Farewell Blues
Farewell Blues

Author: Maggie Robinson

Publisher: Sourcebooks, Inc.

Published: 2021-09-14

Total Pages: 213

ISBN-13: 1464215200

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The Society Scandal of the Season... Lady Adelaide Compton had prepared herself to say goodbye forever to Detective Inspector Devenand Hunter. It would be a welcome relief not to get mixed up in any more murders, even if it meant never working alongside the handsome detective again...wouldn't it? But then Addie's prim and proper mother, Constance, the Dowager Marchioness of Broughton, is accused of murdering her secret lover, and there can't be enough gentlemen detectives on hand to find the truth. The dead Duke of Rufford appeared to lead a blameless life, but appearances can be deceiving. And unless Addie and Dev work together, Constance will hang—which is no one's idea of a happy ending.

Billboard
Billboard

Author:

Publisher:

Published: 1944-05-20

Total Pages: 80

ISBN-13:

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In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

Encyclopedia of the Blues
Encyclopedia of the Blues

Author: Edward M. Komara

Publisher: Psychology Press

Published: 2006

Total Pages: 1274

ISBN-13: 0415926998

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This comprehensive two-volume set brings together all aspects of the blues from performers and musical styles to record labels and cultural issues, including regional evolution and history. Organized in an accessible A-to-Z format, the Encyclopedia of the Blues is an essential reference resource for information on this unique American music genre. For a full list of entries, contributors, and more, visit the Encyclopedia of the Blues website.

Championship Flatpicking Guitar
Championship Flatpicking Guitar

Author: Steve Kaufman

Publisher: Mel Bay Publications

Published: 2015-09-22

Total Pages: 65

ISBN-13: 1619115352

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The author, three-time national flatpicking guitar champion, has compiled this rousing collection of dazzling flatpicking guitar solos. A companion audio featuring Steve's foot-tapping rendition of each arrangement is included. The book is in notation and tablature. All the songs in the book are performed on the audio. Onthe video, Steve plays both slow and fast versions of each solo. Steve's performance on the up-tempo versions of the challenging solos is absolutelyastonishing. Includes access to audio and video online

Lost Sounds
Lost Sounds

Author: Tim Brooks

Publisher: University of Illinois Press

Published: 2010-10-01

Total Pages: 656

ISBN-13: 0252090632

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A groundbreaking history of African Americans in the early recording industry, Lost Sounds examines the first three decades of sound recording in the United States, charting the surprising roles black artists played in the period leading up to the Jazz Age and the remarkably wide range of black music and culture they preserved. Drawing on more than thirty years of scholarship, Tim Brooks identifies key black recording artists and profiles forty audio pioneers. Brooks assesses the careers and recordings of George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W. C. Handy, James Reese Europe, Wilbur Sweatman, Harry T. Burleigh, Roland Hayes, Booker T. Washington, and boxing champion Jack Johnson, plus a host of lesser-known voices. Many of these pioneers struggled to be heard in an era of rampant discrimination. Their stories detail the forces––black and white––that gradually allowed African Americans to enter the mainstream entertainment industry. Lost Sounds includes Brooks's selected discography of CD reissues and an appendix by Dick Spottswood describing early recordings by black artists in the Caribbean and South America.

Country
Country

Author: Ivan Tribe

Publisher: Bloomsbury Publishing USA

Published: 2006-03-30

Total Pages: 309

ISBN-13: 0313081476

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Over its eighty-year history, country music has evolved from little-known local talents to multimillion-dollar superstar musicians. In the 1920s, the first country music was broadcast from WSB radio in Atlanta and WBAP in Fort Worth, and the first records were recorded for Victor. In the 1930s, the first singing cowboys, among them Gene Autry and Roy Rogers, became film stars. After the war years, recordings boomed, and the Country Music Association was founded in 1958. Country music programs began on television with Porter Waggoner's program in 1960, followed by The Johnny Cash Show and Hee Haw. The Nashville Network channel was established in 1993, and from then on, the popular stars of country music have continued to break records, selling millions of copies of their albums. This book examines country music as it developed in regions throughout the United States, noting characteristics of its various subgenres such as bluegrass, honkytonk, and neotraditional music. It provides an indepth look at the people and events that have shaped the industry, and identifies the landmark recordings that old and new fans alike will want to add to their collections. Provides a detailed history of the following subgenres: hillbilly music, cowboy music, western swing, country rock, bluegrass, Nashville sound, and neotraditional, among others. Includes a chronology of country music and an extensive chapter of biographical sketches of all the major songwriters, musicians, and people in the industry.

Sayonara Amerika, Sayonara Nippon
Sayonara Amerika, Sayonara Nippon

Author: Michael Bourdaghs

Publisher: Columbia University Press

Published: 2012-02-21

Total Pages: 303

ISBN-13: 0231530269

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From the beginning of the American Occupation in 1945 to the post-bubble period of the early 1990s, popular music provided Japanese listeners with a much-needed release, channeling their desires, fears, and frustrations into a pleasurable and fluid art. Pop music allowed Japanese artists and audiences to assume various identities, reflecting the country's uncomfortable position under American hegemony and its uncertainty within ever-shifting geopolitical realities. In the first English-language study of this phenomenon, Michael K. Bourdaghs considers genres as diverse as boogie-woogie, rockabilly, enka, 1960s rock and roll, 1970s new music, folk, and techno-pop. Reading these forms and their cultural import through music, literary, and cultural theory, he introduces readers to the sensual moods and meanings of modern Japan. As he unpacks the complexities of popular music production and consumption, Bourdaghs interprets Japan as it worked through (or tried to forget) its imperial past. These efforts grew even murkier as Japanese pop migrated to the nation's former colonies. In postwar Japan, pop music both accelerated and protested the commodification of everyday life, challenged and reproduced gender hierarchies, and insisted on the uniqueness of a national culture, even as it participated in an increasingly integrated global marketplace. Each chapter in Sayonara Amerika, Sayonara Nippon examines a single genre through a particular theoretical lens: the relation of music to liberation; the influence of cultural mapping on musical appreciation; the role of translation in transmitting musical genres around the globe; the place of noise in music and its relation to historical change; the tenuous connection between ideologies of authenticity and imitation; the link between commercial success and artistic integrity; and the function of melodrama. Bourdaghs concludes with a look at recent Japanese pop music culture.