A collection of the complete scripts of 100 selected, previously unpublished plays by 19th-Century American playwrights. Volume 2 features William Dunlap's work, with "False Shame" and "Thirty Years."
In Shame Interrupted, bestselling author Edward T. Welch empowers readers to live in light of the gospel of God's grace, which breaks the lingering power of shame. Providing immediate application to every reader's spiritual journey, Welch's book guides men and women to seek freedom from the shame of their own relational and sexual brokenness. Shame controls far too many of us, and the Bible addresses the issue of shame from start to finish. Shame Interrupted reminds readers that God cares for the shamed, and that through Jesus, they are covered, adopted, cleansed, and healed. Shame Interrupted creates a safe place to deal with shame, shining a light on the dynamics of sin and how it is overcome through the power of Christ. By identifying with our shame on the cross, Jesus gives believers freedom from the paralyzing effects of sin and shame. As someone who is familiar with the effects and crushing weight of shame—and the overwhelming freedom found in Christ—Welch invites readers to find confidence in the cleansing work of Christ in this raw and brutally honest book. By examining the depths of the human heart, Welch has made accessible invaluable tools for counseling, soul care, and pastoral work. Shame Interrupted dwells on hope and healing, providing gospel answers to difficult questions.
To trace the life of Marie Dorval through the turbulences and exhilarations of her epoch is to engage not just with the genesis and the full flowering of a rare theatrical genius but also with the teeming literary, emotional, economic and material dramas in which such a genius is implacably embroiled. Dumas, Vigny, Hugo, Sand, Gautier and many others mingle their creative and affective energies with Dorval's in a ceaseless dynamic interplay. But to read Bettina Knapp's exceptional story is to realize too the so easily overlooked backcloth to life in Marie Dorval's times: poverty, the need to will one's survival, unimaginably trying circumstances in which theatre is performed, whether in the provinces or in Paris. And the account that follows further seeks, upon this at once intimate and societal canvas, to give us some real insight into the uniqueness of Dorval's acting techniques, simultaneously instinctive, viscerally natural, and learned, studied, though more from life than instruction. A book for actors, indeed; but a book, too, for lovers of the theatre and, beyond that, of the sheer improbable drama of existence.