"Writing a poem is stepping into endlessness." This collection of poetry by Abhilash Fraizer is a record of those brief blessed moments. In the fraction of a second, you see a light year. If you are able to see a spark of it between these lines, the author is blessed. Dreams, fallen from the stars, Glistened in your eyes, dear. They spoke to my soul Of an everlasting love, You and I yearned for...
Our supreme fabulist of the ordinary now turns his attention on a 9-year-old American girl and produces a novel as enchantingly idiosyncratic as any he has written. Nory Winslow wants to be a dentist or a designer of pop-up books. She likes telling stories and inventing dolls. She has nightmares about teeth, which may explain her career choice. She is going to school in England, where she is mocked for her accent and her friendship with an unpopular girl, and she has made it through the year without crying. Nicholson Baker follows Nory as she interacts with her parents and peers, thinks about God and death-watch beetles, and dreams of cows with pointed teeth. In this precocious child he gives us a heroine as canny and as whimsical as Lewis Carroll's Alice and evokes childhood in all its luminous weirdness.
When tragedy strikes, Tess drops out of school and moves in with her funeral director dad, forcing her to examine life, death, and the boy she thought she knew and loved in a brand new light.
When The Eternal Woman was first published in Germany, Europe was a battlefield of modern ideologies that would sweep away millions of lives in war and genocide. Denying the Creator, who made male and female, Nazism and Communism could only fail to appreciate the true meaning of the feminine and reduce woman to a mere instrument of the state. In the name of liberating her from the so-called tyranny of Christianity, atheism, in any form, leads to woman's enslavement. With penetrating insight Gertrud von le Fort understood the war on womanhood, and consequently on motherhood, that always coincides with an attack on the faith of the Catholic Church, which she embraced at the age of 50 in 1926. In The Eternal Woman, she counters the modern assault on the feminine not with polemical argument but with perhaps the most beautiful meditation on womanhood ever written. Taking Mary, Virgin and Mother, as her model, von le Fort reflects on the significance of woman's spiritual and physical receptivity that constitutes her very essence, as well as her role in both the creation and redemption of human beings. Mary's fiat to God is the pathway to our salvation, as it is inextricably linked with the obedience unto death of Jesus her son. Like the Son's acceptance of the Cross, Mary's acceptance of her maternity symbolizes for all mankind the self-surrender to the Creator required of every human soul. Since any woman's acceptance of motherhood is likewise a yes to God, when womanhood and motherhood are properly understood and appreciated, the nature of the soul's relationship to God is revealed.
