Historical drama based on true events in 17th Century England. Father Nicholas Postgate was a Catholic priest who served the Catholic people of North Yorkshire when it was illegal to do so. Father Postgate served for over 50 years. Finally captured at Matthew Lyth's house performing a baptism, Father Postgate was taken to York in 1679 where he was hung, drawn and quartered. The story not only tells Father Postgates story but centres around the ordinary Catholic folk of North Yorkshire and the persecution they suffered for being Catholics.
Stuart Finch is going on holiday with his family. They are all looking forward to a week in Blackpool. Sea, sand and fresh fish and chips! Driving on the motorway the car has a tyre blow out and somersaults across the motorway and down the embankment. Stuart is suddenly woken up by Mary, his wife shouting at him. Stuart had fallen asleep at the wheel and dreamt that they had crashed. In Blackpool Stuart meets an old man named James who claims to be an angel. What follows next is a web of intrigue, an earth tremor and a near miss at sea. Stuart attends his own funeral and plans to murder his family, urged on by James the angel.......
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"This book is an edited collection of nineteen essays written by a range of experts and some newer scholars in the areas of early modern British and Irish history and religion. In addition to English Catholicism, developments in Ireland, Scotland, and Wales, as well as ongoing connections and interactions with Continental Catholicism, are well incorporated throughout the volume"--
First published in Germany in 1929, The End and the Beginning is a lively personal memoir of a vanished world and of a rebellious, high-spirited young woman's struggle to achieve independence. Born in 1883 into a distinguished and wealthy aristocratic family of the old Austro-Hungarian Empire, Hermynia Zur Muhlen spent much of her childhood travelling in Europe and North Africa with her diplomat father. After five years on her German husband's estate in czarist Russia she broke with both her family and her husband and set out on a precarious career as a professional writer committed to socialism. Besides translating many leading contemporary authors, notably Upton Sinclair, into German, she herself published an impressive number of politically engaged novels, detective stories, short stories, and children's fairy tales. Because of her outspoken opposition to National Socialism, she had to flee her native Austria in 1938 and seek refuge in England, where she died, virtually penniless, in 1951. This revised and corrected translation of Zur Muhlen's memoir - with extensive notes and an essay on the author by Lionel Gossman - will appeal especially to readers interested in women's history, the Central European aristocratic world that came to an end with the First World War, and the culture and politics of the late nineteenth and early twentieth centuries.
Disturbed by the direction in which the post Vatican II liturgical reforms have moved, two fictitious representatives of mutually antagonistic movements debate the remedy for "correct" liturgical reform. This unique work presents a debate between a "traditionalist" who argues for a return to the pre-Vatican II liturgy, and a reformist (no liberal himself) who advocates a new liturgical reform more in keeping with what the Council fathers had in mind. They bring to the debate the insights of renowned authorities on the liturgy, including Cardinal Ratzinger, Msgr. Klaus Gamber, Michael Davies, Fr. Brian Harrison and Fr. Aidan Nichols. This book is written for anyone interested in the Church's liturgy, and the controversies surrounding the liturgical renewal. It is both a primer for those who lack the theological and liturgical expertise to articulate their dissatisfaction with the state of the liturgy, and an excellent resource for those specialists who would appreciate having a single volume for consulting salient points from numerous authorities.
