The follow-up to Faces of World War I, this photographic journey is testament to the 100 million military men and women, and many more civilians, whose lives were so profoundly affected by the catastrophic war of 1939-1945.
"Originally published in Russian as U voiny--ne zhenskoe lietiso by Mastatskaya Litaratura, Minsk, in 1985. Originally published in English as War's unwomanly face by Progress Publishers, Moscow, in 1988"--Title page verso.
Charting the Allies' entry into warfare in 1914, Max Arthur tells the story in words and pictures of the new conscripted army's life through the five years of slaughter and suffering. He brilliantly conveys not only the heroism, but also the universal horror, futility, humour and boredom of warfare. From the front-line troops and the daily dice with death, to the support lines, communications, enlistment, training and propaganda, every aspect of the soldier's life is covered in this brilliant collection of images and interviews that brings the Great War to life once more.
This is an inspiring compilation of twelve stories of courageous teenagers from all across Europe who resisted the Nazis. There is Kirsten, a Danish girl who helped save a group of Jewish children from the Nazis. Jacob, a young Pole, survived the Holocaust by concealing his Jewish identity and working in a German armament factory. Jacques Lusseyran, a blind French boy, organised a student resistance group called the Volunteers of Liberty. The Edelweiss Pirates were a group of German teenagers who opposed The Hitler Youth and aided homeless runaways from reform schools and labour camps.
The faces in photographs of World War II-both the famous pictures from Life magazine and the seldom-seen snapshots of individual soldiers, sailors, and correspondents-have a unique capacity to induce awe, respect, and wonder. Who were these men and women? Did they survive the war? And, if so, what were their lives like? Author and Vietnam-era veteran David P. Colley has been researching the subjects of World War II photographs for more than twenty years. As he explains, "I find the pursuit of the soldiers in World War II photographs illuminating. We never stop and ask about the toll of war or what happened to the men afterward. Many were killed or wounded or suffered deep psychological scars. The year 2015 marks the seventieth anniversary of the end of that war. It will undoubtedly be one of the last times this nation honors its living World War II veterans. Soon they will be no more and the war mostly forgotten. It already is ancient history to the majority of Americans. But the images of those veterans, depicted in photographs, bring alive those momentous years and enshrine the soldiers in our history and our imaginations." In Seeing the War, Colley revisits more than a hundred of the most revealing photographs of World War II.
A collection of “first-rate frontline journalism” from the Spanish Civil War to US actions in Central America “by a woman singularly unafraid of guns” (Vanity Fair). For nearly sixty years, Martha Gellhorn’s fearless war correspondence made her a leading journalistic voice of her generation. From the Spanish Civil War in 1937 through the Central American wars of the mid-eighties, Gellhorn’s candid reporting reflected her deep empathy for people regardless of their political ideology. Collecting the best of Gellhorn’s writing on foreign conflicts, and now with a new introduction by Lauren Elkin, The Face of War is a classic of frontline journalism by “the premier war correspondent of the twentieth century” (Ward Just, The New York Times Magazine). Whether in Java, Finland, the Middle East, or Vietnam, she used the same vigorous approach. “I wrote very fast, as I had to,” she says, “afraid that I would forget the exact sound, smell, words, gestures, which were special to this moment and this place.” As Merle Rubin noted in his review of this volume for The Christian ScienceMonitor, “Martha Gellhorn’s courageous, independent-minded reportage breaks through geopolitical abstractions and ideological propaganda to take the reader straight to the scene of the event.”
A New York Times Bestseller Finalist for the 2022 Kirkus Prize | Named a best book of the year by The Guardian "Enthralling. Harrowing. Heartbreaking. And utterly redemptive. Lindsey Fitzharris hit this one out of the park." —Erik Larson, author of The Splendid and the Vile Lindsey Fitzharris, the award-winning author of The Butchering Art, presents the compelling, true story of a visionary surgeon who rebuilt the faces of the First World War’s injured heroes, and in the process ushered in the modern era of plastic surgery. From the moment the first machine gun rang out over the Western Front, one thing was clear: humankind’s military technology had wildly surpassed its medical capabilities. Bodies were battered, gouged, hacked, and gassed. The First World War claimed millions of lives and left millions more wounded and disfigured. In the midst of this brutality, however, there were also those who strove to alleviate suffering. The Facemaker tells the extraordinary story of such an individual: the pioneering plastic surgeon Harold Gillies, who dedicated himself to reconstructing the burned and broken faces of the injured soldiers under his care. Gillies, a Cambridge-educated New Zealander, became interested in the nascent field of plastic surgery after encountering the human wreckage on the front. Returning to Britain, he established one of the world’s first hospitals dedicated entirely to facial reconstruction. There, Gillies assembled a unique group of practitioners whose task was to rebuild what had been torn apart, to re-create what had been destroyed. At a time when losing a limb made a soldier a hero, but losing a face made him a monster to a society largely intolerant of disfigurement, Gillies restored not just the faces of the wounded but also their spirits. The Facemaker places Gillies’s ingenious surgical innovations alongside the dramatic stories of soldiers whose lives were wrecked and repaired. The result is a vivid account of how medicine can be an art, and of what courage and imagination can accomplish in the presence of relentless horror.