues of feminism as connected to leisure scholarship more broadly. A team of leading international feminist scholars use case studies to unpack methodological and substantive issues essential to leisure studies.
This book examines the fourth wave of feminism within the United Kingdom. Focusing on examples of contemporary activism it considers the importance of understanding affect and temporality in relation to surges of feminist activity. Examining the wave’s historical use in the feminist movement, the book redefines the symbol in an attempt to overcome difficulties of generations, identities and divisions. The author contends that feminism must develop its own methods for time keeping, in which past activism and future aspirations touch on the present moment. Through this unique temporality, she continues, feminism can make space for affective ties to create intense moments of activism, in which surges of feeling catalyse and sustain mass action. This thought-provoking book, with its exploration of the relationship between feeling, the personal and political, will appeal to students and academics working in the fields of gender studies, feminism and affect studies.
On a bright day at the Epsom Derby, 4 June 1913, Emily Wilding Davison was hit by the king’s horse in one of the defining moments of the fight for women’s suffrage – what became known as feminism’s first wave. The second wave arose in the late-1960s, activists campaigning tirelessly for women’s liberation, organising around a wildly ambitious slate of issues – a struggle their daughters continued in the third wave that blossomed in the early-1990s. Now, a hundred years on from the campaign for the vote, fifty years since the very first murmurs of the second wave movement, a new tide of feminist voices is rising. Scattered across the world, campaigning online as well as marching in the streets, women are making themselves heard in irresistible fashion. They’re demonstrating against media sexism, domestic violence and sexual assault, fighting for equal pay, affordable childcare and abortion rights. Thousands are sharing their experiences through the Everyday Sexism project, marching in Slutwalk protests, joining demonstrations in the wake of the Delhi gang rape, challenging misogynist behaviour and language, online crusaders and ordinary people organising for the freedom of women everywhere. Kira Cochrane’s All the Rebel Women is an irrepressible exploration of today’s feminist landscape, asking how far we have come over the past century – and how far there still is to go. Whether engaging with leading feminists, describing the fight against rape culture or bringing immediate, powerful life to vital theories such as intersectionality, All the Rebel Women binds everything together into one unstoppable idea. This is modern feminism. This is the fourth wave.
Fourth wave feminism has entered the national conversation and established a highly visible presence in popular media, especially in cutting-edge science fiction and fantasy films and television series. Wonder Woman, the Wasp, and Captain Marvel headline superhero films while Black Panther celebrates nonwestern power. Disney princesses value sisterhood over conventional marriage. This first of two companion volumes addresses cinema, exploring how, since 2012, such films as the Hunger Games trilogy, Mad Max: Fury Road, and recent Star Wars installments have showcased women of action. The true innovation is a product of the Internet age. Though the web has accelerated fan engagement to the point that progressivism and backlash happen simultaneously, new films increasingly emphasize diversity over toxic masculinity. They defy net trolls to provide stunning role models for viewers across the spectrum of age, gender, and nationality.
This Book makes an effort to dissect the emergence of various feminist movements. For many, "Feminism" refers to a worldwide movement that women from all walks of life have launched to end the patriarchal system of power that benefits males. There have been four major movements of feminism in history, all of which have sought to end the mistreatment of women. The first wave of feminism, which emerged in the United States and Europe in the late 19th and early 20th centuries, was primarily concerned with expanding women's access to the franchise and other areas of the law. Beginning in the 1960s and lasting into the 1990s, the second wave of feminism was started by women of all races and ethnicities in the West and the developing world. It campaigns to end domestic violence, marital rape, sexual harassment, and rape, as well as for equal educational and career opportunities, maternity leave, birth control, and abortion rights, etc. The third wave of feminism, which spans from the 1990s to the 2000s, is characterized by a vigorous criticism of earlier feminist political movements. Women in this movement see themselves as powerful and defiant, and they are not susceptible to sexist patriarchy in the workplace. Around 2012, a new feminism emerged, one that relies heavily on social networking sites like Facebook, Twitter, Instagram, YouTube, etc. As a result of feminist movements, several nations have passed legislation encouraging women to take part in all aspects of public life. This research makes an effort to elucidate some topics associated with feminism's four distinct phases. In the past, feminist movements have been too exclusive, developing inside the narrow mind-set of the Western upper class and focusing on the problems and demands of that group. A new wave of feminism has emerged in the wake of the information technology revolution. Feminist activist groups may benefit from the internet's inclusive environment and ease of use when it comes to organizing mass protests. It also helps in highlighting shared structural disparities by connecting local tales with global ones. However, the internet can also be a place where bigotry and misogyny flourish. This summary tries to examine the impact that digitization may have on women's mobility, particularly in developing countries like India. This is accomplished through analyzing current forms of cyberfeminism in the context of postcolonial and postmodern feminist theory. The advantages and disadvantages of online advocacy are also highlighted in the summary. This book is significant because it shifts the focus of gender study away from women and towards feminism in the context of leisure studies. For anyone interested in diversity, women's studies, multiculturalism, social justice, gender, leisure, LGBTQQ studies, or feminist research, this book is a must-read.
Feminist Theory and Pop Culture synthesizes feminist theory with modern portrayals of gender in media culture. This comprehensive and interdisciplinary text includes an introductory chapter written by the editor as well as nine contributor chapters of original content. Included in the text: • Historical illustration of feminist theory • Application of feminist research methods for the study of gender • Feminist theoretical perspectives such as the male gaze, feminist standpoint theory, Black feminist thought, queer theory, masculinity theory, theories of feminist activism and postfeminism • Contributor chapters cover a range of topics from Western perspectives on Belly Dance classes to television shows such as GIRLS, Scandal and Orange is the New Black, as well as chapters which discuss gendered media forms like “chick lit”, comic books and Western perspectives of non-Western culture in film • Feminist theory as represented in the different waves of feminism, including a discussion of a fourth wave • Pedagogical features • Suggestions for further reading on topics covered • Discussion questions for classroom use Feminist Theory and Pop Culture was designed for classroom use and has been written with an eye toward engaging students in discussion. The book’s polished perspective on feminist theory juxtaposes popular culture with theoretical perspectives which have served as a foundation for the study of gender. This interdisciplinary text can serve as a primary or supplemental reading in undergraduate or graduate courses which focus on gender, pop culture, feminist theory or media studies. “This excellent anthology grounds feminism as articulated through four waves and features feminists responding to pop culture, while recognizing that popular culture has responded in complicated ways to feminisms. Contributors proffer lucid and engaging critiques of topics ranging from belly dancing through Fifty Shades of Grey, Scandal and Orange is the New Black. This book is a good read as well as an excellent text to enliven and inform in the classroom.” Dr. Jane Caputi Professor of Women, Gender and Sexuality Studies and Communication & Multimedia at Florida Atlantic University “Feminist Theory and Pop Culture is destined to be as popular as the culture it critiques. The text plays up the paradoxes of contemporary feminism and requires its readers to ask difficult questions about how and why the popular bring us pleasure. It is a contemporary collection that captures this moment in feminist time with diverse analyses of women’s representations across an impressive swath of popular culture. Feminist Theory and Pop Culture is the kind of text that makes me want to redesign my pop culture course. Again.” Dr. Ebony A. Utley, Assistant Professor of Communication at California State University-Long Beach, author of Rap and Religion Adrienne Trier-Bieniek, Ph.D. is a professor of sociology at Valencia College in Orlando, Florida. She is the author of Sing Us a Song, Piano Woman: Female Fans and the Music of Tori Amos (Scarecrow 2013) and the co-editor of Gender & Pop Culture: A Text-Reader (Sense 2014). www.adriennetrier-bieniek.com
This book addresses the current resurgence of interest in feminism–notably within popular culture and media–that has led some to announce the arrival of the fourth wave. Research explores where fourth-wave feminism sits in relation to those that preceded it, and in particular, how fourth-wave feminism intersects with differing understandings of postfeminism(s). Through accessible and highly topical examples such as; the controversial actions of activist group, Femen; the rising phenomenon of ‘celebrity feminism;’ or the assumed outdated views of feminists’ associated with previous waves, the relationship between differing concepts of postfeminism(s) is illustrated. By pressing the need for an intergenerational approach to fourth-wave feminism, this book encourages engaging past debates and theorists allowing readers with an interest in the relationship between feminism and popular culture a fuller understanding of feminist theory and providing the opportunity to take stock before diving headfirst into another wave.
In the length of time from Gloria Steinem to Courtney Love, young feminists have grown up with a plethora of cultural choices and images. In THIRD WAVE AGENDA, feminists born between the years 1964 and 1973 discuss the things that matter NOW, both in looking back at the accomplishments and failures of the past--and in planning for the challenges of the future. 10 halftones.
