A Taste of Blood Ever since his abduction by the Eternal Order of Vampires, Gray Donohue has finally found his true calling: vengeance. He will stop at nothing to bring his fellow Impure vampires the freedom they deserve. Now if he could just release his primal need for the beautiful vampire who saved his life—and rules his thoughts and desires… After nearly killing the senator she was assigned to protect, Dillon is now in mortal danger. The jaguar within her has been unleashed, and she can no longer control it. Sex is the only thing that can tame her shift. And Gray is the only man who can make her surrender to a passion strong enough to overpower her inner beast. But she doesn’t want to surrender—she wants her life back. Because she is determined never to belong to anyone, especially not Gray—the male whom destiny claims is her mate…
Perfect for fans of From Blood and Ash and A Shade of Vampire - but with added spice!Jak's life has only one meaning; break the curse or die trying. Marius's life has no meaning; not since he was cursed into the twisted, blood thirsty creature of night. For years the witches have waited for their salvation, a way to return the magic that was sacrificed when the curse was first cast. Jak, a boy born with power that the witches have not seen in a century, is their prophesied saviour. The one who is to kill the creature, break the curse and restore magic to his coven. Sent to the creature's castle as the final Claim, Jak must get close enough to land the final blow. It is what he has trained all his life to accomplish. Not all is as it seems when Jak uncovers secrets and half-truths. The creature is not the haunting beast he had been brought up to hate. Emotions war as new feelings are uncovered. For what is more dangerous than hate? Lust. Lord of Eternal Night is a complete, M/M *stand-alone novel*, inspired by Beauty and the Beast? with added bite.
When Erion’s son is kidnapped by the evil vampire Cruen, Erion vows to stop at nothing to find his hideaway—including intercepting the traveling party of Cruen’s beautiful bride-to-be. But instead of a vulnerable caravan, Erion is met by a feral band of female demons that includes Hellen, the bride—a creature of dark magic and darker passion. Though the safety of his son is foremost, Erion can’t deny his unexpected connection to Hellen—inflaming a manic desire as primal as it is irresistible. As their bond intensifies, they move toward an inevitable and terrifying battle. With time running out, Erion realizes he must not only find and rescue his son but protect Hellen from Cruen and the underworld forces waiting to destroy her for her betrayal.
The stunning conclusion to the Mark of the Vampire series from New York Times bestselling author Laura Wright. The violent attack left Synjon destroyed and his lover dead—at the will of the evil vampire Cruen. Syn’s passionate savior was Petra. When she became pregnant with his child, it should have been a blessing—until Syn vanished after discovering the truth: Petra was the daughter of the man he despised above all others. The daughter of Cruen. When Petra’s health begins to decline, she contacts Syn to help save their baby. Though reluctant to see Petra, he cannot turn his back on his own innocent child. But night after night, as his feelings for Petra are rekindled, Syn becomes increasingly torn. Although everyone assumes that Cruen is dead, Syn is not convinced—and is still hell-bent on finding and destroying him once and for all. But will his thirst for vengeance keep him from seeing what is really worth living for before it is too late?
"Bequeathed the Triple C Ranch, the Cavanaugh brothers return home to Texas to confront the painful memories of their childhood and the truth about their sister's murder...."--P. [4] of cover.
Tom's Quest reaches a terrifying climax! If Malvel takes the Warlock's Staff to the Eternal Flame, he will rule all lands forever. But there is one more Beast to battle: Torpix the Twisted Serpent! Only by defeating both Torpix and Malvel will Tom fulfill his Quest...
Mark Berry explores the political and religious ideas expounded in Wagner's Ring through close attention to the text and drama, the multifarious intellectual influences upon the composer during the work's lengthy gestation and composition, and the wealth of Wagner source material. Many of his writings are explicitly political in their concerns, for Wagner was emphatically not a revolutionary solely for the sake of art. Yet it would be misleading to see even the most 'political' tracts as somehow divorced from the aesthetic realm; Wagner's radical challenge to liberal-democratic politics makes no such distinction. This book considers Wagner's treatment of various worlds: nature, politics, economics, and metaphysics, in order to explain just how radical that challenge is. Classical interpretations have tended to opt either for an 'optimistic' view of the Ring, centred upon the influence of Young Hegelian thought - in particular the philosophy of Ludwig Feuerbach - and Wagner's concomitant revolutionary politics, or for the 'pessimistic' option, removing the disillusioned Wagner-in-Swiss-exile from the political sphere and stressing the undoubtedly important role of Arthur Schopenhauer. Such an 'either-or' approach seriously misrepresents not only Wagner's compositional method but also his intellectual method. It also sidelines inconvenient aspects of the dramas that fail to 'fit' whichever interpretation is selected. Wagner's tendency is not progressively to recant previous 'errors' in his oeuvre. Radical ideas are not completely replaced by a Schopenhauerian world-view, however loudly the composer might come to trumpet his apparent 'conversion'. Nor is Wagner's truly an Hegelian method, although Hegelian dialectic plays an important role. In fact, Wagner is in many ways not really a systematic thinker at all (which is not to portray him as self-consciously unsystematic in a Nietzschean, let alone 'post-modernist' fashion). His tendency, rather, is agglomerative,
If we are to believe sensationalist media coverage, Satanism is, at its most benign, the purview of people who dress in black, adorn themselves with skull and pentagram paraphernalia, and listen to heavy metal. At its most sinister, its adherents are worshippers of evil incarnate and engage in violent and perverse secret rituals, the details of which mainstream society imagines with a fascination verging on the obscene. Children of Lucifer debunks these facile characterizations by exploring the historical origins of modern Satanism. Ruben van Luijk traces the movement's development from a concept invented by a Christian church eager to demonize its internal and external competitors to a positive (anti-)religious identity embraced by various groups in the modern West. Van Luijk offers a comprehensive intellectual history of this long and unpredictable trajectory. This story involves Romantic poets, radical anarchists, eccentric esotericists, Decadent writers, and schismatic exorcists, among others, and culminates in the establishment of the Church of Satan by carnival entertainer Anton Szandor LaVey. Yet it is more than a collection of colorful characters and unlikely historical episodes. The emergence of new attitudes toward Satan proves to be intimately linked to the ideological struggle for emancipation that transformed the West and is epitomized by the American and French Revolutions. It is also closely connected to secularization, that other exceptional historical process which saw Western culture spontaneously renounce its traditional gods and enter into a self-imposed state of religious indecision. Children of Lucifer makes the case that the emergence of Satanism presents a shadow history of the evolution of modern civilization as we know it. Offering the most comprehensive account of this history yet written, van Luijk proves that, in the case of Satanism, the facts are much more interesting than the fiction.
Transhumanism is a recent movement that extols man’s right to shape his own evolution, by maximizing the use of scientific technologies, to enhance human physical and intellectual potential. While the name is new, the idea has long been a popular theme of science fiction, featured in such films as 2001: A Space Odyssey, Blade Runner, the Terminator series, and more recently, The Matrix, Limitless, Her and Transcendence. However, as its adherents hint at in their own publications, transhumanism is an occult project, rooted in Rosicrucianism and Freemasonry, and derived from the Kabbalah, which asserts that humanity is evolving intellectually, towards a point in time when man will become God. Modeled on the medieval legend of the Golem and Frankenstein, they believe man will be able to create life itself, in the form of living machines, or artificial intelligence. Spearheaded by the Cybernetics Group, the project resulted in both the development of the modern computer and MK-Ultra, the CIA’s “mind-control” program. MK-Ultra promoted the “mind-expanding” potential of psychedelic drugs, to shape the counterculture of the 1960s, based on the notion that the shamans of ancient times used psychoactive substances, equated with the “apple” of the Tree of Knowledge. And, as revealed in the movie Lucy, through the use of “smart drugs,” and what transhumanists call “mind uploading,” man will be able to merge with the Internet, which is envisioned as the end-point of Kabbalistic evolution, the formation of a collective consciousness, or Global Brain. That awaited moment is what Ray Kurzweil, a director of engineering at Google, refers to as The Singularly. By accumulating the total of human knowledge, and providing access to every aspect of human activity, the Internet will supposedly achieve omniscience, becoming the “God” of occultism, or the Masonic All-Seeing Eye of the reverse side of the American dollar bill.
Far too ignorant of the histories of the rest of the world, being aware of only the accomplishments of Greece, Rome and Europe, Westerners have been made to believe that their societies represent the most superior examples of civilization. However, the Western value system stems from a misconception that, as in nature, human society too is evolving. The idea derives from the hidden influence of secret societies, who followed the belief in spiritual evolution of the Kabbalah, which taught that history would attain its fulfillment when man would become God, and make his own laws. Therefore, the infamous Illuminati gave its name to the Enlightenment of the eighteenth century, which claimed that human progress must abandon "superstition," meaning Christianity, in favor of "reason." Thus the Illuminati succeeded in bringing about the French and American revolutions, which instituted the separation of Church and State, and from that point forward, the Western values of Humanism, seen to include secularism, human rights, democracy and capitalism, have been celebrated as the culmination of centuries of human intellectual evolution. This is the basis of the propaganda which has been used to foster a Clash of Civilizations, where the Islamic world is presented as stubbornly adhering to the anachronistic idea of "theocracy." Where once the spread of Christianity and civilizing the world were used as pretexts for colonization, today a new White Man's Burden makes use of human rights and democracy to justify imperial aggression. However, because, after centuries of decline, the Islamic world is incapable of mobilizing a defense, the Western powers, as part of their age-old strategy of Divide and Conquer, have fostered the rise of Islamic fundamentalism, to both serve as agent-provocateurs and to malign the image of Islam. These sects, known to scholars as Revivalists, opposed the traditions of classical Islamic scholarship in order to create the opportunity to rewrite the laws of the religion to better serve their sponsors. Thus were created the Wahhabi and Salafi sects of Islam, from which were derived the Muslim Brotherhood, which has been in the service of the West ever since. But, the story of the development of these Islamic sects involves the bizarre doctrines and hidden networks of occult secret societies, being based on a Rosicrucian myth of Egyptian Freemasonry, which see the Muslim radicals as inheritors of an ancient mystery tradition of the Middle East which was passed on to the Knights Templar during the Crusades, thus forming the foundation of the legends of the Holy Grail. These beliefs would not only form the cause for the association of Western intelligence agencies with Islamic fundamentalists, but would fundamentally shape much of twentieth century history.
