The fully updated third edition of "Farewell, My Nation" considers the complex and often tragic relationships between American Indians, white Americans, and the U.S. government during the nineteenth century, as the government tried to find ways to deal with social and political questions about how to treat America’s indigenous population. Updated to include new scholarship that has appeared since the publication of the second edition as well as additional primary source material Examines the cultural and material impact of Western expansion on the indigenous peoples of the United States, guiding the reader through the significant changes in Indian-U.S. policy over the course of the nineteenth century Outlines the efficacy and outcomes of the three principal policies toward American Indians undertaken in varying degrees by the U.S. government – Separation, Concentration, and Americanization – and interrogates their repercussions Provides detailed descriptions, chronology and analysis of the Plains Wars supported by supplementary maps and illustrations
Taking place in Istanbul, Salonika, Paris and Macedonia between 1908 and 1926, Farewell, My Beautiful Homeland is the story of lives that have been turned upside down by rebellion, revolution and war. It is the story of the Greek declaration of independence, of the Jews of Salonika being forced into exile, of the Bulgarians fighting for their independence and of the decline of the Ottoman Empire and the struggle to create a new nation out of its crumbling ruins. It is also the story of one man’s search for his true calling amidst the chaos of a turbulent historical era, the story of a man caught between his love for his country and his love for his woman. Farewell, My Beautiful Homeland is a story of unfulfilled dreams and the call of history. And underpinning it all is one fundamental question, one fundamental struggle: which takes precedence – the state or the people?
Advance praise for Farewell, My Subaru “Fine is Bryson Funny.” ——Santa Cruz Sentinel “Fine is an amiable and self-deprecating storyteller in the mold of Douglas Adams. If you're a fan of Hitchhiker's Guide to the Galaxy-style humor -- and also looking to find out how to raise your own livestock to feed your ice-cream fetish -- Farewell may prove a vital tool.” —— The Washington Post “Fine is an eco-hero for our time..” —— Miami Herald “An afterward offers solid advice and sources for learning more.” —— On Earth Magazine, Natural Resources Defense Fund “This is Green Acres for the smart set—: a witty and educational look at sustainable living. Buy it, read it, compost it.” –A. J. Jacobs, author of The Year of Living Biblically “The details of Doug Fine’s experiment in green living are great fun——but more important is the spirit, the dawning understanding that living in connection to something more tangible than a computer mouse is what we were built for. It’ll make you want to move!” –Bill McKibben, author of Deep Economy: The Wealth of Communities and the Durable Future Like many Americans, Doug Fine enjoys his creature comforts, but he also knows full well they keep him addicted to oil. So he wonders: Is it possible to keep his Netflix and his car, his Wi-Fi and his subwoofers, and still reduce his carbon footprint? In an attempt to find out, Fine up and moves to a remote ranch in New Mexico, where he brazenly vows to grow his own food, use sunlight to power his world, and drive on restaurant grease. Never mind that he’s never raised so much as a chicken or a bean. Or that he has no mechanical or electrical skills. Whether installing Japanese solar panels, defending the goats he found on Craigslist against coyotes, or co-opting waste oil from the local Chinese restaurant to try and fill the new “veggie oil” tank in his ROAT (short for Ridiculously Oversized American Truck), Fine’s extraordinary undertaking makes one thing clear: It ain’t easy being green. In fact, his journey uncovers a slew of surprising facts about alternative energy, organic and locally grown food, and climate change. Both a hilarious romp and an inspiring call to action, Farewell, My Subaru makes a profound statement about trading today’s instant gratifications for a deeper, more enduring kind of satisfaction.
“A vivid portrait…and thoughtful consideration of George Washington’s wisdom that couldn’t be timelier” (Kirkus Reviews, starred review). A revealing look at the first President’s Farewell Address, a still-relevant warning against partisan politics and foreign entanglements. George Washington’s Farewell Address was a prophetic letter he wrote to his fellow citizens and signed from a “parting friend,” addressing the forces he feared could destroy our democracy: hyper-partisanship, excessive debt, and foreign wars. In it, Washington called for unity among “citizens by birth or choice,” advocated moderation, defended religious pluralism, proposed a foreign policy of independence (not isolation), and proposed that education is essential to democracy. He established the precedent for the peaceful transfer of power. Washington’s urgent message was adopted by Jefferson after years of opposition and quoted by Lincoln in defense of the Union. Woodrow Wilson invoked it for nation-building; Eisenhower for Cold War; Reagan for religion. Once celebrated as civic scripture, more widely reprinted than the Declaration of Independence, the Farewell Address is now almost forgotten. Yet its message remains starkly relevant today. In Washington’s Farewell, John Avlon offers a stunning portrait of our first president and his battle to save America from self-destruction. Washington’s Farewell “brings to light Washington’s goodbye by elucidating what it meant not only during the early days of the republic, but its lasting effect through the centuries” (Library Journal, starred review). Now the Farewell Address may inspire a new generation to re-center their politics and reunite our nation through the lessons rooted in Washington’s shared experience.
This book examines the formation of U.S. government policy toward the American Indian tribes during the period 1820-1890. Chapter 1 describes the early 19th century debate between the Gradualists, who believed in the peaceful assimilation of the Indians into white society, and the Removalists, who advocated forced removal of the tribes to the West. Andrew Jackson coalesced the two positions, producing a policy of separation that would ideally give the Indians time to acculturate. By 1840 the tribes of the South had been removed to Indian Territory in present-day Oklahoma. Chapter 2 examines how the developments of the 1840s--migratory fever and the overland trails, "manifest destiny" and territorial expansion--led to a policy of concentration whereby the tribes would be confined to particular lands in exchange for an annuity of food and goods from the federal government. Chapter 3 details the effects of the Civil War on federal-Indian relations. Chapters 4 and 5 describe the two phases of the Plains Wars as struggles to realize and enforce the policy of concentration. Chapter 6 discusses government efforts to develop policy on governing the American Indians in the aftermath of the Indian Wars. This book contains a bibliographic essay, four historical maps, and an index. (SV)
Winner of the National Book Critics Circle Award for Autobiography, this is a brilliant writer’s account of a long, painful, ecstatic—and unreciprocated—affair with a country that has long fascinated the world. A foreign correspondent on a simple story becomes, over time and in the pages of this book, a lover of Haiti, pursuing the heart of this beautiful and confounding land into its darkest corners and brightest clearings. Farewell, Fred Voodoo is a journey into the depths of the human soul as well as a vivid portrayal of the nation’s extraordinary people and their uncanny resilience. Haiti has found in Amy Wilentz an author of astonishing wit, sympathy, and eloquence.
The only certainty in life is death. Even the most powerful leaders throughout history were unable to cheat the Grim Reaper. World leaders, whether revered or reviled, are rarely allowed to exit gracefully from life but instead receive a state funeral, a major international event incorporating splendid symbols and messages, religious faith, and tradition. The body of Tsar Alexander III was carried across half of Russia before finally being buried in St. Petersburg. People paid obscene amounts of money for a room that gave a glimpse of Queen Victoria’s fascinating State funeral. The cortège for China’s Empress-Dowager Cixi was not to be photographed – nevertheless photos showed up a century later. For political reasons Generalissimo Franco’s body was exhumed decades after his death. The world became acquainted with a rather unusual ancient Roman Catholic ritual, when Pope John Paul I died. The body of India’s Indira Gandhi was confined to sacred flames. The last journey of Marshal Tito turned into an event of “Funeral Diplomacy”, whilst Khomeini’s funeral ended in frenzy and tumult. In 2021 the massive restrictions imposed due to the Covid-19 pandemic meant a rigid downsizing of Prince Philip’s funeral, hardly any guests were allowed to attend. This revealing and entertaining book provides an insight into unique obsequies from across the world, seen as both a celebration of life and the honouring of death.
American History through Hollywood Film offers a new perspective on major issues in American history from the 1770s to the end of the twentieth century and explores how they have been represented in film. Melvyn Stokes examines how and why representation has changed over time, looking at the origins, underlying assumptions, production, and reception of an important cross-section of historical films. Chapters deal with key events in American history including the American Revolution, the Civil War and its legacy, the Great Depression, and the anti-communism of the Cold War era. Major themes such as ethnicity, slavery, Native Americans and Jewish immigrants are covered and a final chapter looks at the way the 1960s and 70s have been dealt with by Hollywood. This book is essential reading for anyone studying American history and the relationship between history and film.
