By the fifteenth century Europe was a driving world force, but the origins of its success have until now remained obscured in prehistory. In this book, distinguished archaeologist Barry Cunliffe views Europe not in terms of states and shifting political land boundaries but as a geographical niche particularly favored in facing many seas. These seas, and Europe's great transpeninsular rivers, ensured a rich diversity of natural resources while also encouraging the dynamic interaction of peoples across networks of communication and exchange. The development of these early Europeans is rooted in complex interplays, shifting balances, and geographic and demographic fluidity.
Distinguished archaeologist Cunliffe views Europe not in terms of states and shifting political land boundaries but as a geographical niche particularly favored in facing many seas, in this history that presents an engaging new understanding of Old Europe.
In this highly illustrated book Barry Cunliffe focuses on the western rim of Europe--the Atlantic facade--an area stretching from the Straits of Gibraltar to the Isles of Shetland.We are shown how original and inventive the communities were, and how they maintained their own distinctive identities often over long spans of time. Covering the period from the Mesolithic hunter-gatherers, c. 8000 BC, to the voyages of discovery c. AD 1500, he uses this last half millennium more as a well-studied test case to help the reader better understand what went before. The beautiful illustrations show how this picturesque part of Europe has many striking physical similarities. Old hard rocks confront the ocean creating promontories and capes familiar to sailors throughout the millennia. Land's End, Finistere, Finisterra--until the end of the fifteenth century this was where the world ended in a turmoil of ocean beyond which there was nothing. To the people who lived in these remote placesthe sea was their means of communication and those occupying similar locations were their neighbours. The communities frequently developed distinctive characteristics intensifying aspects of their culture the more clearly to distinguish themselves from their in-land neighbours. But there is an added level of interest here in that the sea provided a vital link with neighbouring remote-place communities encouraging a commonality of interest and allegiances. Even today the Bretons see themselvesas distinct from the French but refer to the Irish, Welsh, and Galicians as their brothers and cousins. Archaeological evidence from the prehistoric period amply demonstrates the bonds which developed and intensified between these isolated communities and helped to maintain a shared but distinctive Atlantic identity.
PULITZER PRIZE FINALIST • NATIONAL BOOK AWARD FINALIST • Hailed by The Washington Post as “mandatory reading,” and praised by Fareed Zakaria as “intelligent, compassionate, and revealing,” a powerful journey to help bridge one of the greatest divides shaping our world today. If the Oceans Were Ink is Carla Power's eye-opening story of how she and her longtime friend Sheikh Mohammad Akram Nadwi found a way to confront ugly stereotypes and persistent misperceptions that were cleaving their communities. Their friendship-between a secular American and a madrasa-trained sheikh-had always seemed unlikely, but now they were frustrated and bewildered by the battles being fought in their names. Both knew that a close look at the Quran would reveal a faith that preached peace and not mass murder; respect for women and not oppression. And so they embarked on a yearlong journey through the controversial text. A journalist who grew up in the Midwest and the Middle East, Power offers her unique vantage point on the Quran's most provocative verses as she debates with Akram at cafes, family gatherings, and packed lecture halls, conversations filled with both good humor and powerful insights. Their story takes them to madrasas in India and pilgrimage sites in Mecca, as they encounter politicians and jihadis, feminist activists and conservative scholars. Armed with a new understanding of each other's worldviews, Power and Akram offer eye-opening perspectives, destroy long-held myths, and reveal startling connections between worlds that have seemed hopelessly divided for far too long. Praise for If the Oceans Were Ink “A vibrant tale of a friendship.... If the Oceans Were Ink is a welcome and nuanced look at Islam [and] goes a long way toward combating the dehumanizing stereotypes of Muslims that are all too common.... If the Oceans Were Ink should be mandatory reading for the 52 percent of Americans who admit to not knowing enough about Muslims.”—The Washington Post “For all those who wonder what Islam says about war and peace, men and women, Jews and gentiles, this is the book to read. It is a conversation among well-meaning friends—intelligent, compassionate, and revealing—the kind that needs to be taking place around the world.”—Fareed Zakaria, author of The Post-American World “Carla Power’s intimate portrait of the Quran, told with nuance and great elegance, captures the extraordinary, living debate over the Muslim holy book’s very essence. A spirited, compelling read.”—Azadeh Moaveni, author of Lipstick Jihad “Unique, masterful, and deeply engaging. Carla Power takes the reader on an extraordinary journey in interfaith understanding as she debates and discovers the Quran’s message, meaning, and values on peace and violence, gender and veiling, religious pluralism and tolerance.”—John L. Esposito, University Professor and Professor of Islamic Studies, Georgetown University, and author of The Future of Islam “A thoughtful, provocative, intelligent book.”—Diana Abu-Jaber, author of Birds Of Paradise and The Language of Baklava
The story of the peoples of Eurasia, from the birth of farming to the expansion of the Mongols in the thirteenth century. An immense historical panorama set on a huge continental stage, this is also the story of how humans first started building the global system we know today.
Werner Herzog's 2011 film Cave of Forgotten Dreams, about the painted caves at Chauvet, France brought a glimpse of Europe's extraordinary prehistory to a popular audience. But paleolithic cave paintings, stunning as they are, form just a part of a story that begins with the arrival of the first humans to Europe 1.3 million years ago, and culminates in the achievements of Greece and Rome. In Europe before Rome, T. Douglas Price takes readers on a guided tour through dozens of the most important prehistoric sites on the continent, from very recent discoveries to some of the most famous and puzzling places in the world, like Chauvet, Stonehenge, and Knossos. This volume focuses on more than 60 sites, organized chronologically according to their archaeological time period and accompanied by 200 illustrations, including numerous color photographs, maps, and drawings. Our understanding of prehistoric European archaeology has been almost completely rewritten in the last 25 years with a series of major findings from virtually every time period, such as Ötzi the Iceman, the discoveries at Atapuerca, and evidence of a much earlier eruption at Mt. Vesuvius. Many of the sites explored in the book offer the earliest European evidence we have of the typical features of human society--tool making, hunting, cooking, burial practices, agriculture, and warfare. Introductory prologues to each chapter provide context for the wider changes in human behavior and society in the time period, while the author's concluding remarks offer expert reflections on the enduring significance of these places. Tracing the evolution of human society in Europe across more than a million years, Europe before Rome gives readers a vivid portrait of life for prehistoric man and woman.
Provides a comprehensive account of prehistoric Europe from the coming of the Stone Age to the fall of the Roman Empire, providing information on the changing landscape of Europe and responses and adaptations to these changes.
For humans the sea is, and always has been, an alien environment. Ever moving and ever changing in mood, it is a place without time, in contrast to the land which is fixed and scarred by human activity giving it a visible history. While the land is familiar, even reassuring, the sea is unknown and threatening. By taking to the sea humans put themselves at its mercy. It has often been perceived to be an alien power teasing and cajoling. The sea may give but it takes. Why, then, did humans become seafarers? Part of the answer is that we are conditioned by our genetics to be acquisitive animals: we like to acquire rare materials and we are eager for esoteric knowledge, and society rewards us well for both. Looking out to sea most will be curious as to what is out there - a mysterious island perhaps but what lies beyond? Our innate inquisitiveness drives us to explore. Barry Cunliffe looks at the development of seafaring on the Mediterranean and the Atlantic, two contrasting seas -- the Mediterranean without a significant tide, enclosed and soon to become familiar, the Atlantic with its frightening tidal ranges, an ocean without end. We begin with the Middle Palaeolithic hunter gatherers in the eastern Mediterranean building simple vessels to make their remarkable crossing to Crete and we end in the early years of the sixteenth century with sailors from Spain, Portugal and England establishing the limits of the ocean from Labrador to Patagonia. The message is that the contest between humans and the sea has been a driving force, perhaps the driving force, in human history.
How can the tiny plankton in the sea just off Western Europe be affected by changes 6000 km away on the other side of the North Atlantic Ocean? How can a slight rise in the temperature of the surface of the Pacific Ocean have a devastating impact on amphibian life in Costa Rica? Living populations across the globe are connected by great swayings of the world's atmosphere and oceans, the largest of which is El Nino. For almost half a century, the numbers of some of the smallest animals in the North Sea have gone up and down as the Gulf Stream has moved north and south 4000 miles away at the coast of the USA. This connection has happened because the weather patterns over the North Atlantic are intertwined by a phenomenon first described by a Danish missionary in the eighteenth century, the North Atlantic Oscillation. In The Dance of Air and Sea Arnold Taylor focuses on the large-scale dynamics of the world's climate, looking at how the atmosphere and oceans interact, and the ways in which ecosystems in water and on land respond to changes in weather. He tells stories of how discoveries were made, and the scientists who made them; and he considers the crucial issues of how the discoveries aid our response to global warming.
