Focusing on both the ancient (Inca) and living (Yanomami) cultures of South America, this volume captures the South American mythmakers’ fascination with shape shifting and magic. It includes the tale of the first Inca, who built the city of Cuzco on the spot where his staff disappeared into the ground, and the sky people, who discovered the rain forest teeming with animals. Readers will learn about the many cultures and mythologies of South America and gain a better understanding of how the past has shaped the present.
Chrology By: Ulrich Ndilira Rotam The background research for Chrology: Science of All Sciences, Unification of All Knowledge was conducted in a generalized way on several domains to understand if there is a single law that governs all sciences, all literary studies, our existence, and all our knowledge on different generalities in a single model. This research and study led Ulrich Ndilira Rotam to discover a simple and absolute law in its originality that governs the presence of all existence in the universe in a complex way according to the space, existence, time, and scalable factors. Not satisfied with the vision or the interpretation of the world with all our theories: big bang, strings, cosmic inflation, general relativities, quantum physics, our existence, Rotam saw that there was a lack of gigantic pieces that required a new shaping and vision, seeing in a different way all that surrounds us. He wanted to unify everything on one model. In other words, Chrology makes it possible to push the boundaries of innovations on all human disciplines, to see and understand how the whole universe appears to us in our small global world and all sciences, literatures are all united on one model with their limits... a completely new concept.
Even today the economic powerhouse of modern China takes strength and nourishment from its legacy of antiquity. Ancient China illuminates this venerable heritage with unprecedented scholarship and vividness.
'During the Tang dynasty, the Chinese artist Wu Tao-tzu was one day standing looking at a mural he had just completed. Suddenly, he clapped his hands and the temple gate opened. He went into his work and the gates closed behind him.' Thus begins Sven Lindqvist's profound meditation on art and its relationship with life, first published in 1967, and a classic in his home country - it has never been out of print. As a young man, Sven Lindqvist was fascinated by the myth of Wu Tao-tzu, and by the possibility of entering a work of art and making it a way of life. He was drawn to artists and writers who shared this vision, especially Hermann Hesse, in his novel Glass Bead Game. Partly inspired by Hesse's work, Lindqvist lived in China for two years, learning classical calligraphy from a master teacher. There he was drawn deeper into the idea of a life of artistic perfectionism and retreat from the world. But when he left China for India and then Afghanistan, and saw the grotesque effects of poverty and extreme inequality, Lindqvist suffered a crisis of confidence and started to question his ideas about complete immersion in art at the expense of a proper engagement with life. The Myth of Wu Tao-tzu takes us on a fascinating journey through a young man's moral awakening and his grappling with profound questions of aesthetics. It contains the bracing moral anger, and poetic, intensely atmospheric travel writing Lindqvist's readers have come to love.
#1 NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • NAMED ONE OF TIME’S TEN BEST NONFICTION BOOKS OF THE DECADE • PULITZER PRIZE FINALIST • NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST • ONE OF OPRAH’S “BOOKS THAT HELP ME THROUGH” • NOW AN HBO ORIGINAL SPECIAL EVENT Hailed by Toni Morrison as “required reading,” a bold and personal literary exploration of America’s racial history by “the most important essayist in a generation and a writer who changed the national political conversation about race” (Rolling Stone) NAMED ONE OF THE MOST INFLUENTIAL BOOKS OF THE DECADE BY CNN • NAMED ONE OF PASTE’S BEST MEMOIRS OF THE DECADE • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY The New York Times Book Review • O: The Oprah Magazine • The Washington Post • People • Entertainment Weekly • Vogue • Los Angeles Times • San Francisco Chronicle • Chicago Tribune • New York • Newsday • Library Journal • Publishers Weekly In a profound work that pivots from the biggest questions about American history and ideals to the most intimate concerns of a father for his son, Ta-Nehisi Coates offers a powerful new framework for understanding our nation’s history and current crisis. Americans have built an empire on the idea of “race,” a falsehood that damages us all but falls most heavily on the bodies of black women and men—bodies exploited through slavery and segregation, and, today, threatened, locked up, and murdered out of all proportion. What is it like to inhabit a black body and find a way to live within it? And how can we all honestly reckon with this fraught history and free ourselves from its burden? Between the World and Me is Ta-Nehisi Coates’s attempt to answer these questions in a letter to his adolescent son. Coates shares with his son—and readers—the story of his awakening to the truth about his place in the world through a series of revelatory experiences, from Howard University to Civil War battlefields, from the South Side of Chicago to Paris, from his childhood home to the living rooms of mothers whose children’s lives were taken as American plunder. Beautifully woven from personal narrative, reimagined history, and fresh, emotionally charged reportage, Between the World and Me clearly illuminates the past, bracingly confronts our present, and offers a transcendent vision for a way forward.
"Here there be dragons"--this notation was often made on ancient maps to indicate the edges of the known world and what lay beyond. Heroes who ventured there were only as great as the beasts they encountered. This encyclopedia contains more than 2,200 monsters of myth and folklore, who both made life difficult for humans and fought by their side. Entries describe the appearance, behavior, and cultural origin of mythic creatures well-known and obscure, collected from traditions around the world.
Visionary and religious experiences are ubiquitous among human beings, but why do we experience them as coming from a hidden reality beyond the senses? Why should we believe in the existence of deities despite the mundane evidence of our own eyes? Why do we as intelligent primates ascribe any importance to these 'imaginary' realities at all? This creative and speculative thesis seeks to answer these questions in a new way, gazing into the content of visions themselves and exploring the various inner realities that gave rise to these transformative and meaningful aspects of our humanity. Focusing upon symbolic cognition as a fundamental organising principle of human experience, a diverse series of musings upon the nature of reality, consciousness, and our evolutionary origins seeks to transcend our modern artificial boundaries to arrive at a holistic, and delightfully playful, human image for the twenty-first century. An original visionary thesis illustrated with 30 beautiful drawings.
"In 1325, the Aztecs founded their capital city Tenochtitlan, which grew to be one of the world's largest cities before it was violently destroyed in 1521 by conquistadors from Spain and their indigenous allies. Re-christened and reoccupied by the Spanish conquerors as Mexico City, it became the pivot of global trade linking Europe and Asia in the 17th century, and one of the modern world's most populous metropolitan areas. However, the Aztec city of Tenochtitlan and its people did not entirely disappear when the Spanish conquistadors destroyed it. By reorienting Mexico City-Tenochtitlan as a colonial capital and indigenous city, Mundy demonstrates its continuity across time. Using maps, manuscripts, and artworks, she draws out two themes: the struggle for power by indigenous city rulers and the management and manipulation of local ecology, especially water, that was necessary to maintain the city's sacred character. What emerges is the story of a city-within-a city that continues to this day"--