The Divided Self, R.D. Laing's groundbreaking exploration of the nature of madness, illuminated the nature of mental illness and made the mysteries of the mind comprehensible to a wide audience. First published in 1960, this watershed work aimed to make madness comprehensible, and in doing so revolutionized the way we perceive mental illness. Using case studies of patients he had worked with, psychiatrist R. D. Laing argued that psychosis is not a medical condition, but an outcome of the 'divided self', or the tension between the two personas within us: one our authentic, private identity, and the other the false, 'sane' self that we present to the world. Laing's radical approach to insanity offered a rich existential analysis of personal alienation and made him a cult figure in the 1960s, yet his work was most significant for its humane attitude, which put the patient back at the centre of treatment. Includes an introduction by Professor Anthony S. David. 'One of the twentieth century's most influential psychotherapists' Guardian 'Laing challenged the psychiatric orthodoxy of his time ... an icon of the 1960s counter-culture' The Times
This study investigates our multiple selves as manifested in how we use language. Applying philosophical contrastive pragmatics to original and translation of Japanese and English works, the concept of empty yet populated self in Japanese is explored.
"Seen at the time of its publication in 1972 as an embarrassment by some of his friends and a disappointment by many of the admirers of his earlier romantic and idyllic works, Der Steppenwolf is now generally considered to be Hermann Hesse's most innovative and influential novel, comparable in its modernity, according to Thomas Mann, to James Joyce's Ulysses and Andre Gide's Les Faux Monnayeurs. What offended early readers, namely the author's willingness to explore and attempt to come to terms with dark side of his self and of a society in transition, is precisely what appealed to rebellious readers in the turbulent sixties and seventies and helped make Steppenwolf the most widely read German novel of the twentieth century. Ironically, this story of a fifty-year-old man, which Hesse thought younger people would not understand, has been and continues to be a favorite of college students." "After briefly tracing the extraordinary development of Hesse's popular reception, David G. Richards surveys the critical writing on Steppenwolf, from Hugo Ball's remarks in the first biography of Hesse, which was published the same year as the novel, and the other primarily biographical studies of the prewar period, through the exploration of important facets of the work in mostly German dissertations of the fifties and the explosive expansion of scholarship in the boom years of the sixties and seventies to the more modest achievements and the consolidating studies of the eighties and nineties."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
"It isn't easy to find an informed and critical look at the impact of digital media practices on human lives and minds. Ivo Quartiroli offers an informed critique based in both an understanding of technology and of human consciousness." -Howard Rheingold, author of The Virtual Community and Smart Mobs. "Aware of the profound and rapid psychological and social metamorphosis we are going through as we 'go digital' without paying attention, Ivo Quartiroli is telling us very precisely what we are gaining and what we are losing of the qualities and privileges that, glued as we are to one screen or another, we take for granted in our emotional, cognitive and spiritual life. This book is a wake-up call. Steve Jobs and Bill Gates should read it." -Derrick de Kerckhove, Professor, Facolt di sociologia, Universit Federico II, Naples, former Director of the McLuhan Program in Culture and Technology. "People today, especially young people, live more on the Internet than in the real world. This has subtle and not-so-subtle effects on their thinking and personality. It is high time to review these effects, to see whether they are a smooth highway to a bright interconnected future, or possibly a deviation that could endanger health and wellbeing for the individual as well as for society. Ivo Quartiroli undertakes to produce this review and does so with deep understanding and dedicated humanism. His book should be read by everyone, whether he or she is addicted to the Internet or has second thoughts about it." -Ervin Laszlo, President, the Club of Budapest, and Chancellor, the Giordano Bruno Globalshift University. "Ivo Quartiroli here addresses one of the most pressing questions forced upon us by our latest technologies. In disturbing the deepest relations between the user's faculties and the surrounding world, our electric media, all of them without exception, create profound disorientation and subsequent discord, personal and cultural. Few subjects today demand greater scrutiny." - Dr. Eric McLuhan, Author and Lecturer "Ivo Quartiroli is mining the rich liminal territory between humans and their networks. With the integrity of a scientist and the passion of artist, he forces us to reconsider where we end and technology begins. Or when." -Douglas Rushkoff, Media Theorist and author of Cyberia, Media Virus, Life, Inc. and Program or Be Programmed. "You might find what he writes to be challenging, irritating, even blasphemous and sacrilegious. If so, he has proven his point. The Internet, Ivo suggests, might just be the new opium of the masses. Agree with him or not, no other book to date brings together the multitude of issues related to how the seductions of technology impinge upon and affect the development of the self and soul." -Michael Wesch, Associate Professor of Digital Ethnography, Kansas State University It is nearly half a century since Marshall McLuhan pointed out that the medium is the message. In the interim, digital technologies have found an irresistible hook on our minds. With the soul's quest for the infinite usurped by the ego's desire for unlimited power, the Internet and social media have stepped in to fill our deepest needs for communication, knowledge and creativity - even intimacy and sexuality. Without being grounded in those human qualities which are established through experience and inner exploration, we are vulnerable to being seduced into outsourcing our minds and our fragile identities. Intersecting media studies, psychology and spirituality, The Digitally Divided Self exposes the nature of the malleable mind and explores the religious and philosophical influences which leave it obsessed with the incessant flow of information.
We all want more love in our lives, especially when the world requires more from us every day. Lasting intimacy—a close and enduring relationship with someone we love who cherishes us—is an indispensable source of strength, resilience, and hope, one that we especially turn to in challenging times. But too often being in an intimate relationship means we have to compromise—or lose—vital aspects of ourselves. How can we avoid sacrificing our own self-care to get the love we want? In this original, surprising, and deeply revealing exploration of the self and relationships, Dr. Jeffrey Rubin brings the art of flourishing to life. The idea is startlingly simple: self-care is the foundation of intimacy, and intimacy is the culmination of self-care. The Art of Flourishing provides the reader with the tools necessary to thrive, to live a life of meaning, passion, and fulfillment. An expert on both Eastern meditative and Western psychotherapeutic traditions, Dr. Rubin draws on the best practices of each to create a new and accessible path to living authentically. His unique synthesis provides a remarkably lucid guide for handling our emotions wisely, discovering our purpose, and uncovering barriers to intimacy—the hidden emotional weeds that kill passion, such as conflicts over communication and power, boundaries and sexuality. Drawing from case examples and personal experiences, Rubin explains how to remove these obstacles to nurture empathy and mutual respect. Creating and cultivating a garden of love enables us to grow as individuals and nourish our connections with others. It widens our horizon of possibility, deepens our humanity, and helps us flourish, which is a priceless gift to the world.
Psychoanalytic theory has been the subject of attacks from philosophers, cultural critics and scientists who have questioned the cogency of its reasoning as well as the soundness of its premises. Nevertheless, when used to shed light on horror cinema, psychoanalysis in its various forms has proven to be a fruitful and provocative interpretative tool. This volume seeks to find the proper place of psychoanalytic thought in critical discussion of cinema in a series of essays that debate its legitimacy, utility and validity as applied to the horror genre. It distinguishes itself from previous work in this area through the self-consciousness with which psychoanalytic concepts are employed and the theorization that coexists with interpretations of particular horror films and subgenres.
Loosen up, let it out, let your emotions escape the cage you are forcefully trying to shove them in. Put the syllables together, make the rhymes, write the poems, and talk about the times. We all have emotions. We all have feelings. We all feel, some to a greater extent than others. This anthology features the work of writers who much like yourself felt the need to pen down their emotions and express them instead of suppressing them down. I sincerely hope that as you read, you find yourself feeling at ease and comfortable enough to express yourself as well. Lastly, remember, physical pain is meant to be numbed, not emotions.
