Finnegans Wake

Finnegans Wake

Author: James Joyce

Publisher: Modernista

Published: 2024-03-22

Total Pages: 582

ISBN-13: 9180948375

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James Joyce's Finnegans Wake is a literary masterpiece that defies conventional description. Published in 1939, this enigmatic novel stands as one of the most complex and challenging works in the English language. Set in a dream-like landscape, Finnegans Wake delves into the subconscious mind, blurring the boundaries between reality and myth, language and music, past and present. At its heart lies the story of the mythical figure of HCE (Here Comes Everybody), his wife ALP (Anna Livia Plurabelle), and their children, as they navigate a world teeming with cryptic allusions, linguistic puzzles, and literary references. Through a kaleidoscopic blend of languages, dialects, and wordplay, Joyce crafts a narrative that is both bewildering and mesmerizing. Finnegans Wake is a linguistic tour de force, challenging readers to unravel its intricate layers of meaning and interpretation. It is a work that invites exploration, experimentation, and endless speculation, leaving an indelible mark on the landscape of modern literature. Joyce's magnum opus continues to fascinate and perplex readers, cementing its place as a seminal work of British literary history. JAMES JOYCE [1882-1941], Irish author, is a key figure in modernist literature with works such as Dubliners [1914], A Portrait of the Artist as a Young Man [1916], and Ulysses [1922].


Finnegans Wake (Unabridged)

Finnegans Wake (Unabridged)

Author: James Joyce

Publisher: Good Press

Published: 2023-12-05

Total Pages: 669

ISBN-13:

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Finnegans Wake is a novel by Irish writer James Joyce. It is significant for its experimental style and reputation as one of the most audacious works of fiction in the English language. Written in Paris over a period of seventeen years, and published in 1939, two years before the author's death, Finnegans Wake was Joyce's final work. The book discusses, in an unorthodox fashion, the Earwicker family, comprising the father HCE, the mother ALP, and their three children Shem the Penman, Shaun the Postman, and Issy.


A Skeleton Key to Finnegans Wake

A Skeleton Key to Finnegans Wake

Author: Joseph Campbell

Publisher: New World Library

Published: 2005

Total Pages: 218

ISBN-13: 1577314050

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Since its publication in 1939, countless would-be readers of "Finnegans Wake" - James Joyce's masterwork, which consumed a third of his life - have given up after a few pages, dismissing it as a "perverse triumph of the unintelligible." In 1944, a young professor of mythology and literature named Joseph Campbell, working with Henry Morton Robinson, wrote the first "key" or guide to entering the fascinating, disturbing, marvelously rich world of "Finnegans Wake." The authors break down Joyce's "unintelligible" book page by page, stripping the text of much of its obscurity and serving up thoughtful interpretations via footnotes and bracketed commentary. They outline the book's basic action, and then simplify -- and clarify -- its complex web of images and allusions. "A Skeleton Key to Finnegans Wake" is the latest addition to the "Collected Works of Joseph Campbell" series.


James Joyce

James Joyce

Author: Arnold Goldman

Publisher: Routledge

Published: 2015-12-22

Total Pages: 142

ISBN-13: 1317292200

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This volume, first published in 1968, draws attention to the special relationship between Joyce’s life and his writing. The passages are presented in chronological order, with a commentary that pays particular attention to the bibliographical aspects of Joyce’s art. Goldman focuses on three texts; A Portrait of the Artist as a Young Man, Ulysses, and Finnegans Wake. James Joyce will be of interest to students of literature.


John McGahern and Modernism

John McGahern and Modernism

Author: Richard Robinson

Publisher: Bloomsbury Publishing

Published: 2016-12-15

Total Pages: 273

ISBN-13: 1623562597

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John McGahern's work is not easily conceived of as belatedly modernist. His memorialising, faintly archaic style implies a concern with 'making it old' rather than new, suggesting the symptomatic diffidence of many who wrote in the wake of modernism. Nevertheless, McGahern's statements about the 'presence' of words and the hard-won impersonality of the artwork point to a covert engagement with modernist aesthetics. Offering intertextual interpretations of McGahern's six novels, and of thematically grouped short stories, Richard Robinson reads McGahern's fiction alongside writing by Joyce, Proust, Yeats, Beckett, Nietzsche, Lawrence and Chekhov, amongst others. Drawing out the ways in which McGahern's fiction conceals and reveals its modernist traces, this study considers subjects such as 'low' modernism, the complexity of McGahern's time-writing and his dialectical construction of the relationship between cultural tradition and modernity in Ireland. McGahern's narratives of melancholic return are often read psycho-biographically, but they also involve a return to the remnants of literature, including that of the modernist canon. This book will be of interest not only to McGahern scholars but also to those who contemplate the compromised legacies of literary modernism in late-twentieth century and contemporary writing.


Joyce's Finnegans Wake

Joyce's Finnegans Wake

Author: John P. Anderson

Publisher: Universal-Publishers

Published: 2010

Total Pages: 463

ISBN-13: 1599428105

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This fourth in a series continues this non-academic author's ground-breaking word by word analysis of James Joyce's Finnegans Wake. This volume covers all of chapters 1.7, 1.8 and 2.1 with the intent to explore them as art objects. In chapters 1.7 and 1.8 Aesthetics meets Theosophy meets Metaphysics. Together they share a common subject-how one part or whole treats another part. These two chapters move from shun to share, hurt to help, male to female. In aesthetics, from bad art to good art. In theosophy, from TZTZ god to ES god. In metaphysics a la Arthur Schopenhauer, from male to female aspects of Will. Featuring an all male cast, chapter 1.7 is a stinging criticism of Shem by Shaun-brother against brother. Chapter 1.7 is intentionally bad art. In aesthetic terms, the whole of the chapter is at odds with the parts and the parts at odds with other parts. With an all female cast, chapter 1.8 features a young washerwoman and old washerwoman washing clothes and talking together across a river. The main point is that they are working together, and Old shares knowledge of the eternal feminine with Young. Sharing replaces shunning. Part helps part. Chapter 1.8 is intentionally divine art. Chapter 2.1 starts Part II that features the Earwicker children, the human expression of the death defying new. As children, they come with the potential for new possibilities. Initially, however, their realization is limited by youth, when they are more under instinct-based and parental control than under self-control. Chapter 2.1 features a children's game fueled by immature sexual intoxication and loss of self-control. Joyce presents this come-on game in the rhythms and rhymes of children's stories, poems and songs, that is in children's art limited by the purpose to please a young mind. Chapter 2.1 takes the form of a play. The action in the play is the children's game. It is a play about play. With drama in the structure, Joyce weaves Macbeth into the chapter and like Shakespeare's bearded witches, boils the pot with male and female. Hermetic magic supplies the metaphors and concepts for chapter 2.1. Hermetic magic is the art of accessing the celestial force field known as the Astral Light. In order to have strong magic the magus must be in equilibrium and must know him or herself. Magus Joyce notes that these same requirements are necessary for the highest art.


James Joyce's America

James Joyce's America

Author: Brian Fox

Publisher: Oxford University Press

Published: 2019-02-14

Total Pages: 240

ISBN-13: 0192543679

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James Joyce's America is the first study to address the nature of Joyce's relation to the United States. It challenges the prevalent views of Joyce as merely indifferent or hostile towards America, and argues that his works show an increasing level of engagement with American history, culture, and politics that culminates in the abundance of allusions to the US in Finnegans Wake, the very title of which comes from an Irish-American song and signals the importance of America to that work. The volume focuses on Joyce's concept of America within the framework of an Irish history that his works obsessively return to. It concentrates on Joyce's thematic preoccupation with Ireland and its history and America's relation to Irish post-Famine history. Within that context, it explores first Joyce's relation to Irish America and how post-Famine Irish history, as Joyce saw it, transformed the country from a nation of invasions and settlements to one spreading out across the globe, ultimately connecting Joyce's response to this historical phenomenon to the diffusive styles of Finnegans Wake. It then discusses American popular and literary cultures in terms of how they appear in relation to, or as a function of, the British-Irish colonial context in the post-Famine era, and concludes with a consideration of how Joyce represented his American reception in the Wake.