Cartwright sheds light on the religious women of medieval Wales. Drawing on a wide range of sources from saints' lives and native poetry to holy wells and visual evidence, she explores feminine sanctity, its meanings, manifestations and related iconography in a specifically Welsh context.
This book celebrates the work and contribution of Professor Janet Burton to medieval monastic studies in Britain. Burton has fundamentally changed approaches to the study of religious foundations in regional contexts (Yorkshire and Wales), placing importance on social networks for monastic structures and female Cistercian communities in medieval Britain; moreover, she has pioneered research on the canons and their place in medieval English and Welsh societies. This Festschrift comprises contributions by her colleagues, former students and friends – leading scholars in the field – who engage with and develop themes that are integral to Burton’s work. The rich and diverse collection in the present volume represents original work on religious life in the British Isles from the twelfth to the sixteenth century as homage to the transformative contribution that Burton has made to medieval monastic studies in the British Isles.
Concise histories of the religious houses of post-Conquest Wales with a full introduction to the history of medieval monasticism in Wales, written by two established monastic historians Up-to-date assessment of the standing remains of Wales’s medieval abbeys and priories Practical user-friendly visitor guide to the religious houses of medieval Wales Visually attractive format, highly illustrated with colour and b/w photographs, drawings, maps and ground plans Extensive bibliography and suggestions for further reading
A multi-disciplinary re-evaluation of the role of women religious in the Middle Ages, both inside and outside the cloister. Medieval women found diverse ways of expressing their religious aspirations: within the cloister as members of monastic and religious orders, within the world as vowesses, or between the two as anchorites. Via a range of disciplinary approaches, from history, archaeology, literature, and the visual arts, the essays in this volume challenge received scholarly narratives and re-examine the roles of women religious: their authority and agency within their own communities and the wider world; their learning and literacy; place in the landscape; and visual culture. Overall, they highlight the impact of women on the world around them, the significance of their presence in communities, and the experiences and legacies they left behind.
Situates Celtic languages and literatures in relation to European movements, in the tradition of Helen Fulton's groundbreaking research. Professor Helen Fulton's influential scholarship has pioneered our understanding of the links between Welsh and European medieval literature. The essays collected here pay tribute to and reflect that scholarship, by positioning Celtic languages and literatures in relation to broader European movements and conventions. They include studies of texts from medieval Wales, Ireland, and the Welsh March, alongside discussions of continental multicultural literary engagements, understood as a closely related and analogous field of enquiry. Contributors present new investigations of Welsh poetry, from the pre-Conquest poetry of the princes to late-medieval and early Tudor urban subject matters; Welsh Arthuriana and Irish epic; the literature of the Welsh March - including the writings of the Gawain-poet; and the multilingual contexts of medieval and post-medieval Europe, from the Dutch speakers of polyglot medieval Calais to the Romantic poet Shelley's probable ownership of a Welsh Bible.
This is Not a Grail Romance provides answers to some of the most important questions surrounding the medieval Welsh Arthurian tale Historia Peredur vab Efrawc, one of the few surviving medieval Welsh narrative compositions, and an important member of the ‘Grail’ family of medieval European narratives. The study demonstrates that Historia Peredur is an original Welsh composition, rather than (as previous theories have suggested) being an adaptation of the twelfth-century French grail romance. The new analysis of the structure of Historia Peredur presented here shows it to be as complex as it has always been thought – but also more formal, and the result of intentional and intricate design. The seeming inconsistencies or oddities in Historia Peredur can be understood by reading it in its medieval Welsh cultural context, allowing the modern reader a greater appreciation of both the narrative and the culture that produced it.
Medieval Welsh Pilgrimage, c.1100–1500 examines one of the most popular expressions of religious belief in medieval Europe—from the promotion of particular sites for political, religious, and financial reasons to the experience of pilgrims and their impact on the Welsh landscape. Addressing a major gap in Welsh Studies, Kathryn Hurlock peels back the historical and religious layers of these holy pilgrimage sites to explore what motivated pilgrims to visit these particular sites, how family and locality drove the development of certain destinations, what pilgrims expected from their experience, how they engaged with pilgrimage in person or virtually, and what they saw, smelled, heard, and did when they reached their ultimate goal.
This volume focuses on women's literary history in Britain between 700 and 1500. It brings to the fore a wide range of women's literary activity undertaken in Latin, Welsh and Anglo-Norman alongside that of the English vernacular, demanding a rethinking of the traditions of literary history, and ultimately the concept of 'writing' itself.