Poetry. "Navigating a landscape of loss with language that is both lyrically charged and freshly brutal, Cara Dees has given us a first book that is unexpected and burning with life. The weight of absence fills the pages, but the world is not without light and resurrection. Suffused with feeling and fueled by a restless search for a way of being in the world, this is a beautiful book alive with humanity."�Ada Lim�
Poetry. Stan Sanvel Rubin lives in Port Townsend on the Olympic Peninsula of Washington. He has published two previous full-length collections, Midnight and Five Colors, and his poetry has appeared in such magazines as the Georgia Review, Kenyon Review, Chelsea, and Beloit Poetry Journal, among many others. He is the founding director of the Rainier Writing Workshop low-residency MFA Program at Pacific Lutheran University. 'The man who shoots/at another man has forgotten/what the student who sits all day/is trying to remember.' Will someone please place this book on the steps of the White House? The poems of Stan Sanvel Rubin move with unobtrusive delicacy and deep grace through the mysteries of time and being. He's a wise guide, rich with luminous beckonings, unflinching in the face of complexity. One feels more peaceful, reading these fine, compelling poems-Naomi Shihab Nye.
"'Lebanon' Levi Stoltzfus, star of the #1 top-rated Discovery Channel reality show Amish Mafia, delivers a ... tell-all about Amish life today. From the forbidden joyrides to the senseless shunnings to the colorful family feuds, he shares his frank insider's view of this fascinating and secretive society, ... [weaving] his never-before-told personal story through some high-profile Amish episodes that rocked the news in recent years, including the Nickel Mines shooting massacre, the Amish sisters' farm-stand kidnapping, and the Amish-Pagan drug gang"--
The poems of In the Months of My Son’s Recovery inhabit the voice and point of view of the mother of a heroin addict who enters recovery. With clear perception and precise emotional tones, Kate Daniels explores recovery experiences from multiple, evolving vantage points, including active addiction, 12-step treatment, co-occurring mental illness and addiction (known as dual diagnosis), and relapse. These intimately voiced, harrowing poems reveal the collateral damage that addiction inflicts on friends and families, in addition to the primary damage sustained by addicts themselves. Offering bold descriptions of medical processes, maternal love, and the potential for hope as an antidote to despair, this timely collection offers a firsthand account of the many crises at the heart of the opioid epidemic.
"His admirers called him the "Barnum of Books" and the "Voltaire of Kansas" because of his ability to bring culture and education to the people. R. Alton Lee brings to life Emanuel Haldeman-Julius (1889-1951), a writer-publisher-entrepreneur who was one of America's most significant publishers and editorialists of the twentieth century, if not all time. His company published a record 500,000,000 copies of 2,580 titles and was second only to the U.S. Government Printing Office in the quantity of publications it produced. Lee details Haldeman-Julius's family origins in Russia and his formative years in Philadelphia, where he learned the book trade. As a writer and editor for the Social Democrat, Sunday Call, and Western Comrade, Haldeman-Julius was already well known by the time he launched his own publishing company. Haldeman-Julius knew, was nurtured by, and published writers such as Jack London, Upton Sinclair, Jane Addams, Emma Goldman, H. L. Mencken, Carl Sandburg, Eugene V. Debs, Clarence Darrow, Job Harriman, Will Durant, and Bertrand Russell, among others. Based in Girard, Kansas, his company, Haldeman-Julius Publications, covered socialist politics, the philosophy of free thought, and both new and classic books marketed to ordinary Americans, including the Little Blue Book series of classics in Western thought and literature. This biography of the enigmatic and energetic Haldeman-Julius opens a window into the fascinating world of early twentieth-century radical politics and publishing"--
Poetry. At the center of this fabulous tale of the human heart a tale at once historical, scientific, musical, literary is a wrenched lyric cry, the cry of a particular woman in a particular place, the place uncharted, the woman floating between the remembered ecstasies of youth and the unforeseen rigors of age: I break my heart all by myself. Like the tutelary spirits she conjures--Bronte, Dickinson, Bowles--, Claudia Keelan prefers the heart broken, and the extravagant, multi-voiced drama of O, HEART is itself the evidence that, once broken, the heart is never alone.--James Longenbach
A pantoum about a child touching the smallpox-scarred face of an aunt; a dialogue between Jesus and Pilate in the form of a nursery rhyme; Joseph and Mary sleeping on the Sphinx's stone paw: these are some of the experiences brought before us in The Heronry. Mark Jarman is the author of ten poetry collections. He lives in Nashville, Tennessee.
What is the purpose of studying history? How do we reflect on contemporary life from a historical perspective, and can such reflection help us better understand ourselves, the world around us, and the God we worship and serve? Written by an accomplished historian, award-winning author, public evangelical spokesman, and respected teacher, this introductory textbook shows why Christians should study history, how faith is brought to bear on our understanding of the past, and how studying the past can help us more effectively love God and others. John Fea shows that deep historical thinking can relieve us of our narcissism; cultivate humility, hospitality, and love; and transform our lives more fully into the image of Jesus Christ. The first edition of this book has been used widely in Christian colleges across the country. The second edition provides an updated introduction to the study of history and the historian's vocation. The book has also been revised throughout and incorporates Fea's reflections on this topic from throughout the past 10 years.
Poetry. "WRECK ME is a primer of emotional violence a primer because, as these unassumingly gorgeous poems know so well, we can only be beginners when we confront our wish to be seized, transported, remade. The violence within us is everywhere in dialogue with the violence without, but nothing is romanticized here, not the wish to be wrecked, not the wish to wreck; the body is a metaphor for nothing. The language of these poems is nonetheless like the body familiar, mysterious, vulnerable, strange. 'We love / that ravishment, ' says Sally Ball of what we simultaneously fear and crave, 'we trust it.' These poems are ravishing." James Longenbach "WRECK ME is an entrancing collection. From the first line to the last, we are tugged into a sensibility and a world as familiar as our own world, and as strange. Sally Ball leaves no line unelectrified. Each poem feels finely wrought and completely newborn, which is exactly the point of poetry." Laura Kasischke"
