The Complete Engravings, Etchings and Drypoints of Albrecht Drer

The Complete Engravings, Etchings and Drypoints of Albrecht Drer

Author: Albrecht Drer

Publisher: Courier Corporation

Published: 1972-06-01

Total Pages: 255

ISBN-13: 0486228517

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All of Dürer's works in three mediums are reproduced in this edition. Among them are his most famous works, Knight, Death and Devil; Melencolia I; and St. Jerome in His Study. Also included are portraits of his contemporaries, including Erasmus of Rotterdam and Frederick the Wise, as well as six engravings formerly attributed to Dürer.


Engraving and Etching, 1400-2000

Engraving and Etching, 1400-2000

Author: Ad Stijnman

Publisher: Hes & De Graff Pub B V

Published: 2012

Total Pages: 0

ISBN-13: 9789061945918

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"This comprehensively illustrated study is the first of its kind to cover all elements of the trade of engraving and etching throughout six centuries"--Publisher's website.


How to Identify Prints

How to Identify Prints

Author: Bamber Gascoigne

Publisher:

Published: 2004

Total Pages: 208

ISBN-13: 9780500284803

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Arranged in self-contained sections the book simplifies accurate identification of any printed image. Included are manual methods, and also the mechanical processes that constitute the vast majority of printed images. Essential aspects of printing history and the printmaking craft are covered and examples are given of the identifying features that help to reveal the type of print.


The Renaissance of Etching

The Renaissance of Etching

Author: Catherine Jenkins

Publisher: Metropolitan Museum of Art

Published: 2019-10-21

Total Pages: 311

ISBN-13: 1588396495

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The Renaissance of Etching is a groundbreaking study of the origins of the etched print. Initially used as a method for decorating armor, etching was reimagined as a printmaking technique at the end of the fifteenth century in Germany and spread rapidly across Europe. Unlike engraving and woodcut, which required great skill and years of training, the comparative ease of etching allowed a wide variety of artists to exploit the expanding market for prints. The early pioneers of the medium include some of the greatest artists of the Renaissance, such as Albrecht Dürer, Parmigianino, and Pieter Bruegel the Elder, who paved the way for future printmakers like Rembrandt, Goya, and many others in their wake. Remarkably, contemporary artists still use etching in much the same way as their predecessors did five hundred years ago. Richly illustrated and including a wealth of new information, The Renaissance of Etching explores how artists in Germany, the Netherlands, Italy, and France developed the new medium of etching, and how it became one of the most versatile and enduring forms of printmaking. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}