Expressionism in Germany and France

Expressionism in Germany and France

Author: Timothy O. Benson

Publisher: Prestel Pub

Published: 2014

Total Pages: 295

ISBN-13: 9783791353401

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This groundbreaking examination of the cultural exchange between early 20th century French and German artists illuminates new ways of understanding the development of Expressionism. Although the Expressionist movement is widely considered to have arisen out of a German aesthetic, it was actually as much a result of German artists' exposure to artists living and working in France, such as van Gogh, Seurat, Gauguin, Cezanne, Matisse, Picasso, and Braque. In fact, in its early days, Expressionism was assigned no specific nationality at all. This fascinating book focuses on the key exhibitions, galleries, and museum directors that helped disseminate styles and techniques of revolutionary French artists throughout Germany. Included here are French masterpieces seen not only by German artists in Paris but also in important galleries, exhibitions, and private collections in Berlin, Dresden, Munich, Weimar, and other cities. More than 100 paintings and works on paper are grouped to encourage an understanding of artistic influence and interchange. The volume also reflects new scholarship on issues of French-German relations and contributes to our understanding of the ways the visual arts are influenced by ideas of national identity and cultural heritage."


The German Expressionists

The German Expressionists

Author: Bernard S. Myers

Publisher: New York, McGraw-Hill

Published: 1963

Total Pages: 408

ISBN-13:

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A serious and detailed study of German expressionism. The Expressionist Movement is presented in a total framework and on a level comparable with other forms of modern art.


France and German expressionism

France and German expressionism

Author: Frank Krause

Publisher: Vandenhoeck & Ruprecht

Published: 2008

Total Pages: 203

ISBN-13: 3899713648

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Dieser Band geht vernachlässigten Verbindungslinien zwischen Frankreich und dem deutschen Expressionismus nach. Andreas Kramer belegt Einflësse der französischen Avantgarde auf die Formen entgrenzter Lyrik im Expressionismus; Rémy Colombat arbeitet die Schwächen des Versuchs heraus, den Expressionismus als Spielart einer poetischen Moderne zu interpretieren, die sich auf den französischen Symbolismus zurëckfëhren läßt; Elza Adamowicz zeigt, wie französische Zugänge zu Wassily Kandinsky um 1930-1950 die expressionistische Dimension seines Werks tendenziell ausblenden; Eric Robertson weist deutsch-französische Aspekte unterschätzter Verbindungen zwischen Expressionismus und Dadaismus nach; Susan Tebbutt hebt regionalistische Trends bei Paul Gauguin und Kandinsky vor dem Hintergrund zeitgenössischer Bestimmungen des "Exotischen" hervor; Robert Vilain stellt Ansichten von Expressionisten ëber Voltaire in ihren kulturgeschichtlichen Kontext; Klaus H. Kiefer fragt nach den Überschneidungen französischer und expressionistischer Impulse in multikulturellen bzw. -lingualen Projekten von Eugene Jolas; und Frank Krause analysiert einen vergessenen Fall der frankophonen Rezeption von Georg Kaiser.


Expressionism and Poster Design in Germany 1905-1922

Expressionism and Poster Design in Germany 1905-1922

Author: Kathleen G. Chapman

Publisher: BRILL

Published: 2019-01-21

Total Pages: 383

ISBN-13: 900438099X

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An examination of visual and discursive connections between Expressionist art and commercial posters to show the equal importance of the aesthetic, utilitarian, and commercial in German modernism.


German Expressionist Painting

German Expressionist Painting

Author: Peter Selz

Publisher: Univ of California Press

Published: 2023-04-28

Total Pages: 550

ISBN-13: 0520341503

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Published in 1957, German Expressionist Painting was the first comprehensive study of one of the most pivotal movements in the art of this century. When it was written, however, German Expressionism seemed like an eccentric manifestation far removed from what was then considered the mainstream of modern art. But as historians well know, each generation alters the concept of mainstream to encompass those aspects of the past which seem most relevant to the present. The impact of German Expressionism on the art and thought of later generations could never have been anticipated at the time of the original writing of this book. During the subsequent years an enormous body of scholarly research and an even larger number of popular books on German expressionist art has been printed. Numerous monographs and detailed studies on most of the artists exist now and countless exhibitions with accompanying catalogues have taken place. Much of this new research could have been incorporated in a revised edition and the bibliography certainly could have been greatly expanded to include the important writings which have been published in Germany, the United States and elsewhere since this book was originally issued. The author, however, was faced with the choice of reprinting the original text with only the most necessary alterations-such as updating the captions to indicate present locations of the paintings-or the preparation of a revised text and bibliography. Desirable as a revision appeared, present printing costs would have priced the paperback out of reach for students. It is for this reason that I decided to reissue the original text which stands on its own as a primary investigation of German Expressionist Painting.


Expressionism in the Cinema

Expressionism in the Cinema

Author: Brill Olaf Brill

Publisher: Edinburgh University Press

Published: 2016-02-19

Total Pages: 424

ISBN-13: 1474411193

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One of the most visually striking traditions in cinema, for too long Expressionism has been a neglected critical category of research in film history and aesthetics. The fifteen essays in this anthology remedies this by revisiting key German films like The Cabinet of Dr. Caligari (1920) and Nosferatu (1922), and also provide original critical research into more obscure titles like Nerven (1919) and The Phantom Carriage (1921), films that were produced in the silent and early sound era in countries ranging from France, Sweden and Hungary, to the United States and Mexico.An innovative and wide-ranging collection, Expressionism in the Cinema re-canonizes the classical Expressionist aesthetic, extending the critical and historical discussion beyond pre-existing scholarship into comparative and interdisciplinary areas of film research that reach across national boundaries.