The Face of Madness

The Face of Madness

Author: Sander L. Gilman

Publisher:

Published: 2014-03-14

Total Pages: 126

ISBN-13: 9781626549234

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Today the use of photography (and its extension, video) in psychiatry is a common practice. But in the 1850s, when pioneering medical photographer and psychiatrist Dr. Hugh W. Diamond was behind the camera, this technique was an innovative application of art to science, reflecting and expanding the contemporary interest in physiognomic characteristics. In "The Face of Madness," notable scholar Sander Gilman has curated a unique exhibition of 54 of Dr. Diamond's photographs and commentary. Diamond's photographs are eloquent portraits of the insane-the melancholy, the depressed, the deranged, the alcoholic-whom he cared for at the Surrey County Lunatic Asylum. In addition to their psychiatric significance, these photographs are notable works of art since Diamond was a pioneer in experimenting with and refining photographic techniques. Diamond's paper "On the Application of Photography to the Physiognomic and Mental Phenomena of Insanity," is included in this printing. This discourse discloses three functions of photography which are still relevant to the practice of psychiatry today: Photography can record the appearance of the mentally ill for study; it can be used for treatment through the presentation of an accurate self-image; and it can record the visages of patients to facilitate identification in case of later readmission. In addition to Diamond's paper, notes and analysis by Dr. John Conolly are also included in this volume. Dr. Conolly, one of Dr. Diamond's associates, was widely considered to be the leading British psychiatrist of the mid-nineteenth century. His patient case studies accompany 17 of Diamond's photographs. These reports include clinical information as well as diagnoses based on the theories of the physiognomy of insanity accepted at that period. "The Face of Madness" is a book to be treasured not only by psychiatrists, but also by photographers and medical historians. As Eric T. Carlson writes in the Introduction: "Until now these photographs have been known only through the sketches made from them. Professor Gilman has performed a great service in locating them and by giving us their history." Sander L. Gilman, PhD, is a distinguished professor of the Liberal Arts and Sciences as well as Professor of Psychiatry at Emory University. A respected educator, he has served as Old Dominion Visiting Professor of English at Princeton; Northrop Frye Visiting Professor of Comparative Literature at the University of Toronto; Mellon Visiting Professor of Humanities at Tulane University; Goldwin Smith Professor of Humane Studies at Cornell University; and Professor of the History of Psychiatry at Cornell Medical College. He has written and edited several books including "Sexuality: An Illustrated History" and "Seeing the Insane."


Face of Madness: Hugh W. Diamond and the Origin of Psychiatric Photography

Face of Madness: Hugh W. Diamond and the Origin of Psychiatric Photography

Author: Sander L. Gilman

Publisher: Echo Point Books & Media

Published: 2015-09-10

Total Pages: 126

ISBN-13: 9781626542396

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Today the use of photography (and its extension, video) in psychiatry is a common practice. But in the 1850s, when pioneering medical photographer and psychiatrist Dr. Hugh W. Diamond was behind the camera, this technique was an innovative application of art to science, reflecting and expanding the contemporary interest in physiognomic characteristics. In "The Face of Madness," notable scholar Sander Gilman has curated a unique exhibition of 54 of Dr. Diamond's photographs and commentary. Diamond's photographs are eloquent portraits of the insane-the melancholy, the depressed, the deranged, the alcoholic-whom he cared for at the Surrey County Lunatic Asylum. In addition to their psychiatric significance, these photographs are notable works of art since Diamond was a pioneer in experimenting with and refining photographic techniques. Diamond's paper "On the Application of Photography to the Physiognomic and Mental Phenomena of Insanity," is included in this printing. This discourse discloses three functions of photography which are still relevant to the practice of psychiatry today: Photography can record the appearance of the mentally ill for study; it can be used for treatment through the presentation of an accurate self-image; and it can record the visages of patients to facilitate identification in case of later readmission. In addition to Diamond's paper, notes and analysis by Dr. John Conolly are also included in this volume. Dr. Conolly, one of Dr. Diamond's associates, was widely considered to be the leading British psychiatrist of the mid-nineteenth century. His patient case studies accompany 17 of Diamond's photographs. These reports include clinical information as well as diagnoses based on the theories of the physiognomy of insanity accepted at that period. "The Face of Madness" is a book to be treasured not only by psychiatrists, but also by photographers and medical historians. As Eric T. Carlson writes in the Introduction: "Until now these photographs have been known only through the sketches made from them. Professor Gilman has performed a great service in locating them and by giving us their history." Sander L. Gilman, PhD, is a distinguished professor of the Liberal Arts and Sciences as well as Professor of Psychiatry at Emory University. A respected educator, he has served as Old Dominion Visiting Professor of English at Princeton; Northrop Frye Visiting Professor of Comparative Literature at the University of Toronto; Mellon Visiting Professor of Humanities at Tulane University; Goldwin Smith Professor of Humane Studies at Cornell University; and Professor of the History of Psychiatry at Cornell Medical College. He has written and edited several books including "Sexuality: An Illustrated History" and "Seeing the Insane."


Seeing the Insane

Seeing the Insane

Author: Sander L. Gilman

Publisher: U of Nebraska Press

Published: 1996-01-01

Total Pages: 280

ISBN-13: 080327064X

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Seeing the Insane is a richly detailed cultural history of madness and art in the Western world, showing how the portrayal of stereotypes has both reflected and shaped the perception and treatment of the mentally disturbed.


Encyclopedia of Nineteenth-Century Photography

Encyclopedia of Nineteenth-Century Photography

Author: John Hannavy

Publisher: Routledge

Published: 2013-12-16

Total Pages: 1630

ISBN-13: 1135873267

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The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.


Voices in the History of Madness

Voices in the History of Madness

Author: Robert Ellis

Publisher: Springer Nature

Published: 2021-05-12

Total Pages: 440

ISBN-13: 303069559X

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This book presents new perspectives on the multiplicity of voices in the histories of mental ill-health. In the thirty years since Roy Porter called on historians to lower their gaze so that they might better understand patient-doctor roles in the past, historians have sought to place the voices of previously silent, marginalised and disenfranchised individuals at the heart of their analyses. Today, the development of service-user groups and patient consultations have become an important feature of the debates and planning related to current approaches to prevention, care and treatment. This edited collection of interdisciplinary chapters offers new and innovative perspectives on mental health and illness in the past and covers a breadth of opinions, views, and interpretations from patients, practitioners, policy makers, family members and wider communities. Its chronology runs from the early modern period to the twenty-first century and includes international and transnational analyses from Europe, North America, Asia and Africa, drawing on a range of sources and methodologies including oral histories, material culture, and the built environment. Chapter 4 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.


Clinical Photography — Theory and Practice

Clinical Photography — Theory and Practice

Author: Simon Brown

Publisher: Taylor & Francis

Published: 2024-09-25

Total Pages: 349

ISBN-13: 1317486323

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This is an authoritative and comprehensive reference for understanding clinical photography and improving the reader's ability to hone their skills and knowledge. The book first explores the rationale for clinical photography before going on to provide a practical guide to equipment selection, standardized techniques and digital workflows in a range of settings, from the professional studio to the DIY enthusiast, whilst also including telemedicine. Written and edited by three of the UK’s most experienced and qualified clinical photographers, with additional chapters written by other specialists, it is richly illustrated with numerous example images and suggested protocols and covers basic photographic theory, suitable equipment, digital image workflow and a major chapter on standardized representational photography, the cornerstone of professional clinical photography. Some medical specialties are covered in detail, including dermatology, dental and oral medicine, pediatrics, orthopedics, telemedicine and photography in surgery and the operating room. As well as a practical guide to clinical photography, the book also discusses the legal, moral and ethical contexts within which photography in medicine operates and, for the first time, explores the societal, cultural and religious factors for practicing in today’s digitally literate, multicultural world. This book will provide a valuable resource for biomedical photography students, practitioners and clinicians interested in developing their photography skills and applying them to medicine.


Before-and-After Photography

Before-and-After Photography

Author: Jordan Bear

Publisher: Routledge

Published: 2020-09-25

Total Pages: 201

ISBN-13: 1000213137

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The before-and-after trope in photography has long paired images to represent change: whether affirmatively, as in the results of makeovers, social reforms or medical interventions, or negatively, in the destruction of the environment by the impacts of war or natural disasters. This interdisciplinary, multi-authored volume examines the central but almost unspoken position of before-and-after photography found in a wide range of contexts from the 19th century through to the present. Packed with case studies that explore the conceptual implications of these images, the book’s rich language of evidence, documentation and persuasion present both historical material and the work of practicing photographers who have deployed – and challenged – the conventions of the before-and-after pairing. Touching on issues including sexuality, race, environmental change and criminality, Before-and-After Photography examines major topics of current debate in the critique of photography in an accessible way to allow students and scholars to explore the rich conceptual issues around photography’s relationship with time andimagination.