Your childhood home, an old family caravan, the incredible skyscraper in your city—these are all wonderful subjects that deserve to be re-created in fabric. Internationally acclaimed, award-winning quilter Gloria Loughman teaches you to capture your favorite place in fusible appliqué. Her simple technique is easy to master, yet yields stunning results. Draw from one of 3 included projects, your own photo or memory, and downloadable bonus patterns to assemble your own scenes that are captivating, vivid, and full of character.
Featuring contributions from a range of significant voices in the field, this volume renews the conversation around what it means to speak of the 'queer' in the context of architecture, and offers a fresh take on the methodological and epistemological challenges this poses to the discipline of architectural theory. Architecture as a discipline, a profession and an applied practice is always subordinate to its own conceptual framework, which is one of orderliness. It refers to buildings, but also to infrastructures of thought and knowledge, to conventions and taxonomies, to structures of governance, hierarchies of power and systems of administration. How, then, can one look at queering architectural discourse when the very term 'queer', celebrated for its elusive nature, resists and attacks such order? Divided into four subsections, the essays in this anthology each pursue a distinct line of inquiry – methods, practices, spaces and pedagogies – in order to help particularize the proposed queering of architecture. They demonstrate the paradoxical nature of the endeavour from a diverse range of perspectives – from questions of mapping queer theory in architecture; to issues of queer architectural archives, or lack thereof; to non-Western challenges to the very term queer, and the queering of basic assumptions across affiliated disciplines. Queering Architecture not only provides a bold challenge to the normative methods employed in architectural discourse but also addresses how establishing 'queer' methodologies is a paradox in itself.
Florke, a "Country Living" contributor who has been featured in "The New York Times" and on "Today," explores what he calls the "three muses" of design: comfort, economy, and color.
"Tell the story of a favorite place--Gloria shows you how to create buildings, boats, cars, doorways and more. Quilters of all levels will love the comprehensive attention to fabric, color, and elements of design. Practice a unique construction method for graphic quilts that resemble woodblock prints."--Back cover.
Randy Florke--a Country Living contributor who has been featured in The New York Times and People magazine and has appeared on the Today show--presents the most accessible (and easiest) decorating primer ever created. His beautiful and affordable heartland sensibility is irresistible. Interior decorator and Country Living contributing editor Randy Florke hails from Iowa-and his inviting design style captures the warmth and homey appeal of heartland America. Every beautiful color photograph presents real-life examples of rooms that radiate charm and practically invite readers to step inside and make themselves at home. Using a friendly, personal approach, Florke explores appealing and accessible ways to use color to warm up a kitchen; add luxury to a dining room with dressed-up windows; make a bedroom memorable with antique linens; and turn a bathroom into a retreat with traditional claw-foot tubs and pedestal sinks. Even town homes get that “country touch” with just the right piece of overstuffed furniture, area rugs, and landscape paintings that provide a rural view. Anyone hoping to transform a home from ordinary to extraordinary will find thrifty and stylish ways to shop and decorate.
In one of the most profound and bestselling science fiction novels of all time, Samuel R. Delany has produced a novel "to stand with the best American fiction of the 1970s" (Jonathan Lethem, bestselling author of Fortress of Solitude). Bellona is a city at the dead center of the United States. Something has happened there.... The population has fled. Madmen and criminals wander the streets. Strange portents appear in the cloud-covered sky. Into this disaster zone comes a young man—poet, lover, and adventurer—known only as the Kid. Tackling questions of race, gender, and sexuality, Dhalgren is a literary marvel and groundbreaking work of American magical realism.
Washington, D.C. has long been known as a frustrating and sometimes confusing city for its residents to call home. The monumental core of federal office buildings, museums, and the National Mall dominates the city’s surrounding neighborhoods and urban fabric. For much of the postwar era, Washingtonians battled to make the city their own, fighting the federal government over the basic question of home rule, the right of the city’s residents to govern their local affairs. In Historic Capital, urban historian Cameron Logan examines how the historic preservation movement played an integral role in Washingtonians’ claiming the city as their own. Going back to the earliest days of the local historic preservation movement in the 1920s, Logan shows how Washington, D.C.’s historic buildings and neighborhoods have been a site of contestation between local interests and the expansion of the federal government’s footprint. He carefully analyzes the long history of fights over the right to name and define historic districts in Georgetown, Dupont Circle, and Capitol Hill and documents a series of high-profile conflicts surrounding the fate of Lafayette Square, Rhodes Tavern, and Capitol Park, SW before discussing D.C. today. Diving deep into the racial fault lines of D.C., Historic Capital also explores how the historic preservation movement affected poor and African American residents in Anacostia and the U Street and Shaw neighborhoods and changed the social and cultural fabric of the nation’s capital. Broadening his inquiry to the United States as a whole, Logan ultimately makes the provocative and compelling case that historic preservation has had as great an impact on the physical fabric of U.S. cities as any other private or public sector initiative in the twentieth century.
The ABA Journal serves the legal profession. Qualified recipients are lawyers and judges, law students, law librarians and associate members of the American Bar Association.
Queer premises provide vital social and cultural infrastructure a queer infrastructure connecting different generations and locations, facilitating the movement of resources, across and beyond the city. Queer Premises offers evidence for how London's diverse LGBTQ+ populations have embedded themselves into urban space, systems and resources. It sets out to understand how, across their different material dimensions, bars, cafés, nightclubs, pubs, community centres, and hybrids of these typologies, have been imagined, created and sustained. From the 1980s to the present, Campkin asks how, where, and why these venues have been established, how they operate and the purposes they serve, what challenges they face and why they close down.
