This stunning collectible features four costumed dolls and more than two dozen richly detailed original outfits inspired by the House of Worth and other preeminent designers of luxury clothing during the Gilded Age. The costumes accurately depict the lavish dresses and suits worn throughout this glamorous period, which dates from the late 1860s to the late 1890s. Includes a full-color scene on the inside covers.
"Contains a complete wardrobe of authentic women's styles from the late 1870s and early 1880s...The 343 patterns and 798 illustrations in this work are drawn from numerous rare original sources... Includes patterns for corsets, bustles, lingerie, skirts, day bodices, evening bodices, overskirts, polonaises, and day dresses." -- Back cover.
This exciting book explores fashion not simply from an aesthetic point of view but also as a manifestation of social and cultural change. Focusing on fashion from 1850, noted fashion historians Daniel James Cole and Nancy Deihl consider the evolution of womenswear, menswear, and childrenswear, decade by decade. The book looks at the dissemination of style and the mechanisms of change, at the relationship between fashion and the visual, applied, and performing arts, the intertwined relationship between fashion and popular culture, the impact of new materials and technology, and the growing globalization of style. With photographs of costume from museums and images from the fashion press including editorial photography, illustrations, and advertising, the book will include insights into icons of fashion and the clothes worn by “real people”, providing a valuable visual reference for the reader.
Bustle fashions 1885-1887 contains a wide selection of high-quality women's clothing patterns from the height of the bustle era. During these years, the waist was flattered by a closely fitted bodice, considerable fullness below the waist in back, and ample skirt draperies. This book contains practical patterns for undergarments and nightgowns; wrappers and tea gowns; bodices, skirts, and overskirts; complete ensembles for street and hose wear; and outer jackets, coats, dolmans, and cloaks. The patterns are drawn from rare original issues of the magazine The Voice of Fashion and 1885 to 1887 editions of the pattern book The National Garment Cutter. They were used by both amateur and professional dressmakers to make up the mainstream styles of the day, and are very similar to patterns published by Butterick. These patterns are enlarged with apportioning scales, which are provided in this book, along with step-by-step instructions. Apportioning scales are special rulers that enable you to draft custom sizes, from queen size to doll size, without doing arithmetic. Most patterns in this book are accompanied by supplementary illustrations with detailed descriptions, drawn from Butterick's Delineator magazine. Each of these supplements shows optional style variations that can be produced by using flat patterns alteration techniques, or merely by substituting a garment section from a different pattern in this book. The descriptions include information on construction and fabrics. Edited selections from fashion columns in The Delineator, Harpers Bazar, and other publications add information on style trends. Also drawn from The Delineator are instructions and illustrations for 208 trimmings and 91 accessories. In addition, a chapter on dressmaking, assembled from articles in Godey's Lady's Book, gives detailed information on making garments for the second half of the 1880s. The book's glossary explains period fabric names and dressmaking terms. Bustle Fashions 1885-1887 is a pattern source for readers who recreate period clothing for theater and film; living history; Old West and single-action shooting events; steampunk and goth outfits; bridal parties; or dolls. It's a valuable identification and dating tool for costume historians and vintage clothing collectors. And it will spark ideas for fashion designers.
A stunning volume showcasing the magnificent court dress of the Russian Empire, culled from the authoritative collection at the State Hermitage Museum in St. Petersburg, photographed with the Winter Palace as a backdrop. Prerevolutionary Russia was renowned for the glamorous and luxurious lifestyles of the nobility, with their opulent palaces and glittering social life. Now, this lavish volume reveals the incredible clothing they wore, from everyday dress and ceremonial attire (traditional holidays outfits and military uniforms) to dress for special occasions, including elaborate evening wear for theater and musical events and fancy masquerade balls. Celebrated for luxurious materials and impeccable craftsmanship, the dress of the Russian nobility was haute couture at its finest. With beautiful photography and details highlighting the hand-spun silks and lace and jeweled embroideries, Russian Splendor highlights the glamour of this gilded age and offers a fascinating window into a vanished world. Essays by Hermitage Museum curators, alongside historic Russian paintings and photographs, place the clothing in a historical context, revealing the rich cultural layers and artistic influences of czarist Russia.
Directoire Revival Fashions 1888-1889 contains an in-depth selection of high-quality women's clothing patterns from the end of the bustle era. During these years, picturesque styles evoking the late 18th and early 19th centuries were popular. The silhouette progressively deflated from one with considerable back fullness and puffy draperies to the comparatively narrow one of the early 1890s. This book contains practical patterns for undergarments and morning wear; wrappers and tea gowns; skirts and overskirts; ensembles consisting of a bodice, skirt, and draperies; ensembles consisting of a polonaise and a skirt; house, street, and evening dresses; outfits for lawn tennis and riding; and outer jackets, coats, and wraps. The patterns are drawn from rare original issues of The Voice of Fashion magazine. They were used by both amateur and professional dressmakers to make up the mainstream styles of the day, and are very similar to patterns published by Butterick. These patterns are enlarged with apportioning scales, which are provided in this book, along with step-by-step instructions. Apportioning scales are special rulers that enable you to draft custom sizes, from queen size to doll size, without doing arithmetic. Many patterns in this book are accompanied by supplementary illustrations with detailed descriptions, drawn from Butterick's Delineator magazine. Each supplement shows optional style variations that can be produced by using flat pattern alteration techniques, or by substituting a garment section from a different pattern in this book. The descriptions include information on construction and fabrics. Selections from fashion columns in The Delineator and Harper's Bazar, and from a circa 1890 dressmaking manual, add information on construction and on style trends. Also drawn from The Delineator are instructions and illustrations for 34 trimmings and 85 accessories. The book's glossary explains period fabric names and dressmaking terms. Directoire Revival Fashions 1888-1889 is a rich pattern source for readers who recreate period clothing for theater and film; living history; Old West and single-action shooting events; steampunk and goth outfits; bridal parties; or dolls. It's a valuable identification and dating tool for costume historians and vintage clothing collectors. And it will spark ideas for fashion designers.
"Eleanor Roosevelt never wanted her husband to run for president. When he won, she . . . went on a national tour to crusade on behalf of women. She wrote a regular newspaper column. She became a champion of women's rights and of civil rights. And she decided to write a book." -- Jill Lepore, from the Introduction "Women, whether subtly or vociferously, have always been a tremendous power in the destiny of the world," Eleanor Roosevelt wrote in It's Up to the Women, her book of advice to women of all ages on every aspect of life. Written at the height of the Great Depression, she called on women particularly to do their part -- cutting costs where needed, spending reasonably, and taking personal responsibility for keeping the economy going. Whether it's the recommendation that working women take time for themselves in order to fully enjoy time spent with their families, recipes for cheap but wholesome home-cooked meals, or America's obligation to women as they take a leading role in the new social order, many of the opinions expressed here are as fresh as if they were written today.
Learn what men, women, and children have worn—and why—in American history, beginning with the classical styles worn in the early American republic through the hoop skirts and ready-made clothes worn before the Civil War. Authors Ann Buermann Wass and Michelle Webb Fandrich provide information on fabrics, materials, and manufacturing; a discussion of levels of society, daily life, and dress; and the types of clothes worn by men, women, and children, including American Indians and enslaved people. The authors have painstakingly researched such primary sources as diaries, letters, and wills of the people of the time, in addition to secondary resources. Just a few of the topics include: • The constant problems of getting fabrics, such as wool, or cotton, in the late eighteenth centuries • The types of clothes that slave men, women, and children were allowed to wear • The beginnings of patterns and the mass production of clothing in the mid nineteenth century. The volume features numerous illustrations, helpful timelines, resource guides recommending websites, videos, and print publications, and extensive glossaries.
