This collection of seventy-three letters written in 2020 captures an unprecedented moment in politics and society through the experiences of Asian-American artists, curators, educators, art historians, editors, writers, and designers. The form of the letter offers readers intimate insights into the complexities of Asian American experiences, moving beyond the model-minority myth. Chronicling everyday lives, dreams, rage, family histories, and cultural politics, these letters ignite new ways of being, and modes of creating, at a moment of racial reckoning.
From inventors to writers to heroes, African-American history is made up of remarkable people. Step into the world of African-American culture with these fun, easy crafts and connect with people like Harriet Tubman, Ralph Ellison, George Washington Carver, and the Harlem Globetrotters!
The volume looks at how South Asian art was sourced for external appreciation at a variety of institutions in Europe, North America, and Asia from the mid-19th century onward. These essays speak to the colonial legacies that created such collections but that now must be viewed though a post-colonial lens. The volume also addresses contemporary concerns for todays's museums: collecting, building and practices, provenance, and repatriation.
* AWARDED BEST ANTHOLOGY BY THE ART ASSOCIATION OF AUSTRALIA AND NEW ZEALAND * How has Asia been imagined, represented and transferred both literally and visually across linguistic, geopolitical and cultural boundaries? This book explores the shifting roles of those who produce, critique and translate creative forms and practices, for which distinctions of geography, ethnicity, tradition and modernity have become fluid. Drawing on accounts of modern and contemporary art, film, literature, fashion and performance, it challenges established assumptions of the cultural products of Asia. Special attention is given to the role of cultural translators or 'long-distance cultural specialists' whose works bridge or traverse different worlds, with the inclusion of essays by three important artists who share personal accounts of their experiences creating and showing artworks that negotiate diverse cultural contexts. With contributions from key scholars of Asian art and culture, including art historian John Clark and anthropologist Clare Harris, alongside fresh voices in the field, Asia Through Art and Anthropology will be essential reading for students and scholars of anthropology, art history, Asian studies, visual and cultural studies. ---------------------------------------------------------------------------------------------------------- The publication of the color plates of works by Phaptawan Suwannakudt and Savanhdary Vongpoothorn is funded by the Australian Government.
East Asian Cultures in Perspective is an in-depth look at the different regional cultures of East Asia with an emphasis on current culture. The young reader is presented with an overview of a variety of regional cultures that developed historically and analyzes how the cultural History shapes the East Asian region s current culture. The book is written in a lively and interesting style, and contains the East Asian region s languages, foods, music/dance, art/literature, religions, holidays, lifestyle, and most importantly contemporary culture in the country today. The book has been developed to address many of the Common Core specific goals, higher level thinking skills, and progressive learning strategies from informational texts for middle grade and junior high level students.
This book explores Asian art therapist experiences in a predominantly white professional field, challenging readers with visceral, racial, and personalized stories that may push them far beyond their comfort zone. Drawing from the expertise and practices of Asian art therapists from around the world, this unique text navigates how minority status can affect training and clinical practice in relation to clients, co-workers, and peers. It describes how Asian pioneers have broken therapeutic and racial rules to accommodate patient needs and improve clinical skills and illustrates how the reader can examine and disseminate their own biases. Authors share how they make their own path—by becoming aware of the connection between their lives and circumstances—and how they liberate themselves and those who seek their services. This informative resource for art therapy students and professionals offers non-Asian readers a glimpse at personal and clinical experiences in the White-dominant profession while detailing how Asian art therapists can lead race-based discussions with empathy to become more competent therapists and educators in an increasingly diversifying world.
In China, mandarin ducks, said to mate for life, symbolize wedded bliss, and tiny red shoes are viewed as sexually arousing. In Japan, black hair once alluded covertly to passion and in the 20th century is explicitly erotic. Love is divine in India, enduring in temple sculpture in the form of rapturous couples, the territory of gods as well as mortals. Rich, wildly varied imagery infuses the art and literature of love in Asia. The universal themes of love denied, love fulfilled, of courtship, passion, and fertility are here treated in lively, color-illustrated essays by five distinguished contributors. Early Chinese art alluding to the theme of romance is explored along with the 13th-century tale, The Story of the Western Wing. Also examined are the Japanese One Hundred Poets, a luxury volume of poems assembled in the 17th century, and modern poetry by such writers as Takamura Kotaro. Stunning Rajput painting and poetry, the fascinating role of the sakhi, or messenger, in love-intrigues, and the dynamic temple sculpture at Khajuraho are featured in engrossing chapters about India. Whether depicting the theme of love as explicit embrace or entwined plum tree branches, Asian artists offer, in these compelling works of art and literature, continuing avenues of inspiration, sustenance, and delight.
Presenting both the need for – and difficulty of – introducing effective cultural resource management (CRM) in the region, ‘Rethinking Cultural Resource Management’ in Southeast Asia explores the challenges facing efforts to protect Southeast Asia’s indigenous cultures and archaeological sites from the ravages of tourism and economic development. Recognising the inapplicability of Euro-American solutions to this part of the world, the essays of this volume investigate their own set of region-specific CRM strategies, and acknowledge both the necessity and possibility of mediating between the conflicting interests of short-term profitability and long-term sustainability.