Romania has a larger Gypsy population than most other countries but little is known about the relationship between this group and the non-Gypsy Romanians around them. This book focuses on a group of Rom Gypsies living in a village in Transylvania and explores their social life and cosmology. Because Rom Gypsies are dependent on and define themselves in relation to the surrounding non-Gypsy populations, it is important to understand their day-to-day interactions with these neighbors, primarily peasants to whom they relate through extended barter. The author comes to the conclusion that, although economically and politically marginal, Rom Gypsies are central to Romanian collective identity in that they offer desirable and repulsive counter images, incorporating the uncivilized, immoral and destructive "other". This interdependence creates tensions but it also allows for some degree of cultural and political autonomy for the Roma within Romanian society.
Romania has a larger Gypsy population than most other countries but little is known about the relationship between this group and the non-Gypsy Romanians around them. This book focuses on a group of Rom Gypsies living in a village in Transylvania and explores their social life and cosmology. Because Rom Gypsies are dependent on and define themselves in relation to the surrounding non-Gypsy populations, it is important to understand their day-to-day interactions with these neighbors, primarily peasants to whom they relate through extended barter. The author comes to the conclusion that, although economically and politically marginal, Rom Gypsies are central to Romanian collective identity in that they offer desirable and repulsive counter images, incorporating the uncivilized, immoral and destructive "other". This interdependence creates tensions but it also allows for some degree of cultural and political autonomy for the Roma within Romanian society.
Economic arrangements of Romanies are complexly related to their social position. The authors of this volume explore these complexities, including how economic exchanges forge key social relationships of gender and ethnicity, how economic opportunities are constructed and seized, and how economic success and failure are transformed into attributes of social persons. They explore how, despite — or perhaps because of — their unstable and ambiguous position within the market economy, shared today with a growing number of people facing precarity and informalisation, Roma and Gypsy communities continuously re-create more or less viable economic strategies. The ethnographically based chapters share accounts of socially and economically vulnerable populations that face their situation with self-determination and creativity.
The figure of Carmen has emerged as a cipher for the unfettered female artist. Dance historian and performance theorist Ninotchka Bennahum shows us Carmen as embodied historical archive, a figure through which we come to understand the promises and dangers of nomadic, transnational identity, and the immanence of performance as an expanded historical methodology. Bennahum traces the genealogy of the female Gypsy presence in her iconic operatic role from her genesis in the ancient Mediterranean world, her emergence as flamenco artist in the architectural spaces of Islamic Spain, her persistent manifestation in Picasso, and her contemporary relevance on stage. This many-layered geography of the Gypsy dancer provides the book with its unique nonlinear form that opens new pathways to reading performance and writing history. Includes rare archival photographs of Gypsy artists.
Who are the Romani people? -- Romani society -- Customs and traditions -- The Romani language -- The Roms among the nations -- Between romanticism and racism -- A modern Romani identity -- Appendix: The mosaic of Romani groups.
BONUS: This edition contains an excerpt from Terry Brooks's The Measure of the Magic. Terry Brooks won instant acclaim with his phenomenal New York Times bestseller The Sword of Shannara. Its sequels earned Brooks legendary status. Then his darkly enthralling The Word and the Void trilogy revealed new depths and vistas to his mastery of epic fantasy. Armageddon’s Children and The Elves of Cintra took Brooks’s remarkable mythos to a breathtaking new level by delving deep into the history of Shannara. And now, The Gypsy Morph rounds out–with an adventure of unforgettably imaginative scope–the first phase of a new chapter in this classic series. Eighty years into the future, the United States is a no-man’s-land: its landscape blighted by chemical warfare, pollution, and plague; its government collapsed; its citizens adrift, desperate, fighting to stay alive. In fortified compounds, survivors hold the line against wandering predators, rogue militias, and hideous mutations spawned from the toxic environment, while against them all stands an enemy neither mortal nor merciful: demons and their minions bent on slaughtering and subjugating the last of humankind. But from around the country, allies of good unite to challenge the rampaging evil. Logan Tom, wielding the magic staff of a Knight of the Word, has a promise to keep–protecting the world’ s only hope of salvation–and a score to settle with the demon that massacred his family. Angel Perez, Logan’s fellow Knight, has risked her life to aid the elvish race, whose peaceful, hidden realm is marked for extermination by the forces of the Void. Kirisin Belloruus, a young elf entrusted with an ancient magic, must deliver his entire civilization from a monstrous army. And Hawk, the rootless boy who is nothing less than destiny’s instrument, must lead the last of humanity to a latter-day promised land before the final darkness falls. The Gypsy Morph is an epic saga of a world in flux as the mortal realm yields to a magical one; as the champions of the Word and the Void clash for the last time to decide what will be and what must cease; and as, from the remnants of a doomed age, something altogether extraordinary rises.
I'm not all that special, really. Or uncommon. I'm sure there are a lot of girls with old gypsy blood who see the dead, have killer cults hunting their family, and turn into something that gets scary when they panic. Yep. Completely unoriginal, if I do say so myself.Move along. Nothing to see here. Nope. I'm just an ordinary girl.I wish people would believe that.I've been labeled as one thing or another for most of my life:Death Girl.Crazy Gypsy Girl.Gothic Chick.Monster...It took my mother's death for me to finally start getting answers about what's really been going on. Unfortunately, most of the answers come from men...who aren't just men. Somehow, I've gone and landed myself in a world truly filled with monsters, and I'm starting to think this is where I should have been all along.Only...I don't understand what's going on. I'm walking into the middle of a story that's thousands of years old, and I'm the new girl on the block who doesn't have a clue how this world even works. My only guides happen to be the most lethal of the bunch.They decide who lives or dies. They decide who gets stabbed or tortured.Yeah...I've gone and drawn attention to myself, and the ones paying attention are the ones everyone else seems to fear.How do these things always happen to me?**Reverse Harem**Language warning**Sexual content**Dark Humor
The vast territory from Asia to Eastern Europe that was part of or under the influence of the Soviet Union comprised cities, which have undergone profound changes in the last twenty years. The opening of borders combined with the affirmation of market dynamics, privatization and concentration of wealth, and the emergence of nationalist discourses have upset ways of life and value systems leaving deep marks on the urban landscape and organization of living space. These essays take an in-depth look at specific cases – Samarkand, Sarajevo, Berlin, Almaty, and others – to offer a complex picture of the transformations affecting the post-communist city.
The Rights of the Roma writes Romani struggles for citizenship into the history of human rights in socialist and post-socialist Eastern Europe. If Roma have typically appeared in human rights narratives as victims, Celia Donert here draws on extensive original research in Czech and Slovak archives, sociological and ethnographic studies, and oral histories to foreground Romani activists as subjects and actors. Through a vivid social and political history of Roma in Czechoslovakia, she provides a new interpretation of the history of human rights by highlighting the role of Socialist regimes in constructing social citizenship in postwar Eastern Europe. The post-socialist human rights movement did not spring from the dissident movements of the 1970s, but rather emerged in response to the collapse of socialist citizenship after 1989. A timely study as Europe faces a major refugee crisis which raises questions about the historical roots of nationalist and xenophobic attitudes towards non-citizens.
Deborah Epstein Nord traces the nearly ubiquitous British preoccupation with Gypsies in imaginative works by John Clare, Walter Scott, William Wordsworth, George Eliot, Arthur Conan Doyle, and D. H. Lawrence. She also exhumes lesser-known literary, ethnographic, and historical texts, exploring the fascinating histories of the nomadic writer George Borrow, the Gypsy Lore Society, Dora Yates, and other rarely examined figures and institutions. These textual representations are characterized by a tension between Gypsies as an alien, often despised "race" and the psychic or aesthetic desire to dissolve the boundary between English and Gypsy worlds. Nord suggests that, by the beginning of the twentieth century, romantic identification with Gypsies hardened into caricature and served to obscure the realities of Gypsy life and history. This phenomenon is reflected most famously in The Virgin and the Gipsy, in which D. H. Lawrence both exploits and criticizes the myth of Gypsies' unfettered sensuality, closeness to nature, and opposition to the oppressive strictures of modern life.
