"Evolution: Its nature, its evidence, and its relation to religious thought" by Joseph Le Conte is a book on the nature and the evidences of evolution. The writer further describes that there is something exceptional in the doctrine of evolution as regards its relation to religious thought and moral conduct.
Joseph Le Conte was the first geologist, natural historian and botanist to be appointed to the University of California in 1869. He founded the successful palaeontology program at Berkeley and acquired important collections of fossils. He also lectured and wrote on evolution, of which he was the leading American proponent. This book, first published in 1888 but revised and expanded in the second edition reissued here, is his attempt to reconcile his evolutionist convictions with his religious faith. Such a synthesis, he felt, was impeded by dogmatism on both sides, and he makes a case for 'a combining, reconciling and rational view.' He considers three questions: What is evolution? Is it true? and What then?, intending to address 'the intelligent general reader' without being superficial or unscientific. Concepts such as 'neo-Darwinism', 'materialism', and 'design' make their appearance in this wide-ranging book, whose concerns remain surprisingly topical today.
Written circa 1894-95 but published posthumously in 1914, Frank Norris’s Vandover and the Brute presents an unflinching portrait of unconventional sexuality, moral dissolution, and physical degeneration. In the setting of turn-of-the-century San Francisco depicted in Vandover, disaster encompasses far more than the vivid accounts of shipwreck or earthquake that appear in the novel. The slow wasting away of characters who contract syphilis, the suicide of a young girl, and the murder of a man clinging to a lifeboat fascinate readers today as much as they did a century ago, when this scandalous novel was first published. The most complete wreck is Vandover himself, whose artistic talents and constitution collapse after orgies of drink and sexual abandon. Russ Castronovo’s new edition gathers historical materials on literary naturalism, gender and criminality, and the visual culture of the late nineteenth century.
In the last two decades of the nineteenth century, Americans were faced with the challenges and uncertainties of a new era. The comfortable Victorian values of continuity, progress, and order clashed with the unsettling modern notions of constant change, relative truth, and chaos. Attempting to embrace the intellectual challenges of modernism, American thinkers of the day were yet reluctant to welcome the wholesale rejection of the past and destruction of traditional values. In Reluctant Modernism: American Thought and Culture, 1880-1900, George Cotkin surveys the intellectual life of this crucial transitional period. His story begins with the Darwinian controversies, since the mainstream of American culture was just beginning to come to grips with the implications of the Origins of Species, published in 1859. Cotkin demonstrates the effects of this shift in thinking on philosophy, anthropology, and the newly developing field of psychology. Drawing on his extensive knowledge of these fields, he explains clearly and concisely the essential tenets of such major thinkers and writers as William James, Franz Boas, Charlotte Perkins Gilman, Henry Adams, and Kate Chopin. Throughout this fascinating, readable history of the American fin de si cle run the contrasting themes of continuity and change, faith and rationalism, despair over the meaninglessness of life and, ultimately, a guarded optimism about the future.
This collection of essays looks at the relationship between science and religion. The book begins from the premise that both science and religion operate in, yet seek to reach beyond specific historical, political, ideological, and psychological contexts.