As Crimson Romance celebrates its first anniversary, we honor those pioneers who helped shape the direction of romance novels for all of us. Suspense, mystery, paranormal activity and love - always love - have been the cornerstone of the genre since the early 1970s. Now we have updated the covers to these classics - but not the words - and reissued these timeless reads to let you relive the thrill of discovering a world of romance all over again. A captivating, green-eyed heiress, Della Standish had been summoned to Rome to be reunited with her long-lost twin sister, Irma - to share with this beautiful stranger the great family fortune. But from the moment Della entered the opulent halls of the Sanzio Palace, she was encircled by mystery and dark suspicion . . . her life endangered by the satanic power of an Italian noble . . . and her new-found love threatened in a gilt-edged world that hid evil in its secret heart. Sensuality Level: Sensual
Seaton French and Dustin Marley strive to hold on to each other and preserve their bond of love against an array of terrifying enemies. Faced with devastating threats, Sea and Dusty struggle to unravel the conspiracy and expose the conspirators. While dire events unfold, shock and terror trigger Dusty’s personality shifts, and Sea must cope with his beloved’s multiple personalities. Dusty and Sea descend through dissociative psychological states as the conspiracies against them grow stranger and appear to make less and less sense. During their attempts to unravel the threads of the conspiracy, the lovers explore bizarre religions and secret societies that could have ominous consequences. In the end, Dusty and Sea discover the appalling source of their problems and learn that they must survive minute by minute in the grip of soul-shuddering conditions they are powerless to change while they seek redemption in the heart’s eternal desire.
Paranormal researcher Liz Beth's dreams are haunted by a sensual vampire. She arrives in New Orleans the week of Halloween in search of her elusive dream lover, but instead finds a handsome stranger. They begin a passionate affair. Soon she is torn between dreams and reality, lost somewhere in the middle trying to regain reason. She aches to find the vampire of her dreams but can't seem to break free of the spell her sexy stranger has her tangled in.
Haven Moore can't control her visions of a past with a boy called Ethan and a life in New York that ended in fiery tragedy. In our present, she designs beautiful dresses for her classmates with her best friend Beau. Dressmaking keeps her sane, since she lives with her widowed and heartbroken mother in her tyrannical grandmother's house in Snope City, a tiny town in Tennessee. Then an impossible group of coincidences conspire to force her to flee to New York, to discover who she is, and who she was. In New York, Haven meets Iain Morrow and is swept into an epic love affair that feels both deeply fated and terribly dangerous. Iain is suspected of murdering a rock star and Haven wonders, could he have murdered her in a past life? She visits the Ouroboros Society and discovers a murky world of reincarnation that stretches across millennia. Haven must discover the secrets hidden in her past lives, and loves, before all is lost and the cycle begins again.
With Beau's life at stake, will Haven have to forsake Iain for good? Find out in the stunning sequel to The Eternal Ones. Haven Moore would like to believe that Adam Rosier and his sinister Ouroboros Society are a distant memory. But then her best friend, Beau Decker, disappears, and a cabal of women known as the Horae claim that Adam is responsible. The Horae have spent centuries scheming to destroy Adam. They tell Haven that she alone holds the clue to Beau's disappearance--and they'll help her only if she promises to lure Adam into their clutches. It's a plan the Horae believe may save the world, and one Haven and Iain fear may destroy the happiness they've been chasing for two thousand years. Because when Haven gets closer to Adam, he proves more alluring than she ever anticipated.
In this addition to the award-winning Church and Postmodern Culture series, respected theologian Daniel Bell compares and contrasts capitalism and Christianity, showing how Christianity provides resources for faithfully navigating the postmodern global economy. Bell approaches capitalism and Christianity as alternative visions of humanity, God, and the good life. Considering faith and economics in terms of how desire is shaped, he casts the conflict as one between different disciplines of desire. He engages the work of two important postmodern philosophers, Deleuze and Foucault, to illuminate the nature of the postmodern world that the church currently inhabits. Bell then considers how the global economy deforms desire in a manner that distorts human relations with God and one another. In contrast, he presents Christianity and the tradition of the works of mercy as a way beyond capitalism and socialism, beyond philanthropy and welfare. Christianity heals desire, renewing human relations and enabling communion with God.
Studying the work of Joyce, Woolf, Stein and Beckett, Sara Crangle explores the everyday human longings found in Modernist writing. This discussion is set within a framework of continental philosophy, particularly the thinking of Emmanuel Levinas.
In this groundbreaking work a foremost literary and cultural critic turns to the major figure in English literature William Shakespeare and proposes a dramatic new way of reading and performing his works. The key to A Theatre of Envy is René Girards's original expression and application of what he calls Mimetic Theory. For Girard, people desire according to the desires of others. He sees this as fundamental to the human condition and works out its implications in a most convincing and ultimately, easily comprehensible way. Bringing his insights to bear on Shakespeare, Girard reveals the previously overlooked coherence of problem plays like Troilus and Cressida and makes a convincing argument for elevating A Midsummer Night's Dream from the status of entertaining chaotic comedy to a profound and original commentary on the human condition. Shakespeare transforms the crude literary form of revenge tragedy into a profound and prophetic unmasking of violence - even more relevant today than in his time. Throughout this impressively sustained reading of Shakespeare, Girard's prose is sophisticated enough for the academic as well as being accessible to the general reader. Anyone interested in literature, anthropology, psychology and particularly, theology as relevant to the overriding contemporary problems of violence in all its forms will want to read this challenging book. All those involved in theatrical productions and performance will find A Theatre of Envy full of exciting and practical ideas. 'In its enormous breathtaking scope, (René Girard's work) suggests...the projects of those 19th century intellectual giants (Hegel, Marx, Nietzsche and Freud) who still cast such long shadows today. By contrast, contemporary criticism seems paltry and fainthearted.' Comparative Literature René Girard was born in Avignon, read cultural history in Paris and in 1947 went to the USA where he has for the last 50 years held a number of prestigious academic posts. He has written more than half a dozen books, best known of which are, Violence and the Sacred, The Scapegoat, and Things Hidden Since the Foundation of the World, he has also been featured in many interviews and magazine articles. His Martin D'Arcy Lecture - "Victims, Violence and Christianity" - delivered in Oxford in November 1997, aroused the enthusiastic interest of a wide variety of British experts in many fields as well as those involved in the wider and increasingly significant world of contemporary spirituality in all its popular and peremptory expressions. While not giving a naive answer René Girard does provide a profound and practical way to unmask violence not only in Shakespeare's world, but in our own.
The California Lectura Dantis is the long-awaited companion to the three-volume verse translation by Allen Mandelbaum of Dante's Divine Comedy. Mandelbaum's translation, with facing original text and with illustrations by Barry Moser, has been praised by Robert Fagles as "exactly what we have waited for these years, a Dante with clarity, eloquence, terror, and profoundly moving depths," and by the late James Merrill as "lucid and strong . . . with rich orchestration . . . overall sweep and felicity . . . and countless free, brilliant, utterly Dantesque strokes." Charles Simic called the work "a miracle. A lesson in the art of translation and a model (an encyclopedia) for poets. The full range and richness of American English is displayed as perhaps never before." This collection of commentaries on the first part of the Comedy consists of commissioned essays, one for each canto, by a distinguished group of international scholar-critics. Readers of Dante will find this Inferno volume an enlightening and indispensable guide, the kind of lucid commentary that is truly adapted to the general reader as well as the student and scholar.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1998.
