The autobiography of the award-winning actress describes her loving relationship with her husband and family, the devastating impact of his death, and her long and successful career, with anecdotes about such celebrities as Joan Crawford and the Marx brothers
The remarkable career of American actress Eve Arden (1908-1990) is thoroughly chronicled from her earliest stage work in 1926 (under her given name Eunice Quedens) to her final television role in a 1987 episode of Falcon Crest. Included are detailed descriptions and critical commentaries of the actress's 62 feature film appearances between 1929 and 1982, notably her Oscar-nominated performance as Joan Crawford's sardonic confidante in 1945's Mildred Pierce. Complete coverage is provided of Eve Arden's work in the popular radio and television series Our Miss Brooks, and her later costarring stint with Kaye Ballard in the two-season TV sitcom The Mothers-in-Law. Also listed are her many other radio and television appearances, as well as her theatrical roles in such Broadway productions as Ziegfeld Follies of 1936 and Let's Face It.
War Paint is the story of two extraordinary women, Miss Elizabeth Arden and Madame Helena Rubinstein, and the legacy they left: a story of feminine vanity and marketing genius. Behind the gloss and glamour lay obsession with business and rivalry with each other. Despite working for over six decades in the same business, these two geniuses never met face to face - until now. 'The definitive biography of women and their relationships to their faces in the twentieth century' Linda Grant, Guardian 'I have seldom enjoyed a book so much . . . the research is staggering . . . a wonderful read' Lulu Guinness
An Indie Bestseller! Filled with chills, New York Times bestselling author Katherine Arden’s latest installment in the creep-tastic Small Spaces Quartet is sure to haunt. Until next time. That was chilling promise made to Ollie, Coco and Brian after they outsmarted the smiling man at Mount Hemlock Resort. And as the trio knows, the smiling man always keeps his promises. So when the lights flicker on and off at Brian's family's inn and a boom sounds at the door, there's just one visitor it could be. Only, there's no one there, just a cryptic note left outside signed simply as —S. The smiling man loves his games and it seems a new one is afoot. But first, the three friends will have to survive a group trip to Lake Champlain where it's said Vermont's very own Loch Ness monster lives. When they’re left shipwrecked on an island haunted by a monster on both land and sea, Brian's survival instincts kick in and it's up to him to help everyone work together and find a way to escape. One thing is for sure, the smiling man is back and he wants a rematch. And this time Brian is ready to play.
Longlisted for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay In this essay collection David Lazar looks to our intimate relationships with characters, both well-known and lesser known, from Hollywood’s Golden Age. Veering through considerations of melancholy and wit, sexuality and gender, and the surrealism of comedies of the self in an uncanny world, mixed with his own autobiographical reflections of cinephilia, Lazar creates an alluring hybrid of essay forms as he moves through the movies in his mind. Character actors from the classical era of the 1930s through the 1950s including Thelma Ritter, Oscar Levant, Martin Balsam, Nina Foch, Elizabeth Wilson, Eric Blore, Edward Everett Horton, and the eponymous Celeste Holm all make appearances in these considerations of how essential character actors were, and remain, to cinema.
Inviting us to "wallow in the middle," Judith Roof offers a fresh, inventive look at female comic secondary characters who, though never on center stage, play an indispensable role in enriching and complicating the course of the narrative. Paying attention to these characters shows that narrative is not always as straight as it might seem. Focusing on such superb comic seconds as Eve Arden, Thelma Ritter, Rosalind Russell, and Whoopi Goldberg, Roof explores what is queer about the middle--in the sense of eccentric and in terms of desire--and how that queerness functions as a part of and an antidote to narrative. Shrewd, pragmatic, self-denying, perceptive, outspoken, and witty, these female characters are able to cross the bounds of social groupings, gender expectations, and propriety, presenting possibilities that threaten the "fitting ends" of narrative closure: norms such as heterosexuality, production, reproduction, knowledge, and victory. Roof characterizes female seconds as modern-day versions of the Shakespearean fool, able to speak the truth without being punished for it. Discussing films ranging from Mildred Pierce, Auntie Mame, and Rear Window to Stage Door, Sister Act, and The Associate, she shows how Hollywood's recasting of the wise servant figure as female, unattached, and lower class reflects more general cultural anxieties about the role of women, gender confusion, race, and class distinctions. She also tracks changes in the form and function of the minor and middle from the stylized, hierarchical economy of classical Hollywood film to the expanded, serial variety fitted to 1990s commodity culture. A meticulous, playful rereading of Hollywood classics from the margins, All about Thelma and Eve registers both delight in these female characters and discernment of their integral role in unseating narrative and other norms.
The first book in Anna Carey’s chilling Eve trilogy, Eve is perfect for fans of The Handmaiden’s Tale. After a deadly virus wiped out most of Earth's population, the world is a terrifying place. Eighteen-year-old Eve has grown up isolated from the rest of the destroyed world in an all-girls school. But it isn’t until the night before her graduation that she discovers what her duties will be once she graduates. To avoid the horrifying fate that awaits her, Eve flees the only home she’s ever known. On the run, she encounters Caleb, a rough, rebellious boy living in the wild. Eve knows she shouldn’t trust him, but he slowly wins her confidence…and her heart. He promises to protect her, but when soldiers begin hunting them, Eve must choose between true love and her life. Eve is the first book in Anna Carey’s trilogy, full of romance, adventure, sacrifice, all set in a near future that is both wonderfully strange, and chillingly familiar.
A sweeping biography of one of the most influential and successful business-women in American history, BECOMING ELIZABETH ARDEN opens the Red Door to a world of wealth, glamor, and the profitable business of beauty Elizabeth Arden was a household name on six continents and a millionaire several times over before her death in 1966. Arden counted British royalty and social elites from the overlapping worlds of New York, Hollywood, London, and Paris among her clients. She revolutionized skin care and cosmetics, making it acceptable for all women to embrace glamour and wear makeup—not just actresses and prostitutes. She created a successful international business empire before women gained the vote and at a time when virtually no woman owned or ran a national company. She developed the first luxury spa and insisted on a holistic understanding of health and beauty. Unconventional and driven, Arden fervently believed that every woman could be beautiful. Acclaimed biographer Stacy Cordery does full justice to one of America’s greatest entrepreneurs. Canadian-born Florence Nightingale Graham turned herself into Elizabeth Arden, using her uncanny sense of the possible to take full advantage of everything New York City offered, building her company and becoming one with her brand. In an astounding rags-to-riches tale, Elizabeth Arden came to personify sophistication and refinement. Her hard work and innovation made makeup, fitness, and style not only acceptable but de rigueur. Arden prospered throughout the Depression, reimagined women’s needs during two World Wars, and by pioneering new approaches to marketing and advertising, ushered beauty into the modern era. Cordery delivers a compelling picture of a modern CEO whose career provides a model for aspiring businesses to this day.
Return to a time when Hollywood was young and the movie industry was just starting out. In Harold Robbins' second novel, he captures a bygone era of entertainment pioneers turning cinematic dreams into reality. The Dream Merchants is a story of powerful men and passionate women, doing whatever they have to in order to succeed. Johnny Edge is a former carny hustler, filled with schemes and ambition. Peter Kessler trades in a life of being stuck in the hardware business for the fortunes of moviemaking. Actress Dulcie Warren isn't afraid to use her sexuality to fulfill her ambitions. And if she has to take someone down to get to the top? That's show business. Their worlds collide on the studio back lots at Magnum Pictures in moments of intrigue and entanglement. Robbins' own experiences at Universal Studios laid the foundation for The Dream Merchants, the novel that would later be made into an all-star miniseries featuring Mark Harmon, Morgan Fairchild, Eve Arden, Robert Culp, Jose Ferrer, Robert Goulet, and Fernando Lamas.