Featuring Post-national Spain

Featuring Post-national Spain

Author: Andrés Zamora

Publisher: Oxford University Press

Published: 2016

Total Pages: 216

ISBN-13: 1781383146

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In the last quarter of the twentieth century a considerable number of Spanish films were involved in the task of essaying the nation, that is, of attempting to make it or make it over, of trying to reshape a national identity inexorably dictated by General Francisco Franco up to his death. The book explores four major issues in this regard: 1) the filmic negotiations of the borders of the nation, focusing particularly on the debated and controversial development of Basque cinema vis- -vis the films produced in the rest of Spain; 2) the persistence of the old obsession with violence, thought of as an inescapable native trait, in a large amount of post-dictatorial films; 3) the newfound insatiable appetite for cinematic travelling, for going out and coming in through all possible variations of the road and travel movie genres; 4) and the vindication of the mother qua a benign emblem of the land and its people, of the nation. There is a narrative in Spanish cinema, taken as a collective discourse, which ties together these four cinematic topoi and proposes a nation whose specificity must be precisely its impurity-difference within as essence-a hybrid nation located in temporal and spatial rendezvous of past and present, tradition and novelty, centre and margin, inside and outside, on and beyond.


Peripheral Visions / Global Sounds

Peripheral Visions / Global Sounds

Author: José Colmeiro

Publisher: Liverpool University Press

Published: 2017-06-23

Total Pages: 342

ISBN-13: 178694815X

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Galician audio/visual culture has experienced an unprecedented period of growth following the process of political and cultural devolution in post-Franco Spain. This creative explosion has occurred in a productive dialogue with global currents and with considerable projection beyond the geopolitical boundaries of the nation and the state, but these seismic changes are only beginning to be the subject of attention of cultural and media studies. This book examines contemporary audio/visual production in Galicia as privileged channels through which modern Galician cultural identities have been imagined, constructed and consumed, both at home and abroad. The cultural redefinition of Galicia in the global age is explored through different media texts (popular music, cinema, video) which cross established boundaries and deterritorialise new border zones where tradition and modernity dissolve, generating creative tensions between the urban and the rural, the local and the global, the real and the imagined. The book aims for the deperipheralization and deterritorialization of the Galician cultural map by overcoming long-established hegemonic exclusions, whether based on language, discipline, genre, gender, origins, or territorial demarcation, while aiming to disjoint the center/periphery dichotomy that has relegated Galician culture to the margins. In essence, it is an attempt to resituate Galicia and Galician studies out of the periphery and open them to the world.


Contested Identities in Costa Rica

Contested Identities in Costa Rica

Author: Liz Harvey-Kattou

Publisher:

Published: 2019

Total Pages: 224

ISBN-13: 1789620058

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Contested Identities in Costa Rica explores the concept of national identity within the paradigm of the dominant image of the traditional and idealised tico. Considering literature from the 1970s and cinema from the twenty-first century, it analyses how this identity has been challenged through the soft power of creative protest.


Soccer, Culture and Society in Spain

Soccer, Culture and Society in Spain

Author: Mariann Vaczi

Publisher: Routledge

Published: 2015-02-11

Total Pages: 245

ISBN-13: 1317677307

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Spanish soccer is on top of the world, at international and club level, with the best teams and a seemingly endless supply of exciting and stylish players. While the Spanish economy struggles, its soccer flourishes, deeply embedded throughout Spanish social and cultural life. But the relationship between soccer, culture and national identity in Spain is complex. This fascinating, in-depth study shines new light on Spanish soccer by examining the role this sport plays in Basque identity, consolidated in Athletic Club of Bilbao, the century-old soccer club located in the birthplace of Basque nationalism. Athletic Bilbao has a unique player recruitment policy, allowing only Basque-born players or those developed at the youth academies of Basque clubs to play for the team, a policy that rejects the internationalism of contemporary globalised soccer. Despite this, the club has never been relegated from the top division of Spanish football. A particularly tight bond exists between fans, their club and the players, with Athletic representing a beacon of Basque national identity. This book is an ethnography of a soccer culture where origins, nationalism, gender relations, power and passion, lifecycle events and death rituals gain new meanings as they become, below and beyond the playing field, a matter of creative contention and communal affirmation. Based on unique, in-depth ethnographic research, this book investigates how a soccer club and soccer fandom affect the life of a community, interweaving empirical research material with key contemporary themes in the social sciences, and placing the study in the wider context of Spanish political and sporting cultures. Filling a key gap in the literature on contemporary Spain, and on wider soccer cultures, this book is fascinating reading for anybody with an interest in sport, anthropology, sociology, political science, or cultural and gender studies.


Spanish National Cinema

Spanish National Cinema

Author: Nuria Triana-Toribio

Publisher: Routledge

Published: 2012-11-12

Total Pages: 226

ISBN-13: 1135124876

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This study examines the discourses of nationalism as they intersected or clashed with Spanish film production from its inception to the present. While the book addresses the discourses around filmmakers such as Almodóvar and Medem, whose work has achieved international recognition, Spanish National Cinema is particularly novel in its treatment of a whole range of popular cinema rarely touched on in studies of Spanish cinema. Using accounts of films, popular film magazines and documents not readily available to an English-speaking audience, as well as case studies focusing on the key issues of each epoch, this volume illuminates the complex and changing relationship between cinema and Spanish national identity.