The most lavishly decorated tomb in ancient Egypt was constructed for Queen Nefertari, wife of Rameses the Great. The Getty Conservation Institute has been instrumental in the effort to restore the tomb’s magnificent wall paintings, and in the fall of 1992, to mark the project’s completion, an exhibition was held at the Getty Museum. The exhibition included a model of the tomb and full-scale reproductions of the wall paintings. The publication describes the conservation work (including before and after photographs), outlines the life of Nefertari, and places the tomb in the context of Egyptian art history.
Through this fascinating story we experience the adventure, the painstaking work, the magic, the excitement and the awe through the eyes of the "tomb raider" himself, archaeologist Howard Carter. This book tells the story of one of the greatest archeological discoveries ever, the discovery of the intact tomb of the 18th Dynasty Pharaoh, Tutankhamun (colloquially known as "King Tut" and "the boy king"), in November 1922.
This richly illustrated book of vintage photographs commemorates one of the most memorable episodes in the history of archaeology: the discovery and exploration in 1922 of the tomb of the ancient Egyptian pharaoh Tutankhamun (Dynasty 18, ruled ca. 1336-1327 B.C.). These photographs, documenting every stage in the process of discovery, were taken by the renowned archaeological photographer Harry Burton. Burton was a staff member of the Metropolitan Museum Egyptian Expedition when he was "lent" to Howard Carter, the famed excavator of Tutankhamun's tomb. From the rock-cut steps leading down to the entrance passage, to the opening of the sealed chambers inside, to the first view of the contents of the tomb and the removal of the objects, Burton's beautiful black-and-white photographs show thousands of the richly made and decorated objects found in the tomb. Carefully reproduced from Burton's original prints, the photographs are accompanied by new descriptive text written by two prominent Egyptologists with extensive knowledge of the history of Tutankhamun and the contents of his tomb.
The 11 painting fragments from the tomb-chapel of Nebamun that were brought to the British Museum in the early 19th century have long been recognized as some of the finest examples of ancient Egyptian art. This book places the paintings in their historical context and provides an account of the work done to preserve them.
This study of ancient Egyptian art reveals the evolution of aesthetic approaches to proportion and style through the ages. The painted and relief-cut walls of ancient Egyptian tombs and temples record an amazing continuity of customs and beliefs over nearly 3,000 years. Even the artistic style of the scenes seems unchanging, but this appearance is deceptive. In this work, Gay Robins offers convincing evidence, based on a study of Egyptian usage of grid systems and proportions, that innovation and stylistic variation played a significant role in ancient Egyptian art. Robins thoroughly explores the squared grid systems used by the ancient artists to proportion standing, sitting, and kneeling human figures. This investigation yields the first chronological account of proportional variations in male and female figures from the Early Dynastic to the Ptolemaic periods. Robins discusses the proportional changes underlying the revolutionary style instituted during the Amarna Period. She also considers how the grid system influenced the overall composition of scenes. Numerous line drawings with superimposed grids illustrate the text.
The tomb of Tutankhamun, with its treasures, has exerted a hold over the popular imagination ever since its discovery in 1922. This book is a detailed and comprehensive account of this great archaeological discovery. The story of the boy-king, buried in splendour at the height of Egyptian civilization; the determined quest for his tomb by Howard Carter and Lord Carnarvon; the unforeseen riches eventually revealed - these are important events in the history of archaeology. However, despite the publicity at the time of the discovery and since - made more intriguing by the linking of Carnarvon's early death with the legend of the pharoah's curse - it remains a story only partly told. Carter never produced a complete account of his excavations. The Tutankhamun exhibitions of the 1960's and 1970's generated a spate of books but none added significantly to what Carter had already published about the tomb. This book is a revealing account of the subject.
The royal necropolis of New Kingdom Egypt, known as the Valley of the Kings (KV), is one of the most important--and celebrated--archaeological sites in the world. Located on the west bank of the Nile river, about three miles west of modern Luxor, the valley is home to more than sixty tombs, all dating to the second millennium BCE. The most famous of these is the tomb of Tutankhamun, first discovered by Howard Carter in 1922. Other famous pharaoh's interred here include Hatshepsut, the only queen found in the valley, and Ramesses II, ancient Egypt's greatest ruler. Much has transpired in the study and exploration of the Valley of the Kings over the last few years. Several major discoveries have been made, notably the many-chambered KV5 (tomb of the sons of Ramesses II) and KV 63, a previously unknown tomb found in the heart of the valley. Many areas of the royal valley have been explored for the first time using new technologies, revealing ancient huts, shrines, and stelae. New studies of the DNA, filiation, cranio-facial reconstructions, and other aspects of the royal mummies have produced important and sometimes controversial results. The Oxford Handbook of the Valley of the Kings provides an up-to-date and thorough reference designed to fill a very real gap in the literature of Egyptology. It will be an invaluable resource for scholars, teachers, and researchers with an interest in this key area of Egyptian archaeology. First, introductory chapters locate the Valley of the Kings in space and time. Subsequent chapters offer focused examinations of individual tombs: their construction, content, development, and significance. Finally, the book discusses the current status of ongoing issues of preservation and archaeology, such as conservation, tourism, and site management. In addition to recent work mentioned above, aerial imaging, remote sensing, studies of the tombs' architectural and decorative symbolism, problems of conservation management, and studies of KV-related temples are just some of the aspects not covered in any other work on the Valley of the Kings. This volume promises to become the primary scholarly reference work on this important World Heritage Site.
