Isn't Justice Always Unfair?
Isn't Justice Always Unfair?

Author: J. Kenneth Van Dover

Publisher: Popular Press

Published: 1996

Total Pages: 380

ISBN-13: 9780879727239

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Isn't Justice Always Unfair? explores the uncommonly long and uncommonly rich relationship between the fictional detective and his or her South. It begins with the New Orleans expatriate, Legrand, uncovering Captain Kidd's treasure on an island off Charleston, South Carolina; it covers the satires and parodies of Mark Twain and the polished stories of Melville Davisson Post and Irvin S. Cobb; and it concludes with surveys of the many good and excellent writers who are using the form of the detective story to compose inquiries into the character of life in the South today. At the center of Isn't Justice Always Unfair? lies an analysis of a most remarkable phenomenon: William Faulkner's exploitation of the genre as an avenue into his postage stamp of Southern experience, Yoknapatawpha County.

Faulkner and Print Culture
Faulkner and Print Culture

Author: Jay Watson

Publisher: Univ. Press of Mississippi

Published: 2017-05-25

Total Pages: 294

ISBN-13: 149681231X

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With contributions by Greg Barnhisel, John N. Duvall, Kristin Fujie, Sarah E. Gardner, Jaime Harker, Kristi Rowan Humphreys, Robert Jackson, Mary A. Knighton, Jennifer Nolan, Carl Rollyson, Tim A. Ryan, Jay Satterfield, Erin A. Smith, Jay Watson, and Yung-Hsing Wu William Faulkner's first ventures into print culture began far from the world of highbrow New York publishing houses such as Boni & Liveright or Random House and little magazines such as the Double Dealer. With that diverse publishing history in mind, this collection explores Faulkner's multifaceted engagements, as writer and reader, with the US and international print cultures of his era, along with how these cultures have mediated his relationship with various twentieth- and twenty-first-century audiences. These essays address the place of Faulkner and his writings in the creation, design, publishing, marketing, reception, and collecting of books; in the culture of twentieth-century magazines, journals, newspapers, and other periodicals (from pulp to avant-garde); in the history of modern readers and readerships; and in the construction and cultural politics of literary authorship. Several contributors focus on Faulkner's sensational 1931 novel Sanctuary to illustrate the author's multifaceted relationship to the print ecology of his time, tracing the novel's path from the wellsprings of Faulkner's artistic vision to the novel's reception among reviewers, tastemakers, intellectuals, and other readers of the early 1930s. Other essayists discuss Faulkner's early notices, the Saturday Review of Literature, Saturday Evening Post, men's magazines of the 1950s, and Cold War modernism.

A Reader's Guide to William Faulkner
A Reader's Guide to William Faulkner

Author: Edmond L. Volpe

Publisher: Syracuse University Press

Published: 2003-02-01

Total Pages: 462

ISBN-13: 9780815630012

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A standard reference work in American literature, this volume is the most complete and detailed guide to the novels of William Faulkner. Edmond L. Volpe's aim is to reveal the greatness of Faulkner's art and the scope and profundity of his personal vision of life. He describes the dominant patterns in the fiction by isolating Faulkner's major themes and by analyzing his narrative techniques and style. He then offers extensive, individual interpretations of the nineteen novels, tracing the development of Faulkner's ideas, and includes a set of genealogical tables for each major family in the novels. Both scholarly and accessible:, this unique: treatment of Faulkner's novels—from Soldiers' Pay to The Reivers—helps the reader come to a thorough understanding of a great American writer.

William Faulkner
William Faulkner

Author: Martin Kreiswirth

Publisher: University of Georgia Press

Published: 2008-11-01

Total Pages: 210

ISBN-13: 0820333611

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Martin Kreiswirth challenges the accepted notion that The Sound and the Fury, Faulkner's fourth and possibly finest novel, represented an unprecedented turning point in the writer's literary career, a quantum leap in his imaginative development. He argues that Faulkner's earlier work, both published and unpublished, not only distinctly prefigured techniques, narrative strategies, and creative procedures used in the writing of his fourth novel, but also provided him with materials and methods to which he could return. Viewed in the context of his literary development, the author says, the writing of The Sound and the Fury constituted for Faulkner not so much a mysterious leap as a moment of initiation; it marks that crucial point in his career at which he revisited his past, saw it anew, and reworked it into his future. Focusing his attention on the works that preceded The Sound and the Fury--and specifically on the strategies and conventions that informed those works--Kreiswirth reassesses Faulkner's imaginative growth and offers new insights into the place and significance of The Sound and the Fury itself. He provides detailed analyses of such works as the New Orleans short fiction, the abandoned novel Elmer, Mosquitoes, Flags in the Dust, and particularly Faulkner's neglected first novel, Soldier's Pay. These texts are reexamined not only as anticipations of later developments but as literary achievements in their own right.

Forensic Fictions
Forensic Fictions

Author: Jay Watson

Publisher: University of Georgia Press

Published: 2008-11-01

Total Pages: 290

ISBN-13: 0820333654

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Forensic Fictions is the first book-length critical study of William Faulkner's fictional depictions of the legal vocation and the practice of law. Examining Faulkner's lawyer characters in light of the southern storytelling tradition, Jay Watson argues that the forensic competence of the Faulknerian lawyer is a direct function of his skill as a raconteur. To trace the biographical and historical roots of Faulkner's lifelong preoccupation with the legal profession, Watson draws on contemporary scholarship in narrative, rhetoric, jurisprudence, legal and intellectual history, literary theory, and Lacanian psychoanalysis. His approach yields insightful readings of forensic characters and scenes from such works as "An Odor of Verbena," The Hamlet, "Wild Palms," Absalom, Absalom! and The Reivers. Watson shows the links between storytelling and the competence of Faulkner's legal characters by examining the intertextual logic that connects the two most important lawyers in the Yoknapatawpha fiction: the incompetent Horace Benbow and the more capable Gavin Stevens, whose entrance into Faulkner's oeuvre coincides with Benbow's untimely departure from it. Focusing on the nine novels in which these two characters appear, Watson traces the evolutionary process by which Stevens supplants Benbow. Three of the Stevens novels--Intruder in the Dust, Knight's Gambit, and Requiem for a Nun--from what Watson calls Faulkner's "forensic trilogy" and, when read together, constitute the writer's most sustained investigation of the rhetorical and ethical responsibilities of the lawyer-citizen. Faulkner, Watson argues, saw the forensic figure as a potential hybrid of homo loquens and homo politicus, capable of combing the roles of storyteller, rhetorician, and theatrical performer with those of critic, citizen, and ethical man. As such, this figure served as a provocative authorial surrogate through whom Faulkner could explore diverse and often contradictory aspects of his personal experience, his family background, his cultural heritage, and, most of all, his own artistic use of language.

A William Faulkner Encyclopedia
A William Faulkner Encyclopedia

Author: Robert W. Hamblin

Publisher: Bloomsbury Publishing USA

Published: 1999-11-30

Total Pages: 505

ISBN-13: 0313007462

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Sometimes called the American Shakespeare, William Faulkner is known for providing poignant and accurate renderings of the human condition, creating a world of colorful characters in his fictional Yoknapatawpha County, and writing in a style that is both distinct and demanding. Though he is known as a Southern writer, his appeal transcends regional and even national boundaries. Since winning the Nobel Prize for Literature in 1950, he has been the subject of more than 5,000 scholarly books and articles. Academic interest in his career has been matched by popular acclaim, with some of his works adapted for the cinema. This reference is an authoritative guide to Faulkner's life, literature, and legacy. The encyclopedia includes nearly 500 alphabetically arranged entries for topics related to Faulkner and his world. Included are entries for his works and major characters and themes, as well as the literary and cultural contexts in which his texts were conceived, written, and published. There are also entries for relatives, friends, and other persons important to Faulkner's biography; historical events, persons, and places; social and cultural developments; and literary and philosophical terms and movements. The entries are written by expert contributors who bring a broad range of perspectives and experience to their analysis of his work. Entries typically conclude with suggestions for further reading, and the volume closes with a bibliography and detailed index.

Alias S. S. Van Dine
Alias S. S. Van Dine

Author: John Loughery

Publisher: Charles Scribner's Sons

Published: 1992

Total Pages: 336

ISBN-13:

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"During the first four tumultuous decades of this century, Willard Huntington Wright lived two lives: before World War I, he was a pioneering art critic and editor of the avant-garde magazine The Smart Set, who numbered among his friends Alfred Stieglitz, H. L. Mencken, and Theodore Dreiser. In the 1920s, he transformed himself into S. S. Van Dine, one of America's best-selling authors. Mysteries featuring his detective Philo Vance--The Benson Murder Case, The "Canary" Murder Case, The Bishop Murder Case, among others--sold more than a million copies by the end of the decade, and dominated book sales during the first rough months of the Great Depression. Even by the standards of the Jazz Age, Wright lived an outsized life--in his palatial Manhattan penthouse he maintained an aquarium of two thousand exotic fish. But by the late 1930s, he was a broken, desperate man consumed by the fear of failure that had shadowed him all his life. The fashions of detective fiction had changed--Wright deplored the "all booze and erections style" of his competitor Dashiell Hammett--and he was reduced to writing novelizations of his failed screenplays in order to get by." "John Loughery depicts in bewitching detail the rise and fall of a writer who helped create the modern detective novel, and tells with heartbreaking eloquence the story of a man whose fame ultimately destroyed him. Re-creating the artistic spirit of a lost world, Alias S. S. Van Dine is a brilliant work of literary archaeology that resurrects a man, his books, and the era whose glamour and flaws he came to represent so completely."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved