Have you ever wondered what really happens when you dream? Prepare yourself for a stimulating trip into the enchanting worlds of Slumberland--where everything is real, yet nothing is real! As the dreamy scenarios unfold in your mind, these thought-provoking and entertaining magical tales touch upon important aspects of our daily lives, such as: our concept of reality, regrets from the past, avoiding conflict, emotional stress, the wonders of children, and the dream world itself. While you are gently transported from one reality to another, you will meet up with a talkative bird, an insightful bush, a hungry ogre, an irritable serpent, an inquisitive child, and an illuminating spirit. Slumberland-- a part of Tygo Lee's unique collection of creative writings that range from the serious to the carefree and humorous, thoughtfully brought to life through a great variety of magical fables, fantasy tales, inspirational stories, and reflections. Your concept of reality may never be the same again!
“Dream Variation,” one of Langston Hughes's most celebrated poems, about the dream of a world free of discrimination and racial prejudice, is now a picture book stunningly illustrated by Daniel Miyares, the acclaimed creator of Float. To fling my arms wide In some place of the sun, To whirl and to dance Till the white day is done…. Langston Hughes's inspiring and timeless message of pride, joy, and the dream of a better life is brilliantly and beautifully interpreted in Daniel Miyares's gorgeous artwork. Follow one African-American boy through the course of his day as the harsh reality of segregation and racial prejudice comes into vivid focus. But the boy dreams of a different life—one full of freedom, hope, and wild possibility, where he can fling his arms wide in the face of the sun. Hughes's powerful vision, brought joyously to life by Daniel Miyares, is as relevant—and necessary—today as when it was first written.
There is a byway between reality and dream. A transit we call Möbius Blvd … Inspired by the enigmatic Möbius strip, a mathematical construct that defies conventional notions of linearity and infinity, Möbius Blvd has no beginning or end but exists in a place where reality and dream have fused … coalesced … merged. With each turn of the page, you'll encounter a unique blend of horror, fantasy, and science-fiction—fiction that will challenge your perceptions and leave you in awe of the infinite possibilities that exist within the written word. Indeed, Möbius Blvd is far more than a magazine; it's an experience. It's an exploration of the infinite, a passage through dimensions where the only constant is storytelling at its most daring, a kaleidoscope of wonder and terror. Join us on this winding, never-ending journey of speculative fiction that will keep you entranced from the first twist to the last loop. Open your mind to the limitless worlds of Möbius Blvd … and discover that the boundary between fiction and reality is as thin as a strip of paper with a twist. In this issue: THE SHADOWS IN APARTMENT 1B Rudolfo San Miguel ONE MILLION EYES Laura Frost HIS MEMORIES BLEED THROUGH Elle Ravenswood TERTIUS TERRAE Brian C. Mahon BROMTIDE Wayne Kyle Spitzer LIFE INSIDE THE PEST-HOUSE Ken Foxe GERE’S ROAD April McDermott OCHI PIA Ethan Cordeta COVENANT J.B. McLaurin MAL COMPRIS Bill Tope
This book, like the post-Heideggerian reception of Nietzsche, rides out the splits and frays of the text offering an up-to-date look at international Nietzsche scholarship. Included are topics such as the collaboration of German thought with the rise of National Socialism and the alliance between Nietzschean genealogy and Freudian culture criticism in regard to technology and the unconscious, the status of moral imperatives from Kant to Heidegger, and Heidegger's alleged rediscovery of Nietzsche as the "last metaphysician." Looking After Nietzsche is nonexclusionary in the risks it takes; every thread of "Nietzsche" is pursued throughout its labyrinthine entanglements.
Beginning with glasnost in the late 1980s and continuing into the present, scores of personal accounts of life under Soviet rule, written throughout its history, have been published in Russia, marking the end of an epoch. In a major new work on private life and personal writings, Irina Paperno explores this massive outpouring of human documents to uncover common themes, cultural trends, and literary forms. The book argues that, diverse as they are, these narratives—memoirs, diaries, notes, blogs—assert the historical significance of intimate lives shaped by catastrophic political forces, especially the Terror under Stalin and World War II. Moreover, these published personal documents create a community where those who lived through the Soviet era can gain access to the inner recesses of one another's lives. This community strives to forge a link to the tradition of Russia's nineteenth-century intelligentsia; thus the Russian "intelligentsia" emerges as an additional implicit subject of this book. The book surveys hundreds of personal accounts and focuses on two in particular, chosen for their exceptional quality, scope, and emotional power. Notes about Anna Akhmatova is the diary Lidiia Chukovskaia, a professional editor, kept to document the day-to-day life of her friend, the great Russian poet Anna Akhmatova. Evgeniia Kiseleva, a barely literate former peasant, kept records in notebooks with the thought of crafting a movie script from the story of her life. The striking parallels and contrasts between these two documents demonstrate how the Soviet state and the idea of history shaped very different lives and very different life stories. The book also analyzes dreams (most of them terror dreams) recounted in the diaries and memoirs of authors ranging from a peasant to well-known writers, a Party leader, and Stalin himself. History, Paperno shows, invaded their dreams, too. With a sure grasp of Russian cultural history, great sensitivity to the men and women who wrote, and a command of European and American scholarship on life writing, Paperno places diaries and memoirs of the Soviet experience in a rich historical and conceptual frame. An important and lasting contribution to the history of Russian culture at the end of an epoch, Stories of the Soviet Experience also illuminates the general logic and specific uses of personal narratives.
Interpreting human stories, whether those told by individuals, groups, organizations, nations, or even civilizations, opens a wide scope of research options for understanding how people construct, shape, and reshape their perceptions, identities, and beliefs. Such narrative research is a rapidly growing field in the social sciences, as well as in the societally oriented humanities, such as cultural studies. This methodologically framed book offers conceptual directions for the study of social narrative, guiding readers through the means of narrative research and raising important ethical and value-related dilemmas. Shenhav details three classic elements of narrative—text, story, and narration—familiar concepts to those in literary studies. To the classic trilolgy of terms, this book also adds multiplicity, a crucial element for applying narrative analysis to the social sciences as it rests on the understanding that social narratives seek reproduction and self-multiplicity in order to become "social" and influential. The aim of this book is to create an easy, clear, and welcoming introduction to narratology as a mode of analysis, especially designed for students of the social sciences to provide the basics of a narratological approach, and to help make research and writing in this tradition more systematic. .
This book contains 70 short stories from 10 classic, prize-winning and noteworthy authors. The stories were carefully selected by the critic August Nemo, in a collection that will please the literature lovers. For more exciting titles, be sure to check out our 7 Best Short Stories and Essential Novelists collections. This book contains: - Nikolai GogolThe Nose The Viy The Cloak Old-Fashioned Farmers The Overcoat Memoirs of a Madman The Mysterious Portrait - Anton ChekhovThe Lady With The Little Dog Ward No. 6 A Joke The Darling Kashtanka The Black Monk In The Ravine - Joseph ConradThe Idiots An Outpost of Progress Amy Foster Youth An Anarchist The Secret Sharer The Return - Leonid AndreyevLazarus On The Day of Crucifixion The Crushed Flower The Serpent's Story JUdas Iscariot The Little Angel A Story Wich Will Never Be Finished - James JoyceThe Sisters Eveline Araby A Painful Case The Dead Two Gallants After the Race - Fyodor DostoevskyWhite Nights An Honest Thief The Christmas Tree and the Wedding Notes From Underground The Dream of a Ridiculous Man A Little Hero Mr. Prohartchin - Alexander PushkinThe Queen of Spades The Shot The Snowstorm The Postmaster The Coffin-maker Kirdjali Peter, The Great's Negro - Turgenev'sA Desperate Character Knock, Knock, Knock A Strange Story The Dog The District Doctor The Inn Mumu - Alexei PeshkovOne Autumn Night Twenty Six Men and a Girl The Dead Man Waiting for the Ferry The Billionaire The Birth of a Man - Leo TolstoyGod Sees the Truth, But Waits Papa Panov's Special Christmas Three Questions Work, Death and Sickness A Legend How Much Land Does a Man Needs? The Death of Ivan Ilyich Alyosha the Pot
This book traces the development of the modern short story in the hands of Irish women writers from the 1890s to the present. George Egerton, Somerville and Ross, Elizabeth Bowen, Mary Lavin, Edna O’Brien, Anne Enright and Claire Keegan are only some of the many Irish women writers who have made lasting contributions to the genre of the modern short story - yet their achievements have often been marginalized in literary histories, which typically define the Irish short story in terms of its oral heritage, nationalist concerns, rural realism and outsider-hero. Through a detailed investigation of the short fiction of fifteen prominent writers, this study aims to open up this critical conceptualization of the Irish short story to the formal properties and thematic concerns women writers bring to the genre. What stands out in thematic terms is an abiding interest in human relations, whether of love, the family or the larger community. In formal terms, this book traces the overall development of the Irish short story, highlighting both the lines of influence that connect these writers and the specific use each individual author makes of the short story form.
We think that a Dream is just a Dream but Life is reality. But if we contemplate, we will realize that Life is an illusion too. In fact, Life is nothing more than a dream, a very long dream. This book will take you to that state of Realization where you will discover the Truth of who you are and what your purpose on earth is.