Euripides, 2

Euripides, 2

Author: Euripides

Publisher: University of Pennsylvania Press

Published: 1998

Total Pages: 380

ISBN-13: 9780812216295

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One of the Penn Greek Drama Series, this volume, the second of four projected for the series of plays by Euripides, contains three tragedies plus HELEN, which could be called a romantic comedy, and CYCLOPS, the so-called satyr play of disputed authorship.


Brill's Companion to Euripides (2 vols)

Brill's Companion to Euripides (2 vols)

Author: Andreas Markantonatos

Publisher: BRILL

Published: 2020-08-31

Total Pages: 1227

ISBN-13: 9004435352

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Brill’s Companion to Euripides, as well as presenting a comprehensive and authoritative guide to understanding Euripides and his masterworks, provides scholars and students with compelling fresh perspectives upon a broad range of issues in the field of Euripidean studies.


Volume 2, Tome II: Kierkegaard and the Greek World - Aristotle and Other Greek Authors

Volume 2, Tome II: Kierkegaard and the Greek World - Aristotle and Other Greek Authors

Author: Katalin Nun

Publisher: Routledge

Published: 2016-12-05

Total Pages: 333

ISBN-13: 1351874691

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The articles in this volume employ source-work research to trace Kierkegaard's understanding and use of authors from the Greek tradition. A series of figures of varying importance in Kierkegaard's authorship are treated, ranging from early Greek poets to late Classical philosophical schools. In general it can be said that the Greeks collectively constitute one of the single most important body of sources for Kierkegaard's thought. He studied Greek from an early age and was profoundly inspired by what might be called the Greek spirit. Although he is generally considered a Christian thinker, he was nonetheless consistently drawn back to the Greeks for ideas and impulses on any number of topics. He frequently contrasts ancient Greek philosophy, with its emphasis on the lived experience of the individual in daily life, with the abstract German philosophy that was in vogue during his own time. It has been argued that he modeled his work on that of the ancient Greek thinkers specifically in order to contrast his own activity with that of his contemporaries.


Stagecraft in Euripides (Routledge Revivals)

Stagecraft in Euripides (Routledge Revivals)

Author: Michael Halleran

Publisher: Routledge

Published: 2014-06-17

Total Pages: 140

ISBN-13: 1317800303

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In Stagecraft in Euripides, first published in 1985, Professor Michael Halleran examines certain aspects of the dramaturgy of the most extensively preserved Attic tragedian. Although the ancient dramatic texts do not contain performance directions, they do imply stage actions. This work explores the ways Euripides utilises the latter to make a point: to underline some issue, to suggest a contrast, or to shift the focus of the drama. Specifically, Halleran investigates the rearrangement of characters on stage at the major structural junctures of the play: entrances and their announcements; preparation for and surprise in entrances; and dramatic connections between exits and entrances. Three plays from the same era – Herakles, Trojan Women and Ion – are discussed in greater detail to reveal the potential of this approach for illuminating Euripides’ ‘grammar of dramatic technique’. Stagecraft in Euripides will thus appeal to students of theatre and drama as well as classicists.


Euripides: the Children of Heracles

Euripides: the Children of Heracles

Author: William Allan

Publisher: Aris and Phillips Classical Te

Published: 2001

Total Pages: 231

ISBN-13: 0856687405

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The Children of Heracles is a powerful and challenging tragedy of exile and supplication. Driven from their homeland by Eurystheus, king of Argos, the children of Heracles flee as fugitives throughout Greece until they are granted protection in Athens.


A Companion to Euripides

A Companion to Euripides

Author: Laura K. McClure

Publisher: John Wiley & Sons

Published: 2017-01-17

Total Pages: 642

ISBN-13: 1119257506

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A COMPANION TO EURIPIDES A COMPANION TO EURIPIDES Euripides has enjoyed a resurgence of interest as a result of many recent important publications, attesting to the poet’s enduring relevance to the modern world. A Companion to Euripides is the product of this contemporary work, with many essays drawing on the latest texts, commentaries, and scholarship on the man and his oeuvre. Divided into seven sections, the companion begins with a general discussion of Euripidean drama. The following sections contain essays on Euripidean biography and the manuscript tradition, and individual essays on each play, organized in chronological order. Chapters offer summaries of important scholarship and methodologies, synopses of individual plays and the myths from which they borrow their plots, and conclude with suggestions for additional reading. The final two sections deal with topics central to Euripidean scholarship, such as religion, myth, and gender, and the reception of Euripides from the 4th century BCE to the modern world. A Companion to Euripides brings together a variety of leading Euripides scholars from a wide range of perspectives. As a result, specific issues and themes emerge across the chapters as central to our understanding of the poet and his meaning for our time. Contributions are original and provocative interpretations of Euripides’ plays, which forge important paths of inquiry for future scholarship.


Studies in Euripides' Orestes

Studies in Euripides' Orestes

Author: J.R. Porter

Publisher: BRILL

Published: 2018-07-17

Total Pages: 382

ISBN-13: 9004329242

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This work challenges recent critical assessments that emphasize the allegedly subversive elements in Euripides' play. The Orestes is found to present a curious mélange of early and late Euripidean features, resulting in a drama where the tragic potential of Orestes' predicament becomes lost amid the moral, political and situational chaos that dominates the late Euripidean stage. Throughout, emphasis is placed on reading the Orestes in light of Greek stage conventions and the poet's own practice. Of particular interest are: an original examination, in light of Greek rhetorical practice, of Orestes' agon with Tyndareus; an analysis of the Phrygian's monody as a cunning hybrid of Timothean nome and traditional messenger speech; and a re-evaluation of the play's troubling deus ex machina.