Heinrich Schenker

Heinrich Schenker

Author:

Publisher: Pendragon Press

Published: 1978

Total Pages: 572

ISBN-13: 9780918728999

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Originally published in 1966, the Reeseschrift remains one of the most significant collections of musicological writings ever assembled. Its fifty-six essays, written by some of the greatest scholars of our time, range chronologically from antiquity to the 17thcentury and geographically from Byzantium to the British Isles. They deal with questions of history, style, form, texture, notation, and performance practice.


Fugue in the Sixteenth Century

Fugue in the Sixteenth Century

Author: Paul Walker

Publisher: Oxford University Press

Published: 2020-11-17

Total Pages: 385

ISBN-13: 0190056215

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Examining the roots of the classical fugue and the early history of non-canonic fugal writing, Paul Walker's Fugue in the Sixteenth Century explores the three principal fugal genres of the period: motet, ricercar, and canonza. The volume treats each genre in turn, tracing the fugue's development throughout the century and highlighting important moments and trends along the way. Taking a two-tiered approach, Walker, on one level, examines fugue from the perspective of contemporary musicians, and on another level, takes into account fugue's later history and the elements that came to play a significant role in its formation. Walker is the first scholar to successfully tie together the various strands of the "pre-Bach fugue" thanks to the growing availability of editions of the repertories involved. He also takes account of recent work elucidating the change in compositional approach around 1500 from a basis in cantus firmus and canon to one favoring non-canonical, fugal imitation. Featuring well-chosen musical examples to illustrate the compositional developments of the sixteenth century, Fugue in the Sixteenth Century is a definitive study for both specialist musicologists and organists and harpsichordists alike.


The Stylus Phantasticus and Free Keyboard Music of the North German Baroque

The Stylus Phantasticus and Free Keyboard Music of the North German Baroque

Author: Paul Collins

Publisher: Routledge

Published: 2017-07-05

Total Pages: 232

ISBN-13: 1351540211

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The concept of stylus phantasticus (or ?fantastic style?) as it was expressed in free keyboard music of the north German Baroque forms the focus of this book. Exploring both the theoretical background to the style and its application by composers and performers, Paul Collins surveys the development of Athanasius Kircher?s original concept and its influence on music theorists such as Brossard, Janovka, Mattheson, and Walther. Turning specifically to fantasist composers of keyboard works, the book examines the keyboard toccatas of Merulo, Fresobaldi, Rossi and Froberger and their influence on north German organists Tunder, Weckmann, Reincken, Buxtehude, Bruhns, Lubeck, Bohm, and Leyding. The free keyboard music of this distinguished group highlights the intriguing relationship at this time between composition and performance, the concept of fantasy, and the understanding of originality and individuality in seventeenth-century culture.


Early Keyboard Instruments

Early Keyboard Instruments

Author: Edwin M. Ripin

Publisher: W. W. Norton & Company

Published: 1989

Total Pages: 340

ISBN-13: 9780393305159

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The New Grove Musical Instruments Series, a companion to the much-acclaimed New Grove Composer Biography Series, presents in book form many of the lengthy and informative articles published in The New Grove Dictionary of Musical Instruments. Each book is a comprehensive guide to all facets of an instrument: its history, construction, repertory, playing techniques, and makers, written by leading authorities.


A Performer's Guide to Seventeenth-Century Music

A Performer's Guide to Seventeenth-Century Music

Author: Stewart Carter

Publisher: Indiana University Press

Published: 2012-03-21

Total Pages: 558

ISBN-13: 0253005280

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Revised and expanded, A Performer's Guide to Seventeenth Century Music is a comprehensive reference guide for students and professional musicians. The book contains useful material on vocal and choral music and style; instrumentation; performance practice; ornamentation, tuning, temperament; meter and tempo; basso continuo; dance; theatrical production; and much more. The volume includes new chapters on the violin, the violoncello and violone, and the trombone—as well as updated and expanded reference materials, internet resources, and other newly available material. This highly accessible handbook will prove a welcome reference for any musician or singer interested in historically informed performance.