160 lined pages 5 wide x 7 high (12.7 cm wide x 17.8 cm high) Bookbound hardcover Elastic band place holder Archival/acid-free paper Inside back cover pocket Gold foil, embossed
Night-blooming flowers blossom across the covers of this serene journal. A dusting of gorgeous gold foil illuminates the intricate details. 192 lightly lined pages provide plenty of space for personal reflection, sketching, or jotting down favorite quotations or poems. Smooth-finish, acid-free archival paper takes a variety of pens beautifully. A satin ribbon marker keeps your place. A classic feature: gilded-gold page edging. Journal is a larger size: 7-1/4'' wide x 9'' high. Substantial hardcover binding. Raised embossing lends dimensional detailing to our cover design. Complementary endsheets. Illustration by Nansei Sakagami.
Whimsical, beautiful embroidery motifs created by an avid gardener—stitch roses, bees, or whole garden scenes. Kazuko Aoki has a unique talent for translating the beauty of the garden with needle and thread. By offering forty motifs, Aoki invites us to explore her gardens through embroidery. The forty motifs explore the roses and wildflowers that appear season to season, as well as the bees and butterflies that enjoy their nectar. The designs here are exquisite, detailed, and artfullly rendered. Beyond the motifs themselves, Aoki also presents projects that feature the embroidery: brooches, notebook covers, pin cushions, and pouches. For those new to embroidery, detailed how-to illustrations are included.
The brilliant colors of fall foliage take center stage in this picture book perfect for fans of the classic Red Leaf, Yellow Leaf. With her trademark bold, graphic style Monica Wellington has created a picture book about autumn, trees, and leaves. When the seasons change, a young girl visits the arboretum to collect fallen leaves and make a book with them. Brilliant illustrations show each variety of tree the girl encounters, from the common oak to the lesser known gingko. Spreads silhouetting leaves up-close help young children learn to identify them. Like the girl in the book, young readers will be eager to make their very own leaf books.
"For several thousand years, all dyes were of animal, vegetable, or mineral origin, and many ancient civilizations possessed excellent dye technologies. The first synthetic dye was produced in 1856, and the use of traditional dyes declined rapidly thereafter. By 1915 few non-synthetics were used by industry or craftspeople. The craft revivals of the 1920s explored traditional methods of natural dyeing to some extent, particularly with wool, although the great eighteenth- and nineteenth-century dye manuals, which recorded the older processes, remained largely forgotten. In The Art and Craft of Natural Dyeing, J.N. Liles consolidates the lore of the older dyers with his own first-hand experience to produce both a history of natural dyes and a practical manual for using pre-synthetic era processes on all the natural fibers--cotton, linen, silk, and wool. A general section on dyeing and mordanting and a glossary introduce the beginner to dye technology. In subsequent chapters, Liles summarizes the traditional dye methods available for each major color group. Scores of recipes provide detailed instructions on how to collect ingredients--flowers, weeds, insects, wood, minerals--prepare the dyevat, troubleshoot, and achieve specific shades"--Publisher's description.
The poet and author’s “beautiful . . . wise and warm” journal of time spent in her New Hampshire home alone with her garden, her books, the seasons, and herself (Eugenia Thornton, Cleveland Plain Dealer). “Loneliness is the poverty of self; solitude is richness of self.” —May Sarton May Sarton’s parrot chatters away as Sarton looks out the window at the rain and contemplates returning to her “real” life—not friends, not even love, but writing. In her bravest and most revealing memoir, Sarton casts her keenly observant eye on both the interior and exterior worlds. She shares insights about everyday life in the quiet New Hampshire village of Nelson, the desire for friends, and need for solitude—both an exhilarating and terrifying state. She likens writing to “cracking open the inner world again,” which sometimes plunges her into depression. She confesses her fears, her disappointments, her unresolved angers. Sarton’s garden is her great, abiding joy, sustaining her through seasons of psychic and emotional pain. Journal of a Solitude is a moving and profound meditation on creativity, oneness with nature, and the courage it takes to be alone. Both uplifting and cathartic, it sweeps us along on Sarton’s pilgrimage inward. This ebook features an extended biography of May Sarton.
“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children. Now this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and second and third appendices. The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside. Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story -- of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.
This 6" x 9" journal is a perfect companion for anyone interested in leaf collecting. This journal is perfect for people who love trees, plants, botany, or just nature in general. It could be useful any time of year, but especially in autumn when the leaves take on beautiful, vibrant colors (and are just laying on the ground for easy, convenient collecting). It would make a great gift for anyone who wants to go outside and marvel at the beauty of the natural world, especially kids! The journal contains 120 pages, each with a large, blank sketching area, as well as a few blank lines for writing at the bottom. Every page has a place at the top to record the date of your discovery, as well as the location where you found it. The sketching area is a 4.5" x 5.1" blank rectangular area which can be used for drawing the leaf, and the remaining area at the bottom consists of a few blank lines for writing whatever you wish (possibly a description of the leaf, how you found it, etc). Alternatively, instead of sketching the leaf, you could also try using this journal to keep a literal leaf collection, by affixing the actual leaves themselves (probably with tape) into the sketching area of the page (although this might only work well for smaller leaves).