In this last deluxe EX MACHINA hardcover, Mayor Mitchell Hundred descends into the NYC sewers to learn why he was given the strange powers that helped him become the heroic Great Machine while a powerful new foe reveals a terrifying plan that's been in the works since the series began.
As New York City prepares to host the Republican National Convention - much to the chagrin of its residents - Mayor and former superhero Mitchell Hundred is forced to investigate a new, costumed player - one who seems intent on derailing the convention.
Award-winning writer Brian K. Vaughan (PRIDE OF BAGHDAD, Y: THE LAST MAN) uniquely combines big city politics and superheroes in this critically acclaimed series. Set in our modern-day world, EX MACHINA tells the story of civil engineer MitchellHundred, who becomes America's first living, breathing superhero after a strange accident gives him the power to communicate with machines. Eventually Mitchell tires of risking his life merely to maintain the status quo, retires from maskedcrimefighting and runs for mayor of New York City, winning by a landslide after the events of 9/11. Illustrated by Tony Harris, EX MACHINA BOOK ONE is the first chapter of one of the finest series ever from Vertigo. Collects issues #1-11.
Watson's win on Jeopardy came as no surprise to those who had read Deus ex Machina sapiens. It was written largely during the 1990s, around the time that another IBM supercomputer--Deep Blue--was trouncing world chess grandmaster Garry Kasparov. The book has since been updated on a few points of detail but its primary message remains intact: the Machine is rapidly evolving as Man's rival if not replacement for the job of Steward of the Earth. Building upon the work of some of the world's greatest scientists, philosophers, and religious thinkers, and drawing particularly from developments in the computing and cognitive sciences--particularly, the field of artificial intelligence, or AI--the book reveals the evolutionary emergence of a machine that is not just intelligent but also self-conscious, emotional, and free-willed. In the 1980s and '90s you used to hear grandiose claims about AI. Machines would soon surpass humans in intelligence, it was claimed by some. The Japanese government spent a billion dollars on one project to make it happen. Well, it didn't happen, but that didn't stop the development of intelligence in machines. AI research simply went underground, and has ever since been quietly incorporated into the "ordinary" programs we use every day, without fanfare, without hype. There is still no machine that rivals Homo sapiens in overall intelligence, but today there are machines that far exceed human intellectual capacity in specific domains, from games to engineering to art, and the number of domains is growing exponentially big and exponentially fast. The disappearance of AI from front stage was good insofar as it allowed machines to develop in the right way; that is, through an evolutionary process, which is the only way for something of such complexity to develop. But it was bad insofar as we lost sight of the development of the intelligent machine. Deus brings Machina sapiens back to front stage, where it belongs. After describing the evolutionary development of intelligence in machines it goes on to describe the emotional, intellectual, and ethical attributes of what is no less than an emergent new life form. It asks the Big Question that can only be asked if you accept the very possibility of the new life form: Will it be serpent or savior? The question is answered in the book's title, which is intended to mean "God Emerging From the Intelligent Machine." The author confesses to having never studied Latin and to have concocted the title from two known Latin phrases: "Deus ex Machina" and "Homo sapiens." The concoction could be grammatically incorrect. The author would be pleased to be corrected.
Robert Lepage/Ex Machina: Revolutions in Theatrical Space provides an ideal introduction to one of our most innovative companies – and a much-needed and timely reappraisal of Lepage's oeuvre. International, interdisciplinary and intercultural to the core, Ex Machina have negotiated some of the most complex creative and cultural challenges of our time. This book maps the story of that journey by analysing the full spectrum of their richly varied work. Through a comprehensive historiography of productions since 1994, Robert Lepage/Ex Machina offers a detailed picture of the relationship between director and company, while connecting Ex Machina to culturally specific features of Québec, and its theatre. This book reveals for the first time how overlooked aspects of creativity and culture shaped the company's early work, while installing a dynamic interplay between director and company that would spark a unique and ongoing evolution of praxis. Central to this re-evaluation of practice is the book's identification of an architectural aesthetic at the heart of Ex Machina's work, an aesthetic which provides its artistic and political centres of gravity. Moreover, this architectural aesthetic powers the emergence of concrete narrative as a new and distinctive mode of theatrical storytelling – uniting story and space, body and technology, content and form – and demanding that we discover the politics of these performances in the energetic gestures of theatre design, and space itself. Drawing on extensive interviews with Lepage, Ex Machina personnel and collaborative partners, Robert Lepage/Ex Machina calls upon us to revise both our creative and critical perceptions of this vital and distinctive practice.
Science fiction thrills collide with explosive political drama in this critically acclaimed tale from renowned writer Brian K. Vaughan and legendary artist Tony Harris--assembled in a single hardcover volume! When a strange accident gives Mitchell Hundred the ability to control machinery, he uses his newfound powers to become the world's first superhero. But the thrill of risking his life simply to help maintain the status quo eventually wears thin, leading Mitch to retire from masked crime-fighting in order to run for mayor of New York City. And that's when the real weirdness begins! Collects the Eisner Award-winning series Ex Machina #1-50 and Ex Machina Special #1-4.
It's a little-known fact that NYC's first City Hall was built by African slaves--men and women whose spirits continue to haunt the administration of vigilante-turned-politician Mitchell Hundred.
This volume of essays provides a fresh and innovative look at colonial trade and its impact on economic development in Europe. It is unique in its coverage of countries that are usually ignored, such as Denmark and Sweden, while also including in its chronology more than the 18th century alone.
When the alpha of the Silverback werewolf pack sends Logan Hunter to evaluate Honor Tate, who has inherited the leadership of the White Paw Pack, and see if she is alpha material, he is drawn to her and wants to make her his mate.
Following the events of Star Trek: The Motion Picture the captain and crew of the USS Enterprise found themselves haunted by their extraordinary encounter with the vast artificial intelligence of V'Ger, and by the sacrifice and ascension of their friend and shipmate, Willard Decker. As James T. Kirk, Spock and Leonard McCoy attempt to cope with the personal fallout of their ordeal, a chapter from their mutual past is reopened, raising troubling new questions about the relationship of God, man and A.I. On the recently settled world of Daran IV, the former refugees of the Fabrini worldship Yonada are divided by conflicting ideologies, some clinging to their theocratic past while others envision a future governed by reason alone. Years ago the officers of the Enterprise helped overthrow the Oracle, the machine-god that controlled Yonada. Now confronting the consequences of those actions, together with echoes of their strange encounter with V'Ger, Kirk, Spock and McCoy face choices which will decide the fate of a civilization - and which may change them forever.