Frances Wright dared to take Thomas Jefferson seriously when he wrote, ' All men are created equal, ' and to assume that 'men' meant 'women' as well. Born in Scotland in 1795, she came to the United States in 1818, and spent half her adult life here, she died in Ohio in 1852, ending a lifetime devoted to promoting equality among the races and the sexes. The Marquis de Lafayette called her his adored Fanny and paid court so openly that he scandalized even his own family. The first woman to act publicly to oppose slavery. The pampered daughter of a highly stratified class society, she cast her lot with the working people, risking her health, her fortune, and her good name to realize the promise of the Declaration of Independence. With a boldness rare in women of her day, she attacked in print and in lecture halls throughout the country an economic system that allowed not only black slavery in the South but what she called wage slavery in the North. With the exception perhaps of Walt Whitman, she wrote more powerfully of sexual experience than any other American the nineteenth century.
In her fifties, Mrs. Frances Trollope became famous overnight for her book attacking the United States. Twenty-five years later, she sharpens her pen for her most controversial work yet -- the biography of her old friend, the radical and feminist Fanny Wright. She recalls the 1820s when the young Fanny erupted into the Trollopes' sleepy English cottage like a volcano, her red hair flying, her talk aflame with utopian ideals. Before long, Wright convinced her to follow her to America, a journey of extreme penury, frontier hardships, and the most satisfying sensual romance of Frances Trollope's life. Fanny: A Fiction is a wonderful new departure for Edmund White -- a quirky, dazzling story of two extraordinary nineteenth-century women, and a vibrant, questioning exploration of the nature of idealism, the clay feet of heroes, and the illusory power of the American dream.
Already excerpted in the New Yorker, Black Cloud Rising is a compelling and important historical novel that takes us back to an extraordinary moment when enslaved men and women were shedding their bonds and embracing freedom By fall of 1863, Union forces had taken control of Tidewater Virginia, and established a toehold in eastern North Carolina, including along the Outer Banks. Thousands of freed slaves and runaways flooded the Union lines, but Confederate irregulars still roamed the region. In December, the newly formed African Brigade, a unit of these former slaves led by General Edward Augustus Wild—a one-armed, impassioned Abolitionist—set out from Portsmouth to hunt down the rebel guerillas and extinguish the threat. From this little-known historical episode comes Black Cloud Rising, a dramatic, moving account of these soldiers—men who only weeks earlier had been enslaved, but were now Union infantrymen setting out to fight their former owners. At the heart of the narrative is Sergeant Richard Etheridge, the son of a slave and her master, raised with some privileges but constantly reminded of his place. Deeply conflicted about his past, Richard is eager to show himself to be a credit to his race. As the African Brigade conducts raids through the areas occupied by the Confederate Partisan Rangers, he and his comrades recognize that they are fighting for more than territory. Wild’s mission is to prove that his troops can be trusted as soldiers in combat. And because many of the men have fled from the very plantations in their path, each raid is also an opportunity to free loved ones left behind. For Richard, this means the possibility of reuniting with Fanny, the woman he hopes to marry one day. With powerful depictions of the bonds formed between fighting men and heartrending scenes of sacrifice and courage, Black Cloud Rising offers a compelling and nuanced portrait of enslaved men and women crossing the threshold to freedom.
NEW YORK TIMES BESTSELLER • TODAY SHOW BOOK CLUB PICK • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST AND ST. LOUIS POST-DISPATCH From the New York Times bestselling author of Loving Frank comes a much-anticipated second novel, which tells the improbable love story of Scottish writer Robert Louis Stevenson and his tempestuous American wife, Fanny. At the age of thirty-five, Fanny Van de Grift Osbourne has left her philandering husband in San Francisco to set sail for Belgium—with her three children and nanny in tow—to study art. It is a chance for this adventurous woman to start over, to make a better life for all of them, and to pursue her own desires. Not long after her arrival, however, tragedy strikes, and Fanny and her children repair to a quiet artists’ colony in France where she can recuperate. Emerging from a deep sorrow, she meets a lively Scot, Robert Louis Stevenson, ten years her junior, who falls instantly in love with the earthy, independent, and opinionated “belle Americaine.” Fanny does not immediately take to the slender young lawyer who longs to devote his life to writing—and who would eventually pen such classics as Treasure Island and The Strange Case of Dr. Jekyll and Mr. Hyde. In time, though, she succumbs to Stevenson’s charms, and the two begin a fierce love affair—marked by intense joy and harrowing darkness—that spans the decades and the globe. The shared life of these two strong-willed individuals unfolds into an adventure as impassioned and unpredictable as any of Stevenson’s own unforgettable tales. Praise for Under the Wide and Starry Sky “A richly imagined [novel] of love, laughter, pain and sacrifice . . . Under the Wide and Starry Sky is a dual portrait, with Louis and Fanny sharing the limelight in the best spirit of teamwork—a romantic partnership.”—USA Today “Powerful . . . flawless . . . a perfect example of what a man and a woman will do for love, and what they can accomplish when it’s meant to be.”—Fort Worth Star-Telegram “Horan’s prose is gorgeous enough to keep a reader transfixed, even if the story itself weren’t so compelling. I kept re-reading passages just to savor the exquisite wordplay. . . . Few writers are as masterful as she is at blending carefully researched history with the novelist’s art.”—The Dallas Morning News “A classic artistic bildungsroman and a retort to the genre, a novel that shows how love and marriage can simultaneously offer inspiration and encumbrance.”—The New York Times Book Review
Domestic Manners of the Americans is an entertaining, witty, and often scathing account of Trollope's travels in America between 1827 and 1832 and her criticisms of American manners, from vulgarity to the treatment of slaves. One of the most influential travel books of the century, it also speaks to political debates on equality in England.
"From the intimate perspective of three friends and neighbors in mid-nineteenth century Auburn, New York-the "agitators" of the title-acclaimed author Dorothy Wickenden tells the fascinating and crucially American stories of abolition, the Underground Railroad, the early women's rights movement, and the Civil War. Harriet Tubman-no-nonsense, funny, uncannily prescient, and strategically brilliant-was one of the most important conductors on the underground railroad and hid the enslaved men, women and children she rescued in the basement kitchens of Martha Wright, Quaker mother of seven, and Frances Seward, wife of Governor, then Senator, then Secretary of State William H. Seward. Harriet worked for the Union Army in South Carolina as a nurse and spy, and took part in a river raid in which 750 enslaved people were freed from rice plantations. Martha, a "dangerous woman" in the eyes of her neighbors and a harsh critic of Lincoln's policy on slavery, organized women's rights and abolitionist conventions with Susan B. Anthony and Elizabeth Cady Stanton. Frances gave freedom seekers money and referrals and aided in their education. The most conventional of the three friends, she hid her radicalism in public; behind the scenes, she argued strenuously with her husband about the urgency of immediate abolition. Many of the most prominent figures in the history books-Lincoln, Seward, Daniel Webster, Frederick Douglass, Charles Sumner, John Brown, Harriet Beecher Stowe, William Lloyd Garrison-are seen through the discerning eyes of the protagonists. So are the most explosive political debates: about women's roles and rights during the abolition crusade, emancipation, and the arming of Black troops; and about the true meaning of the Declaration of Independence and the Constitution. Beginning two decades before the Civil War, when Harriet Tubman was still enslaved and Martha and Frances were young women bound by law and tradition, The Agitators ends two decades after the war, in a radically changed United States. Wickenden brings this extraordinary period of our history to life through the richly detailed letters her characters wrote several times a week. Like Doris Kearns Goodwin's Team of Rivals and David McCullough's John Adams, Wickenden's The Agitators is revelatory, riveting, and profoundly relevant to our own time"--
The Speaking Stone: Stories Cemeteries Tell is a literary love letter to the joys of wandering graveyards and the discoveries such wanderings can yield. Here, Michael Griffith roams Spring Grove (founded 1844), the nation's third-largest cemetery, following curiosity and accident wherever they lead. The result is this fascinating collection, which narrates the lives of those he encountered on the way. Griffith lingers amidst the traces left behind--these are stories of race, feminism, art, and death, uncovered through obituaries, archival documents, and family legacies. Some essays focus on well-known figures like the feminist icon and freethinker Fanny Wright, but most chronicle the lives of lesser-known figures (a spiritual medium, a temperance advocate, the designers of caskets and hearses, the inventor of the glass-door oven) or of nearly unknown ones (a young heiress who died under mysterious circumstances, the daring sign-painters known as walldogs). The Speaking Stone examines what endures and what doesn't, reflecting on the vanity and poignancy of our attempts to leave monuments that last. Archival photos grace the pages of these thirteen essays that explore a larger, deeply tangled complex of ideas about place, history, self, and art.
