Home-sweet-home turns into a haunted house for thirteen-year-old Chris when Carol—her father’s new fiancée—moves in. Struggling with the recent death of her mother, Chris is convinced Carol is evil, but she just can’t persuade Dad. When a mysterious, potentially dangerous but kind of cute creature is found in the family’s backyard, Chris assumes it’s a sign from above to eliminate Carol once and for all. This imaginative, bone-chilling, and wildly funny play brings the notion of dysfunctional family drama to sensationally scary heights.
From the award-winning author of The First Rule of Punk comes the story of four kids who form an alternative Scout troop that shakes up their sleepy Florida town. * "Writing with wry restraint that's reminiscent of Kate DiCamillo... a beautiful tale." —Kirkus Reviews, starred review When three very different girls find a mysterious invitation to a lavish mansion, the promise of adventure and mischief is too intriguing to pass up. Ofelia Castillo (a budding journalist), Aster Douglas (a bookish foodie), and Cat Garcia (a rule-abiding birdwatcher) meet the kid behind the invite, Lane DiSanti, and it isn't love at first sight. But they soon bond over a shared mission to get the Floras, their local Scouts, to ditch an outdated tradition. In their quest for justice, independence, and an unforgettable summer, the girls form their own troop and find something they didn't know they needed: sisterhood.
The first book in the New York Times bestselling epic fantasy trilogy by award-winning author Laini Taylor Around the world, black handprints are appearing on doorways, scorched there by winged strangers who have crept through a slit in the sky. In a dark and dusty shop, a devil's supply of human teeth grown dangerously low. And in the tangled lanes of Prague, a young art student is about to be caught up in a brutal otherworldly war. Meet Karou. She fills her sketchbooks with monsters that may or may not be real; she's prone to disappearing on mysterious "errands"; she speaks many languages--not all of them human; and her bright blue hair actually grows out of her head that color. Who is she? That is the question that haunts her, and she's about to find out. When one of the strangers--beautiful, haunted Akiva--fixes his fire-colored eyes on her in an alley in Marrakesh, the result is blood and starlight, secrets unveiled, and a star-crossed love whose roots drink deep of a violent past. But will Karou live to regret learning the truth about herself?
Here he is, husband and father, scruffy romantic, a shambolic scholar--a man adrift in the wake of his wife's sudden, accidental death. And there are his two sons who like him struggle in their London apartment to face the unbearable sadness that has engulfed them. The father imagines a future of well-meaning visitors and emptiness, while the boys wander, savage and unsupervised. In this moment of violent despair they are visited by Crow--antagonist, trickster, goad, protector, therapist, and babysitter. This self-described "sentimental bird," at once wild and tender, who "finds humans dull except in grief," threatens to stay with the wounded family until they no longer need him. As weeks turn to months and the pain of loss lessens with the balm of memories, Crow's efforts are rewarded and the little unit of three begins to recover: Dad resumes his book about the poet Ted Hughes; the boys get on with it, grow up. Part novella, part polyphonic fable, part essay on grief, Max Porter's extraordinary debut combines compassion and bravura style to dazzling effect. Full of angular wit and profound truths, Grief Is the Thing with Feathers is a startlingly original and haunting debut by a significant new talent.
The My Healthy Habits series provides the earliest of readers a foundation in developing healthy habits. Brush Your Teeth explores the importance of good dental hygiene in a simple, engaging way that will help readers develop word recognition and reading skills. Each book in this series includes a table of contents, glossary, index, and an author biography.
When this classic collection of stories first appeared—in 1962, on the author’s thirtieth birthday—Arthur Mizener wrote in The New York Times Book Review: “Updike is a romantic [and] like all American romantics, that is, he has an irresistible impulse to go in memory home again in order to find himself. . . . The precise recollection of his own family-love, parental and marital, is vital to him; it is the matter in which the saving truth is incarnate. . . . Pigeon Feathers is not just a book of very brilliant short stories; it is a demonstration of how the most gifted writer of his generation is coming to maturity; it shows us that Mr. Updike’s fine verbal talent is no longer pirouetting, however gracefully, out of a simple delight in motion, but is beginning to serve his deepest insight.”
Midnight in Glasgow is not the best time to be faced with a dead body. Particularly if the body in question is your ex-lover and the woman grieving at her bedside used to be your friend. Add a corpse packed with Temazepam, a genetic engineer with an unstable past and a killer on the loose with a knife and you have all the reason you need to walk away and never come back. Glasgow therapist Dr Kellen Stewart has put the past behind her: medical career, relationship, life on the farm in the country. Thenthe phone rings and Bridget is dead – the only lover who ever counted.The local doctor says it's a heart attack, the police think it's suicide. Kellen knows that it's neither but is she willing to rake up the past to prove it? Dragged into a world of rogue doctors, bent genetic engineers and killers who gut their victims as a warning, Kellen must face her own past as much as the very real terrors of the present to stop the killing – or she'll be next.
AN INSTANT NEW YORK TIMES BESTSELLER “Fierce and unrelenting...Do yourself a favor and get lost in this beautiful book!” —Tomi Adeyemi, #1 New York Times bestselling author of Children of Blood and Bone Set in a kingdom where danger lurks beneath the sea, mermaids seek vengeance with song, and magic is a choice, Adalyn Grace’s All the Stars and Teeth is a thrilling fantasy for fans of Stephanie Garber’s Caraval and Sarah J. Maas’s Throne of Glass series. She will reign. As princess of the island kingdom Visidia, Amora Montara has spent her entire life training to be High Animancer—the master of souls. The rest of the realm can choose their magic, but for Amora, it’s never been a choice. To secure her place as heir to the throne, she must prove her mastery of the monarchy’s dangerous soul magic. When her demonstration goes awry, Amora is forced to flee. She strikes a deal with Bastian, a mysterious pirate: he’ll help her prove she’s fit to rule, if she’ll help him reclaim his stolen magic. But sailing the kingdom holds more wonder—and more peril—than Amora anticipated. A destructive new magic is on the rise, and if Amora is to conquer it, she’ll need to face legendary monsters, cross paths with vengeful mermaids, and deal with a stowaway she never expected... or risk the fate of Visidia and lose the crown forever. I am the right choice. The only choice. And I will protect my kingdom. An Imprint Book “Vicious and alluring, All the Stars and Teeth is a force to be reckoned with." —Hafsah Faizal, author of We Hunt the Flame “Jam-packed with swashbuckling adventure, swoonworthy romance, and dark, lush magic.” —Christine Lynn Herman, author of The Devouring Gray “If an epic sea fantasy filled with strange pirates and vengeful mermaids speaks to your interests, well...we may have found your favorite book ever....a tale of magic and second chances that’s fresh and thrilling in equal measure.” –Entertainment Weekly One of Buzzfeed's "Most Anticipated YA Books of 2020"
In Darwin's Mother, curious beasts are excavated in archeological digs, Charles Darwin's daughter describes the challenges of breeding pigeons, and a forest of trees shift and sigh in their sleep. With a keen sense of irony that rejects an anthropocentric worldview and an imagination both philosophical and playful, the poems in this collection are marked by a tireless curiosity about the intricate workings of life, consciousness, and humanity's place in the universe.
The paleontologist and professor of anatomy who co-discovered Tiktaalik, the “fish with hands,” tells a “compelling scientific adventure story that will change forever how you understand what it means to be human” (Oliver Sacks). By examining fossils and DNA, he shows us that our hands actually resemble fish fins, our heads are organized like long-extinct jawless fish, and major parts of our genomes look and function like those of worms and bacteria. Your Inner Fish makes us look at ourselves and our world in an illuminating new light. This is science writing at its finest—enlightening, accessible and told with irresistible enthusiasm.
