"Europe in the Anthropological Imagination is a provocative, reflective book about how American anthropologists study Europe. The book is composed of fourteen essays by twelve anthropologists who have worked in Europe for at least twenty years. These anthropologists were asked to address how, when, where, and why they began to study Europe, and to consider what this implied for the development of anthropology in general (since anthropology is traditionally identified as a field that studies the non-western, exotic Other)."--Back cover.
Since its invention by Renaissance humanists, the myth of the “Middle Ages” has held a uniquely important place in the Western historical imagination. Whether envisioned as an era of lost simplicity or a barbaric nightmare, the medieval past has always served as a mirror for modernity. This book gives an eye-opening account of the ways various political and intellectual projects—from nationalism to the discipline of anthropology—have appropriated the Middle Ages for their own ends. Deploying an interdisciplinary toolkit, author K. Patrick Fazioli grounds his analysis in contemporary struggles over power and identity in the Eastern Alps, while also considering the broader implications for scholarly research and public memory.
Despite Britain entering the 20th century as the dominant world power, public discourses were imbued with a cultural pessimism and rising social anxiety. Through this study, Samuel Foster explores how this changing domestic climate shaped perceptions of other cultures, and Britain's relationship to them, focusing on those Balkan territories that formed the first Yugoslavia from 1918 to 1941. Yugoslavia in the British Imagination examines these connections and demonstrates how the popular image of the region's peasantry evolved from that of foreign 'Other' to historical victim - suffering at the hand of modernity's worst excesses and symbolizing Britain's perceived decline. This coincided with an emerging moralistic sense of British identity that manifested during the First World War. Consequently, Yugoslavia was legitimized as the solution to peasant victimization and, as Foster's nuanced analysis reveals, enabling Britain's imagined (and self-promoted) revival as civilization's moral arbiter. Drawing on a range of previously unexplored archival sources, this compelling transnational analysis is an important contribution to the study of British social history and the nature of statehood in the modern Balkans.
A Companion to theAnthropologyof Europe BLACKWELL COMPANIONS TO ANTHROPOLOGY A Companion to the Anthropology of Europe “The volume also deserves a place on the shelves of academic libraries as well as the larger public library.” Reference Reviews “Summing Up: Highly recommended. All academic levels/libraries.” Choice “This important collection challenges all anthropologists to re-examine the importance of European perspectives on the most provocative debates of our time. It transcends regional interests to highlight the complex intellectual landscape of our field.” Tracey Heatherington, University of Wisconsin, Milwaukee “This significant volume critically interrogates assumptions about Europe as an idea and a place for research. It provides fresh perspectives on the past and future of anthropological studies of Europe.” Deborah Reed-Danahay, SUNY at Buffalo, President of the Society for the Anthropology of Europe A Companion to the Anthropology of Europe offers a survey of contemporary Europeanist anthropology and European ethnology, and a guide to emerging trends in this geographical field of research. Utilizing diverse approaches to the anthropological study of Europe, Kockel, Nic Craith, and Frykman provide a synthesis of the different traditions and contemporary practices. Investigating the subject both geographically and thematically, the companion covers key topics such as location, heritage, experience, and cultural practices. Written by leading international scholars in the field, the volume constitutes the first authoritative guide for researchers, instructors, and students of anthropology and European studies.
Emery develops the concept of an "anthropological imagination" - that is, the conjunction of anthropology and fiction in twentieth-century Latin American literature. Emery also gives consideration to documentary and testimonial writings.
At the turn of the millennium the state of Europe is fluid and contested, yet how this affects the everyday lives of European peoples and the ways they experience the social world they live in remains largely unexplored. Drawing upon ethnographic information from diverse European settings, this volume points to the contradictions that the project of a "Europe without boundaries" involves. In illustrating how the removal of political boundaries can create other boundaries, the articles in this volume provide alternatives to recent theorising on complexity, which takes little account of human agency.
Sfakians on the island of Crete are known for their distinctive dress and appearance, fierce ruggedness, and devotion to traditional ways. Konstantinos Kalantzis explores how Sfakians live with the burdens and pleasures of maintaining these expectations of exoticism for themselves, for their fellow Greeks, and for tourists. Sfakian performance of masculine tradition has become even more meaningful for Greeks looking to reimagine their nation's global standing in the wake of stringent financial regulation, and for non-Greek tourists yearning for rootedness and escape from the post-industrial north. Through fine-grained ethnography that pays special attention to photography, Tradition in the Frame explores the ambivalence of a society expected to conform to outsiders' perception of the traditional even as it strives to enact its own vision of tradition. From the bodily reenactment of historical photographs to the unpredictable, emotionally-charged uses of postcards and commercial labels, the book unpacks the question of power and asymmetry but also uncovers other political possibilities that are nested in visual culture and experiences of tradition and the past. Kalantzis explores the crossroads of cultural performance and social imagination where the frame is both empowerment and subjection.
* Winner: International Congress of Qualitative Inquiry, Outstanding Book Award 2016 * My Father’s Wars is an anthropologist's vivid account of her father's journey across continents, countries, cultures, generations, and wars. It is a daughter's moving portrait of a charming, funny, wounded and difficult man. And it is a scholar's reflection on the dramatic forces of history, the experience of exile and immigration, the legacies of culture, and the enduring power of memory. This book is for Anthropology and Sociology courses in qualitative methods, ethnography, violence, migration, and ethnicity.
"This book offers an interpretation of anthropology as a discourse that contrasts the western self and the non-western other and shows that the organizing principle of this discourse was the Judeo-Christian episteme of the "Other in Us" that the Christian Church Fathers developed to define why the pagan others were endowed with negative, ungodly attributes of humanity. It is pointed out that the anthropological application of this episteme to represent and explain the colonized non-western others resulted in the emergence of eurocentric, hierarchical models of humanity, and that although these models of humanity were largely replaced by pluralistic models in the late 20 century, anthropology has continued to be linked with the episteme of the other in us"--Dust jacket.
`...presents multiple perspectives with a clear focus, enabling the reader to apprehend a complex, consequential, and always transforming site as the nexus of multiple views, values, experiences, and hopes. Smart, deeply researched, interpretively sophisticated without being overburdened by theory, this is a real contribution to an anthropology of urban sites and life.'-Don Brenneis, University of California, Santa Cruz --
