About the Story: Billy is a 10 year old boy with a big problem. His older brother just told him that he was going to grow hair on his hands. Now it's up to Billy's dad to explain to Billy that what he was doing was normal and OK. Respectfully Discusses: - What is masturbation - Why it feels good - Who does it - Where it's appropriate - Masturbation hygiene - and more
Candy is a 10 year old girl that has discovered something that feels really good. But after being yelled at for doing it, it's up to Candy's mom to explain to Candy that it's OK to feel good and that there's a proper place to do it. Respectfully Discusses: - What is masturbation - Why it feels good - Who does it - Where it's appropriate - Masturbation hygiene - and more
SEQUEL TO NAYPYIDAW, SON OF MAN, AND BLACK FIRST LADY. Saint Nicholas Anthropology Holy Land Tour leave Allah Land and land in Barcelona, the city.of sun and fun where women drive autos, wear bikinis, drink wine, and eat baked suckling pig. An atomic bomb exploded over Naypyidaw, and Bangladesh declares war on Myanmar.. Don Tantalia and Penny meet Bob and Elvis in Kuala Lampur. Bangladesh agrees to negoti ate for a piece of Karen State along their common border. Aung San Suu Kyi is sworn in as President of the Republic of Burma. and appoints General LiShan “protector” of the former Autonomous Shan State with capital at Mandalay. The USN tour holds over at Zurich and gets caught in the Xmas rush at Heathrow. Jes’us Posada’s returns as CatholicPriest. WARNING: Book contains violence, profanity, and eroti c sex. Borderline for DUMMIES. GWBJ.
An unusual and remarkable dystopian novel A Free Man is a satirical tall tale presented as the drug and alcohol fuelled conversation of two old friends getting reacquainted over one night. It's also a boy-meets-girl story of the worst kind and a time travel story about a future where the world is ruled by robots and humans are vermin. When timelines cross, the world as we know it bends . . . Skid Roe is completely self-absorbed and delusional. His struggle to exercise free will is constantly hampered by the physical manifestation of his inner demons and by the norms and rules of contemporary life. He's both aided and hindered by Lem, a robot from the future whose good intentions leave Skid on the run from a shadowy state security agency. A surreal, beautiful, and powerful literary mash-up, Basilières' long-awaited sophomore effort is inventive and darkly funny.
This "hand"y little book dispels the ugly rumors and hang-ups about one of the most pleasurable gifts "hand"ed to guys the world over. Improve self love with the chapter called "Techniques For One and All" and learn all you need to know in "A Short History of Masturbation." Dads, uncles, and single moms with adolescent boys should make this a mandatory read. Get rid of shame in their lives and let them know that those zits on their mugs came from cheeseburgers and tacos, not from downshifting the old stick shift. The Boys' Hand Book of Masturbation sets 'em straight (or gay; whatever he happens to be!)... But all joking aside, you'll be doing the youngster some good just by letting him know through the pages of this book that he is not alone. So buy this book and slip it under his door. He'll never know it came from you.
When this work was first published in the first hald of the last century, sexology and the unprejudiced study of sexual activity was in its infancy. In his study of human sexual behaviour, Kinsey was able to state that the majority of human beings had masturbated at one time or another but to us today this seems quite an astonishing statement to have made. The study of human sexuality was surrounded by ignorance and superstition, and the medical profession was regrettably the worst offender and the most ignored. In such a climate, Dr Stekel’s book was a revelation much ahead of its time. This edition first published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
an excruciatingly honest portrayal of adolescence from the conscience of a mild-mannered, sensitive narrator contemplating the quirks of his stormy friendship with this obnoxious, manipulative, irresponsible brute of an incidental muse. From white upper-middle class suburban Cedarburg, Wisconsin to the streets of Milwaukee, this odd pair finds a common bond in drugs, girls, and music as their discordant values develop, are tested, and change with the coming of age and pressures of society. With thoughtful commentary, this scrapbook-like memoir is colored with anecdotes, poems, letters, and perspective character asides, set against the backdrop of the current events and popular music of the time, from Cobain's suicide to the Clinton scandal to the Packers winning the Super Bowl. Confronting the more crude aspects of growing up that popular literature would otherwise skip over, it puts the "adult" back in "young adult" literary fiction.
An eye-opening look at the world of psychology told through a complicated romance . A substantive, multilayered story of sexual tension and betrayal. Kirkus Reviews Wind and water and shoreline can't be changed. We have to work with the elements as they are.' So writes longtime Buddhist practitioner and social worker Hill Anderson in Stoneport, a sophisticated novel that explores the figurative shorelines, or borders, between men and women, thought and emotion, and truth and fiction. Intricate without unnecessary complexity, Stoneport weaves several story lines together to create whole cloth. When first introduced, Eli Fox is a young man. Eventually, he becomes an experienced therapist and supervises a bright young doctor named Meagan Rush. The story follows their unorthodox relationship, along with the traumas of the patients they counsel and ground-shaking changes in the field of behavioral medicine itself. Anderson's decades of experience is evident in his refined descriptions of his characters' deepest doubts and highest hopes. His language is precise and evocative. For instance, he summarizes Eli's childhood memories with lines like, He remembered his childhood with a sense of defeat and the awareness of a wound that did not bleed. Anderson's imagery brings thoughts and emotions vividly to life. Sea metaphors are central to Anderson's storytelling, and his tale fittingly moves like a gently bobbing boat in a quiet harbor before he unleashes a storm of conflict. Eli, Meagan, their confused clients, and eccentric colleagues become familiar friends, and then the questions begin. Is Eli and Meagan's relationship inappropriate? Will its exposure ruin Eli's career? Are the therapists being forced into unethical treatment methods by the encroaching insurance industry? Anderson skillfully paces the action so that these conflicts almost simultaneously reach peak tension. Five Star Clarion Review by Sheila M. Trask
Intimate self-touch and masturbation can pose many difficulties for people with learning disabilities and/or on the autistic spectrum, particularly when it happens in public settings. This frank and thorough guide looks at societal, cultural and religious views of masturbation, how teens develop into sexual beings, the right to be sexual, how to masturbate, appropriate public and private behaviour, professional responsibilities and boundaries, and legal aspects of this topic. It also contains good practice responses providing examples of the issues and solutions in action.
The “Hollywood” where Sammy Santos and Juliana Ríos live is not the West Coast one, the one with all the glitz and glitter. This Hollywood is a tough barrio at the edge of a small town in southern New Mexico. Sammy and this friends—members of the 1969 high school graduating class—face a world of racism, dress codes, war in Vietnam and barrio violence. In the summer before his senior year begins, Sammy falls in love with Juliana, a girl whose tough veneer disguises a world of hurt. By summer’s end, Juliana is dead. Sammy grieves, and in his grief, the memory of Juliana becomes his guide through this difficult year. Sammy is a smart kid, but he’s angry. He’s angry about Juliana’s death, he’s angry about the poverty his father and his sister must endure, he’s angry at his high school and its thinly disguised gringo racism, and he’s angry he might not be able to go to college. Benjamin Alire Sáenz, evoking the bittersweet ambience found in such novels as McMurtry’s The Last Picture Show, captures the essence of what it meant to grow up Chicano in small-town America in the late 1960s. Benjamin Alire Sáenz—novelist, poet, essayist and writer of children’s books—is at the forefront of the emerging Latino literatures. He has received both the Wallace Stegner Fellowship and the Lannan Fellowship, and is a recipient of the American Book Award. Born Mexican-American Catholic in the rural community of Picacho, New Mexico, he now teaches at the University of Texas at El Paso, and considers himself a “fronterizo,” a person of the border.
