Brilliant photographs present a world of possible opposites. "Beautiful, elegantly composed, nourishing to eye and mind."--Kirkus Reviews. "Another winner from an artist with a seemingly unlimited imagination."--Horn Book.
Explore the humorous world of opposites with the #1 bestselling illustrator of The Day the Crayons Quit and his band of Hueys! "What's the opposite of the beginning?" A sensible question to ask when opening a book that teaches the reader about opposites. But maybe we should start with something a little easier? For example, it's quite unlucky when a Huey finds himself stranded on a hot, deserted island—but how lucky it is when a fan arrives to provide some cool air! Oh, wait . . . nowhere to plug it in? Unlucky, once again. Now for a harder one: What’s the difference between half full and half empty? Stumped? Don’t worry, that one will make a Huey’s head hurt too. In this funny concept book from the illustrator of the #1 New York Times bestselling The Day the Crayons Quit, Oliver Jeffers takes us on a delightful ride through the world of contraries. Praise for The Hueys in What's the Opposite? * "Even readers who know the basics of opposites will get their minds blown here, as a glass is considered half full on one page but also half empty on the next. It’s not easy to be so very simple and so very clever, but Jeffers manages in this laugh-aloud offering that will get groups giggling."—Booklist, starred review * "An amusing twist on the traditional concept book by a beloved master of shape and line."—School Library Journal, starred review "A clever concept book from beginning to end."—Kirkus Reviews
The instant New York Times bestseller and publishing phenomenon: Marina Keegan’s posthumous collection of award-winning essays and stories “sparkles with talent, humanity, and youth” (O, The Oprah Magazine). Marina Keegan’s star was on the rise when she graduated magna cum laude from Yale in May 2012. She had a play that was to be produced at the New York Fringe Festival and a job waiting for her at The New Yorker. Tragically, five days after graduation, Marina died in a car crash. Marina left behind a rich, deeply expansive trove of writing that, like her title essay, captures the hope, uncertainty, and possibility of her generation. Her short story “Cold Pastoral” was published on NewYorker.com. Her essay “Even Artichokes Have Doubts” was excerpted in the Financial Times, and her book was the focus of a Nicholas Kristof column in The New York Times. Millions of her contemporaries have responded to her work on social media. As Marina wrote: “We can still do anything. We can change our minds. We can start over…We’re so young. We can’t, we MUST not lose this sense of possibility because in the end, it’s all we have.” The Opposite of Loneliness is an unforgettable collection of Marina’s essays and stories that articulates the universal struggle all of us face as we figure out what we aspire to be and how we can harness our talents to impact the world. “How do you mourn the loss of a fiery talent that was barely a tendril before it was snuffed out? Answer: Read this book. A clear-eyed observer of human nature, Keegan could take a clever idea...and make it something beautiful” (People).
"I remember screaming very loudly. In TV shows, that's where the ad break comes in, while some ninny is screaming her head off. No ad break in life, though". Lissa Wilson has seen more than enough death in her family, so when people start being savagely killed whenever she has a night out in Melbourne with her beautiful new boyfriend, she's determined to investigate and make the killings stop. Even when she realises the murders must be the work of a vampire. Things had been looking up for this librarian and 21st century geekgirl, but the murders make her remember why she prefers books to people. People leave you. People can die. She finds herself teaming up with the painfully awkward Gary to get to the undead heart of the matter. But there are more challenges in store than Gary's appalling fashion sense. The idea of living forever can be a big temptation for someone who has lost so much... AUTHOR: Narrelle Harris was born in Newcastle, Australia and proceeded to move every few years until most of her friends thought she was in a Witness Protection program. Her itinerancy included three years abroad, teaching English in Egypt and Poland. Although now settled in Melbourne with her husband and her cat, she continues to relieve itchy feet with regular travel. Narrelle has also been a playwright, songwriter, actress, editor, public servant, kitchen hand and - once only - a very bad telemarketer.
A riveting depiction of sisterhood, as one sibling's return home unleashes lies, a secret long buried, and emotional upheaval. Caro Mitchell considers herself an only child--and she likes it that way. After all, her much older sister, Hannah, left home eight years ago, and Caro barely remembers her. So when Caro's parents drop the bombshell news that Hannah is returning to live with them, Caro feels as if an interloper is crashing her family. To her, Hannah's a total stranger, someone who haunts their home with her meek and withdrawn presence, and who refuses to talk about her life and why she went away. Caro can't understand why her parents cut Hannah so much slack, and why they're not pushing for answers. Unable to understand Hannah, Caro resorts to telling lies about her mysterious reappearance. But when those lies alienate her new boyfriend, friends, and put her on the outs with her parents, Caro seeks solace from an unexpected source. And as she unearths a clue from Hannah's past--one that could save Hannah from the dark secret that possesses her--Caro begins to see her sister in a whole new light. "Jarzab packs a lot into this story, questions of faith and forgiveness, science and religion, mental illness, guilt and possible redemption, as well as simple high school drama. But at its heart, this is a story about sisters."--Booklist, starred "A layered meditation on family and belief that will ring true for faith-questing teens."--Kirkus Reviews
Alice and Jewel have been best friends since grade school. Together, they don’t need anyone else, and together they blend into the background of high school. Invisible. To Alice, Jewel is the opposite of invisible. Jewel is her best friend who goes to Indie concerts and art shows with her. Jewel scoffs at school dances with her. Alice is so comfortable around Jewel that she can talk to him about almost anything. But she can’t tell him that she likes the cool, popular Simon. And then Simon asks her to the school dance the same day that Jewel kisses her for the first time. Still, she can’t say no to Simon. He seems like the easy choice, the one she’s attracted to, the one she’s ready for. But will it mean losing Jewel? In a bright debut novel set against the lively backdrop of Seattle, Alice must learn the difference between love and a crush, and what it means to be yourself when you’re not sure who that is yet.
Twenty-nine-year-old Lindsey Rose has, for as long as she can remember, lived in the shadow of her devestatingly beautiful twin sister, Alex. Determined to get noticed, Lindsey is finally on the cusp of being names creative vice president of an elite New York advertising agency, after years of eighty-plus hour weeks, migraines and profound loneliness. But during the course of one devastating night, Lindsey's carefully constructed life implodes. Humiliated and desperate, she flees the glitter of Manhattan and retreats to the time warp of her parents' Maryland home. As her sister plans her lavish wedding to her prince charming, Lindsey struggles to maintain her identity as the smart, responsible twin, while she furtively tries to put her career back together. But things get more complicated when a long held family secret is unleashed that forces both sisters to reconsider who they are and who they are meant to be.
“Laura Steven simultaneously destroyed the patriarchy and made me laugh so hard I choked. I will protect Izzy O'Neill with my life.” —Becky Albertalli, author of SIMON VS. THE HOMO SAPIENS AGENDA Bitingly funny and shockingly relevant, The Exact Opposite of Okay is a bold, brave, and necessary read for fans of Louise O’Neill and Jennifer Mathieu. Eighteen-year-old Izzy O’Neill knows exactly who she is—a loyal friend, an aspiring comedian, and a person who believes that milk shakes and Reese’s peanut butter cups are major food groups. But after she’s caught in a compromising position with the son of a politician, it seems like everyone around her is eager to give her a new label: slut. Izzy is certain that the whole thing will blow over and she can get back to worrying about how she doesn’t reciprocate her best friend Danny’s feelings for her and wondering how she is ever going to find a way out of their small town. Only it doesn’t. And while she’s used to laughing her way out of any situation, as she finds herself first the center of high school gossip and then in the middle of a national scandal, it’s hard even for her to find humor in the situation. Izzy may be determined not to let anyone else define who she is, but that proves easier said than done when it seems like everyone has something to say about her.
Rose is the wild girl nobody really knows. Chase is haunted by his past. Both are self-proclaimed "disappointments," attracted to each other enough to let down their defenses. When Rose's strict, adoptive parents forbid the relationship, it only makes things more intense. But Chase can’t hide from his own personal demons, and Rose has secrets of her own. After they’re wrenched apart, a cryptic email arrives in the middle of the night on Christmas Eve, beginning a desperate pursuit and a look back over their tumultuous romance. Will they find each other before the night is over, or will they be torn apart forever?
Who gets to choose? When a young woman emerges from a lengthy coma-like state she must face the decisions that were made about her body--without her consent--in this powerful novel of reclamation and hope. Twenty-one-year-old Mallie Williams--scrappy, headstrong, and wise beyond her years--has just landed on her feet following a tumultuous youth when the unthinkable happens: she is violently assaulted. The crime leaves her comatose, surrounded by friends and family who are hoping against hope for a full recovery. But soon Mallie's small community finds themselves divided. The rape has left Mallie pregnant, and while some friends are convinced that she would never keep the pregnancy, others are sure that a baby would be the only good thing to come out of all of this pain. Who gets to decide? How much power, in the end, do we have over our own bodies? Mallie, her family, and her town find themselves at the center of a media storm, confronting questions nobody should have to face. And when Mallie emerges from the fog, what will she think of the choices that were made on her behalf? The Opposite of Fate is an intense and moving exploration of the decisions we make--and don't make--that forever change the course of our lives.