This text is a penetrating exploration of American culture through reading, discussion, and writing that provides a bridge to academic discourse. -- Rich variety of stimulating, cross-genre readings including poems, stories, essays, and newspaper and magazine articles -- Featured writers: Robert Frost, Bel Kaufman, and Harold Kushner -- Interconnected reading and writing: Reading Journal, focused essay questions, timed writing, and Writer's Guide -- Collaborative tasks such as interviews, debates, and group presentations
In the late 1800s, “Arctic Fever” swept across the nation as dozens of American expeditions sailed north to the Arctic to find a sea route to Asia and, ultimately, to stand at the North Pole. Few of these missions were successful, and many men lost their lives en route. Yet failure did little to dampen the enthusiasm of new explorers or the crowds at home that cheered them on. Arctic exploration, Michael F. Robinson argues, was an activity that unfolded in America as much as it did in the wintry hinterland. Paying particular attention to the perils facing explorers at home, The Coldest Crucible examines their struggles to build support for the expeditions before departure, defend their claims upon their return, and cast themselves as men worthy of the nation’s full attention. In so doing, this book paints a new portrait of polar voyagers, one that removes them from the icy backdrop of the Arctic and sets them within the tempests of American cultural life. With chronological chapters featuring emblematic Arctic explorers—including Elisha Kent Kane, Charles Hall, and Robert Peary—The Coldest Crucible reveals why the North Pole, a region so geographically removed from Americans, became an iconic destination for discovery.
Scholars in anthropology, sociology, ethnic studies, and Asian American studies consider traditional models for enthographic research. They explore the construction and displacement of self, community, and home integral to Asian American cultural journeys in the late 20th century
The mythmakers of US expansion have expressed “manifest destiny” in many different ways—and so have its many discontents. A multidisciplinary study that delves into these contrasts and contradictions, Inventing Destiny offers a broad yet penetrating cultural history of nineteenth-century US territorial acquisition—a history that gives voice to the underrepresented actors who significantly complicated US narratives of empire, from Native Americans and Anglo-American women to anti- and non-national expansionists. The contributors—established and emerging scholars from history, American studies, literary studies, art history, and religious studies—make use of source materials and techniques as various as artwork, religion, geospatial analysis, interior colonialism, and storytelling alongside fresh readings of traditional historical texts. In doing so, they seek to illuminate the complexities rather than simplify, to transgress borders rather than redraw them, and to amplify the under-told stories rather than repeat the old ones. Their work identifies and explores the obscure—or obscured—fictions of expansion, seeking a deeper understanding of the mechanisms of culture creation and recognizing those who resisted US territorial aggrandizement. In sum, Inventing Destiny demonstrates the value of cross-disciplinary approaches to the study of the multiple rationales, critiques, interventions, and contingencies of nineteenth-century US expansion.
Explorations: Studies in Culture and Communication, principally edited by Edmund Carpenter and Marshall McLuhan, was the first postwar journal to engage directly with the new "grammars" of mid-century new media of communication. Launched in Toronto in 1953, at the very moment that television made its national debut in Canada, Explorations presented a mosaic of approaches to contemporary media culture and became the site in which McLuhan and Carpenter first formulated their most striking insights about new media in the electric age. The extraordinary breadth of contributions to Explorations from leading thinkers across the arts, humanities, social and natural sciences makes this journal a founding publication in the now burgeoning field of media studies. Originally funded by a Ford Foundation grant, the eight coedited issues of Explorations ran from 1953 to 1957 and are reprinted here for the first time in sixty years. For a listing of all articles in this series, refer to the Summaries at the end of the series introduction.
Born of Japan's cultural encounter with Western entertainment media, manga (comic books or graphic novels) and anime (animated films) are two of the most universally recognized forms of contemporary mass culture. Because they tell stories through visual imagery, they vault over language barriers. Well suited to electronic transmission and distributed by Japan's globalized culture industry, they have become a powerful force in both the mediascape and the marketplace.This volume brings together an international group of scholars from many specialties to probe the richness and subtleties of these deceptively simple cultural forms. The contributors explore the historical, cultural, sociological, and religious dimensions of manga and anime, and examine specific sub-genres, artists, and stylistics. The book also addresses such topics as spirituality, the use of visual culture by Japanese new religious movements, Japanese Goth, nostalgia and Japanese pop, "cute" (kawali) subculture and comics for girls, and more. With illustrations throughout, it is a rich source for all scholars and fans of manga and anime as well as students of contemporary mass culture or Japanese culture and civilization.
Anthropology has traditionally relied on a spatially localized society or culture as its object of study. The essays in Culture, Power, Place demonstrate how in recent years this anthropological convention and its attendant assumptions about identity and cultural difference have undergone a series of important challenges. In light of increasing mass migration and the transnational cultural flows of a late capitalist, postcolonial world, the contributors to this volume examine shifts in anthropological thought regarding issues of identity, place, power, and resistance. This collection of both new and well-known essays begins by critically exploring the concepts of locality and community; first, as they have had an impact on contemporary global understandings of displacement and mobility, and, second, as they have had a part in defining identity and subjectivity itself. With sites of discussion ranging from a democratic Spain to a Puerto Rican barrio in North Philadelphia, from Burundian Hutu refugees in Tanzania to Asian landscapes in rural California, from the silk factories of Hangzhou to the long-sought-after home of the Palestinians, these essays examine the interplay between changing schemes of categorization and the discourses of difference on which these concepts are based. The effect of the placeless mass media on our understanding of place—and the forces that make certain identities viable in the world and others not—are also discussed, as are the intertwining of place-making, identity, and resistance as they interact with the meaning and consumption of signs. Finally, this volume offers a self-reflective look at the social and political location of anthropologists in relation to the questions of culture, power, and place—the effect of their participation in what was once seen as their descriptions of these constructions. Contesting the classical idea of culture as the shared, the agreed upon, and the orderly, Culture, Power, Place is an important intervention in the disciplines of anthropology and cultural studies. Contributors. George E. Bisharat, John Borneman, Rosemary J. Coombe, Mary M. Crain, James Ferguson, Akhil Gupta, Kristin Koptiuch, Karen Leonard, Richard Maddox, Lisa H. Malkki, John Durham Peters, Lisa Rofel
Drawing on a number of methodologies and disciplinary perspectives, this book boldly goes where none has gone before by focusing on the interplay between Star Trek, religion, and American culture as revealed in the four different Trek television series, and the major motion pictures as well. Explored from a Trek perspective are the portrayal and treatment of religion; the religious and mythic elements; the ritual aspects of the fan following; and the relationship between religion and other issues of contemporary concern. Divided into three sections, this detailed study of religion, myth, and ritual in the Star Trek context extends the boundaries of the traditional categories of religious studies, and explores the process of the (re)creation of culture. The first section explores the ways in which religion has primarily been understood in the Star Trek franchise in relationship to science, technology, scientism, and 'secular humanism.' What do Star Trek and its creator Gene Roddenberry have to say about religion, and what does this reveal about changing American perceptions about the role, value, and place of religion in everyday life? Section Two examines the mythic power and appeal of Star Trek, and highlights the mythic and symbolic parallels between the series' story lines and themes taken from both western religious tradition and the scientific and technological components of contemporary North American Society. In the final section, contributors discuss the mythic and ritual aspects of Star Trek fandom. How have Star Trek fans found meaning and value in the television programs, and how do they express that meaning in their lives? Contributors include Robert Asa, Michael Jindra, Larry Kreitzer, Jeffrey S. Lamp, Peter Linford, Ian Maher, Anne Pearson, Gregory Peterson, and Jon Wagner.
Bipolar Expeditions' is an ethnographic inquiry into mania and depression in their American cultural and historical contexts. The text explores the complex darkness and stigma associated with those deemed 'mad.
