A novel of the early-day West in the period between 1845 and 1870 in which Dick Summers, a conservationist, seeks retribution from his former countryman Boone Caudill and companionship with Teal Eye.
It is 1649. As the English soldiers trample the Irish homesteads, leaving behind them a trail of barbarity and destruction, a few brave men set out to seek a 'fair land' over the brow of the hill. Among them is Dominick MacMahon, whose wife has been killed in the bloody massacre of Drogheda, and whose son and daughter, and a wounded priest, Father Sebastian, accompany him. But as he journeys in search of peace and freedom he is relentlessly pursued by Coote, the Cromwellian ruler of Connaught . . .
Motivated by potentially turning Flushing Meadows, literally a land of refuse, into his greatest public park, Robert Moses—New York's "Master Builder"—brought the World's Fair to the Big Apple for 1964 and '65. Though considered a financial failure, the 1964-65 World' s Fair was a Sixties flashpoint in areas from politics to pop culture, technology to urban planning, and civil rights to violent crime. In an epic narrative, the New York Times bestseller Tomorrow-Land shows the astonishing pivots taken by New York City, America, and the world during the Fair. It fetched Disney's empire from California and Michelangelo's La Pieta from Europe; and displayed flickers of innovation from Ford, GM, and NASA—from undersea and outerspace colonies to personal computers. It housed the controversial work of Warhol (until Governor Rockefeller had it removed); and lured Ken Kesey and the Merry Pranksters. Meanwhile, the Fair—and its house band, Guy Lombardo and his Royal Canadians—sat in the musical shadows of the Beatles and Bob Dylan, who changed rock-and-roll right there in Queens. And as Southern civil rights efforts turned deadly, and violent protests also occurred in and around the Fair, Harlem-based Malcolm X predicted a frightening future of inner-city racial conflict. World's Fairs have always been collisions of eras, cultures, nations, technologies, ideas, and art. But the trippy, turbulent, Technicolor, Disney, corporate, and often misguided 1964-65 Fair was truly exceptional.
An enormously entertaining classic, THE WAY WEST brings to life the adventure of the western passage and the pioneer spirit. The sequel to THE BIG SKY, this celebrated novel charts a frontiersman's return to the untamed West in 1846. Dick Summers, as pilot of a wagon train, guides a group of settlers on the difficult journey from Missouri to Oregon. In sensitive but unsentimental prose, Guthrie illuminates the harsh trials and resounding triumphs of pioneer life. With THE WAY WEST, he pays homage to the grandeur of the western wilderness, its stark and beautiful scenery, and its extraordinary people.
"This volume seeks to portray the beauty of the American countryside. It does not encompass the might of our cities nor the dynamic energy of our industries. That is a theme for a book in itself. Above all, it is not a state-by-state encyclopedia of sceneic wonders. Its objective is to destill the essence of rural America. The work of more than eighty etchers and photographers has been selected to give an unforgettable impression of this bright land. Their eloquent pictures speak for themselves, without the need of an interlocutor."--Editor's note.
An officer's first-person account of British colonial disengagement from Sarawak. Morrison explains the daily bureaucracy of colonial life from an inside perspective and details the changes that occurred during his years in Sarawak: the growth and expansion of Communist movements, the emerging modernization of various districts, and the formation of Malaysia.
The first volume in Alexander Cordell's classic trilogy of mid-nineteenth century Wales. Set in the grim valleys of the Welsh iron country during the turbulent times of the Industrial Revolution, this unforgettable novel begins the saga of the Mortymer family - a family of hard men and beautiful women, all forced into a bitter struggle with their harsh environment, as they slave and starve for the cruel English ironmasters. But adversity could never still the free spirit of Wales, or quiet its soaring voice, and the Mortymers struggle on even as the iron foundries ravish their homeland and cripple their people. Rape of the Fair Country launched the bestselling career of Alexander Cordell in 1959 and went on to sell millions of copies in seventeen languages throughout the world.
His father killed by the British and his home burned, young Tatton Chantry left Ireland to make his fortune and regain the land that was rightfully his. Schooled along the way in the use of arms, Chantry arrives in London a wiser and far more dangerous man. He invests in trading ventures, but on a voyage to the New World his party is attacked by Indians and he is marooned in the untamed wilderness of the Carolina coast. It is in this darkest time, when everything seems lost, that Chantry encounters a remarkable opportunity. . . . Suddenly all his dreams are within reach: extraordinary wealth, his family land, and the heart of a Peruvian beauty. But first he must survive Indians, pirates, and a rogue swordsman who has vowed to see him dead.
Pierre, sole survivor of an aristocratic family in the French Revolution, escapes to America aboard the Fair American with the aid of Sally, Andrew, and Andrew's father.
Something is profoundly wrong with the way we think about how we should live today. In Ill Fares The Land, Tony Judt, one of our leading historians and thinkers, reveals how we have arrived at our present dangerously confused moment. Judt masterfully crystallizes what we've all been feeling into a way to think our way into, and thus out of, our great collective dis-ease about the current state of things. As the economic collapse of 2008 made clear, the social contract that defined postwar life in Europe and America - the guarantee of a basal level of security, stability and fairness -- is no longer guaranteed; in fact, it's no longer part of the common discourse. Judt offers the language we need to address our common needs, rejecting the nihilistic individualism of the far right and the debunked socialism of the past. To find a way forward, we must look to our not so distant past and to social democracy in action: to re-enshrining fairness over mere efficiency. Distinctly absent from our national dialogue, social democrats believe that the state can play an enhanced role in our lives without threatening our liberties. Instead of placing blind faith in the market-as we have to our detriment for the past thirty years-social democrats entrust their fellow citizens and the state itself. Ill Fares the Land challenges us to confront our societal ills and to shoulder responsibility for the world we live in. For hope remains. In reintroducing alternatives to the status quo, Judt reinvigorates our political conversation, providing the tools necessary to imagine a new form of governance, a new way of life.